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January 2017

Visit From a Blackstar – David Bowie’s Final Works One Year Later

in Blog/Uncategorized by
David Bowie

David Bowie died a year ago today. This was the first of several mornings in 2016 that began in complete disbelief. At the heart of each one of those shocks was the richness of detail with which one could visualise each successive failed future: defeated Brixiteers loudly priding themselves on the fact that almost half of Britain dislike the EU, clamouring for a second referendum; Trump supporters denouncing the presidency as satanic; op-eds everywhere detailing just how close we got to Armageddon.

With Blackstar, Bowie had proved the efficacy and productivity of his late self-imposed obscurity. How many more of his albums would have suddenly revealed themselves over the coming years?

He would have been 70 on Sunday, but he won’t need the conveniences of calendars to be remembered. Blackstar managed to survive a year of thinkpieces, in part because its connection to the loss that immediately followed it meant that every mention of that album is a veiled or overt act of mourning and memorialising. It was without any doubt the album that defined that year for us, and each time we hear it, it reenacts the surprise of first hearing it, and the surprise of waking up two days later.

It’s an album of great conviction, that still baffles. We will analyze and over-analyze it for a generation, and every time we think we’ll have reached a conclusion, some new Easter egg in the artwork will be discovered and we’ll begin again.

The newly-released No Plan EP is little more than a teasing of what might have been. There was obviously no time to create something as fully realized as his final complete album. Will we search these final few songs for answers the way we scraped Blackstar? No, we’ll just happily accept any scraps that try to piece together what we lost. We’ll force ourselves to be content with Blackstar as the perfect farewell it has become, whether or not it was intended to be.

PHOTOS OF THE YEAR 2016

in Photos by
Mø

Photos by Morten Aagaard Krogh, Tom Spray and Amanda Farah

Mø (photo by Morten Aagaard Krogh)
PJ Harvey
PJ Harvey (photo by Morten Aagaard Krogh)
Fat White Family performing live at Loppen (photo: Morten Aagaard Krogh)
Fat White Family (Photo by Morten Aagaard Krogh)
Courtney Barnett (Photo by Tom Spray)
Savages
Savages (photo by Morten Aagaard Krogh)
Bob Hund live (photo Morten Aagaard Krogh)
Le Butcherettes (photo by Amanda Farah)
Action Bronson
Action Bronson (photo by Morten Aagaard Krogh)
Chvrches (photo by Tom Spray)
A Place To Bury Strangers performing at Loppen in Copenhagen
A Place To Bury Strangers (photo by Morten Aagaard Krogh)
Puce Mary (photo by Morten Aagaard Krogh)
Puce Mary (Photo by Morten Aagaard Krogh)
Bisse
Bisse (photo by Morten Aagard Krogh)
Jackie Lynn
Jackie Lynn (photo by Morten Aagaard Krogh)
Gojira (photo by Morten Aagaard Krogh)
Wiz Khalifa
Wiz Khalifa (photo by Tom Spray)
mac demarco live roskilde festival
Mac Demarco (photo by Tom Spray)
Angel Olsen Live in Copenhagen
Angel Olsen (photo by Amanda Farah)
guardian alien live roskilde festival
Guardian Alien (photo by Morten Aagaard Krogh)

 

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