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LIVE REVIEW: Roskilde Festival Day 1, 29.06.2016

in Live Reviews by
at the drive-in live roskilde

Reviews by Amanda Farah and Jesper Gaarskjær

Africa Express presents the Orchestra of Syrian Musicians — Orange

If there was one flaw in the Africa Express set from last year, it was timing. The four-hour performance started at about 10pm on the last night of Roskilde, and as marvellous as it was, we simply didn’t have the energy left to stick it out.

So Africa Express presents the Orchestra of Syrian Musicians with Damon Albarn and Guests (not the snappiest title, to be honest) was a wonderful way to open the Orange Stage. And with this set running only two hours, there was no threat of Albarn being carried off the stage again, though of course it was mentioned.

This night was not about Albarn, though. Aside from an extended version of “Out of Time,” where Arabic string arrangements melted the song into something romantic and beautiful, and a cover of the Beatles’ “Blackbird,” sung with the Syrian choir and Julia Holter, he remained in the background. Even from the perspective of a longtime fan of his work, that’s fine, because the best moments of the set belonged to other performers.

Mounir Troudi not only floored us with his voice, but is so delightful to watch in his performance with his enormous smile and fanciful dancing that it’s almost unbearable. Someone please bring him to Koncerthuset so we can enjoy a full concert. Lebanese/Algerian artist Malikah, performing with both Noura Mint Seymali and with Bu Kolthoum, has us realizing that we need more Arabic hip-hop in our lives.

And lest anyone doubt the political nature of this performance, Albarn opened the set by declaring “keep borders open” and ended it with his fellow musicians leading the crowd in a chant of “Syria.” Well said. Welcome in. — AF

Aurora — Pavilion

Standing there in her thin black dress and golden jacket and shining with her pale, smiling face, obviously grateful for the people crowding this years’ first concert at Pavilion. And then she starts singing, Aurora Aksnes, 19 year old from Norway, and nothing is stronger than the voice from this young, tiny woman.

She really can make some unbelievable sounds with her voice, both on record and not least live at Roskilde, that just fits her gripping, explosive electro pop-songs somewhere between Björk and Sia. That was the formula from the minute she entered the stage until she left only 40 minutes later, leaving the crowd hungry for more of her pop songs that have this cold Nordic melancholy underneath it all.

aurora live roskilde

This really was a lively concert, but that was also the weakness of her performance. It was too much the same pop formula, and that was a shame. Aurora is so, so talented, and she makes adorable pop songs like the irresistible “Running With The Wolves” — which also lifted the concert to pure magic — but she is also very interesting, when she is vulnerable in a more acoustic setting, and that side of her could have varied the show.

Instead she chose the safe path. It also left her too bound to the microphone — and therefore dancing too little to her own beats, making her performance too static. Because she did dance, especially during her last few songs, and when she did it all went ecstatic and made the crowd wonder, why she was only on stage for 40 minutes. Way too short for such a gorgeous singer. — JG

At the Drive-In — Arena

The archival footage of At the Drive-In from their initial run (which ended in 2000) shows a band that could easily destroy a stage and possibly themselves. Sure enough, within three songs, an amp head has been lost, a speaker has been toppled, and frontman Cedric Bixler is scaling the rubble and making life difficult for whatever poor manager is responsible for repositioning their abused equipment.

It’s what was hoped for, but it’s not sustained at that level. Though watching Bixler swing his mic stand around during “Invalid Litter Dept.” makes me afraid for the safety of the band members around him and anyone within throwing distance of the stage, the mid-set song list slowly devolves from crunchy to spacier tracks that would likely appease any Mars Volta fans that had wandered in.

at the drive-in live roskilde

Bixler’s between song banter is as unpredictable as his physical performance, with comments ranging from the abstract to the inspirational anyone-can-do-this to the reflective. Whether or not it’s a standard line of his, it’s seems genuine when he thanks the crowd for caring about a band that broke up 16 years ago and never played venues of this size.

That’s the note on which they launch into “One Armed Scissor,” the only song they could end their set on. And it sounds way tighter than any of the old videos ever suggested. And all of the energy they started with is there in droves. If the new material that’s been rumored ever surfaces, you can’t blame us for holding it to this standard. — AF

Alex Vargas — Gloria

The ingredients are simple: You take a soulful voice. You take some intriguing beats and some guitar. And then you mix it with raw energy and a utterly talented performer. In the bowl you get Alex Vargas, who made a mind-blowing performance in a totally packed Gloria, leaving hundreds of people disappointed outside.

His voice goes from deep and rootsy to precise falsetto, without any sign of uncertainty whatsoever, and complemented by overwhelming visuals in the dark room of Gloria. These features transformed the room into a feeling of music, of rhythms, of pureness and art. And it lifted the concert to heights that are be revealed on much larger stages in the coming years for the 28-year-old, gifted Danish musician. For sure. — JG

Hinds — Pavilion

Hinds are fresh off their appearance at Glastonbury, and apparently they had a rough time of it. As such, they’re rather happy to be at Roskilde, and the packed Pavilion stage seems just as happy to have them.

The Spanish quartet combine a little surf with a little rockabilly, some very pretty vocal harmonies, and a whole lot of party. There are plenty of surf revival bands out there, but Hinds knows how to sell it, bouncing around with endless energy, posing like a hair metal band, and singing so sweetly it almost seems like a con.

hinds live roskilde

They ended their set by coyly relating how their final song usually prompts stage invasions, before a ready volunteer presented himself and one of the guitarists launched herself into the crowd. If we see any other band this festival with as much sheer joy as Hinds exudes, we’ll be very lucky indeed. — AF

Red Hot Chili Peppers — Orange

One question rose above all in front of the Orange stage this beautiful evening: Would Red Hot Chili Peppers make up for the disaster of their last visit?

It’s fair to say that the headlining concert had a pre-history after Anthony Kiedis & Co made their scandalous bad performance on the same stage nine years ago, leaving the crowd and critics stunned, some even asking the festival to get their money back. And the answer to the question is a clear and profound no.

The reason is a lazy and limp performance, especially from singer Anthony Kiedis. To be fair, it actually seemed that the rest of the band tried to put in an energetic performance. Flea was Flea, a purple-pink-haired dynamo circling around the stage in a suit that made him look like some gear from outer space. And both the permanent John Frusciante-replacement Josh Klinghoffer, guitar, and Chad Smith, drums, seemed to invest themselves in the songs, with  Klinghoffer notably putting some soul in the strings. But it all faded in the light of Kiedis and his Bermuda shorts. He went on and off the stage and looked like someone who did not know why he was on that stage this evening. And somewhere between the sing-alongs “Scar Tissue” and “Californication”, the dull jam-sessions and songs from their latest, quite excellent record The Getaway, the question appeared: Are they really happy being up there on stage?

In their 90 minutes set, the iconic band did not do much to convince that they have a future in such big venues. And when their past with so many strong and even immortal songs plays such a small and weak part in their setup, the answer to all this is even more doubtful — and the performances of “Under The Bridge” and “Give It Away” were oddly trivial.

It just seems that Roskilde Festival and Red Hot Chili Peppers are a bad match, and the festival should have no intentions of getting them back on that stage. Ever. — JG

Föllakzoid — Pavilion

The last show of the evening was a journey with three space cadets of trance rock. These guys do live what they do on record, delivering repetitive, looping ten minutes moods, slowly building towards the climax and echoing krautrock-explosions, when they stepped out of the dark shadows on stage. Föllakzoid suited the venue and the after-midnight-atmosphere perfectly, transforming the Pavilion to a late night dance party that could just go on and on and on and on and never stop, before entering space in the dead of night, tired and fortunate. — JG

VIDEO: First Hate – “Holiday”

in Blog/New Music by

First Hate will be embarking on Roskilde Festival exactly a week today when they headline the Countdown stage on Monday 27th June, as a summer treat they’ve released new single “Holiday”. The track plus the video for the track was composed and directed while on the road in China earlier this spring. Speaking about the single, frontman Anton Falck Gansted had this to say about the process of writing and directing.

“I wrote the song and started producing it while we were riding on trains & airplanes across China. Driving through smog polluted valleys and endless forests of skyscrapers, it gave this odd impression of being in a parallel dystopic dimension somewhere in the future. The music was supposed to be the soundtrack of looking back to before the end of the world to times where mankind hadn’t already destroyed the planet. When we came back to Copenhagen and finished the track it ended up being about looking back at life and remembering the good times, times when you’re in a new relationship or for me just thinking back to the times when myself and Joakim first met and spent our first summer together.”

“This new track is kind of the warm up before we start recording our debut album, we did a lot of things differently this time, working with some good friends and talented people (Patrick Kociszewski & Bastian Emil) who recorded bass and drums for us. In the end it’s a holiday track and we’ve had to have fun making it.“

“The video is a bunch of homemade videos we shot while on our tour in China last month. Fused with some photo booth shots of me singing in front of the computer. It’s a way for us to be able to look back at these times and remember them once we’ve grown up.”

Live dates:
27.06.2016 – Roskilde Festival, Roskilde, DK
08.07.2016 – Le Point Ephemere, Paris, FR (Tickets)
09.07.2016 – SCP Festival, London, UK (Tickets)
21.07.2016 – Boomtown, Gent, BEL (Tickets)
12.08.2016 – Sodabar, San Diego, USA
13.08.2016 – Berserktown, LA, USA
15.08.2016 – Empty Bottle, Chicago, USA
17.08.2016 – Nothing Changes, New York, USA
14.09.2016 – The Waiting Room, London, UK
15.09.2016 – Wharf Chambers, Leeds, UK
16.09.2016 – The Lughole, Sheffield, UK
17.09.2016 – Jumpin Jacks, Newcastle, UK
29.09.2016 – Atlas, Aarhus, DK (Tickets)
30.09.2016 – Pumpehuset, Copenhagen, DK (Tickets)
05.11.2016 – Cønjuntø Vacíø Festival, Barcelona, ESP

Watch the video for “Holiday” below:

SESSION: Wangel

in Sessions by
Wangel - Photo: Lasse Dearman
Wangel, the musical collaboration between singer-songwriter Peter Wangel and producer Kasper Ejlerskov Leonhardt, began in 2013. Their debut single, ‘Seoul’, went straight into heavy rotation on Danish national radio P3 soon after. Last year Wangel performed on the Roskilde Festival’s Rising stage and recently Freedom, their first full length album, was released on Playground Music. Here Today invited Wangel to perform a couple of songs live at Black Tornado Studios. We are proud to present ‘Spinning Head’ and ‘You’ve Got To Say It Loud’ from Freedom.

Credits:
Edited by Morten Aagaard Krogh (http://mortenkrogh.com)
Filmed by Morten Aagaard Krogh, Johan Ask Pape (http://velvetproductions.dk), Tim Panduro and Johannes Leszinski.
Sound engineer: Troels Damgaard Holm
Mixed and mastered by: Kasper Leonhardt
Produced by Here Today

 

 

PHOTOS: Fat White Family, Loppen, 24.05.2016

in Photos by
Fat White Family

Photos: Morten Aagaard Krogh (mortenkrogh.com)

Fat White Family performing live at Loppen (photo: Morten Aagaard Krogh)

Fat White Family performing live at Loppen (photo: Morten Aagaard Krogh)

-2300HOFat White Family performing live at Loppen (photo: Morten Aagaard Krogh)

Fat White Family performing live at Loppen (photo: Morten Aagaard Krogh)

DFI Musikfilm Festival 2016: Our Picks

in Uncategorized by

Copenhagen’s Cinemateket is back with another edition of Musikfilm Festival, a film festival dedicated to music documentaries, rockumenatries, gigumentaries and more neologisms we can’t be bothered to come up with right now. It’s a chance to see what goes on behind the scenes of the music world, as well as a celluloid window into some of the most mythical concerts of the last half century. Behold, our picks for the coming week:

Daft Punk Unchained (Saturday, 16:30)

The festival opens with the (free!) showing of Daft Punk’s odyssey from the brash kings of ‘French touch’ to the robot-headed, disco overlords of today. Expect lots of teasing about “the men behind the masks”, hordes of celebrities quite rightly, if self-servingly, gushing over them, and the burgeoning realization that Homework is still the best thing they ever did. CC.

Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle (Sunday, 17:30)

Kate McGarrigle’s death in 2010 was a major loss for folk music, and the musical family she left behind. Her children, Martha and Rufus Wainwright, have McGarrigle’s influence written all over their careers (sorry Loudon), which they drive home with this tribute concert from 2011. Brace yourself for added emotional intensity from personal photographs and anecdotes, and because no one does emotional intensity quite like the Wainwright/McGarrigle family. AF.

Industrial Soundtrack for the Urban Decay (Tuesday, 21:30)

It’s all in the name, really. If you’re into brutalist architecture, the clanging of metal, and that peculiarly British sense of liberation through grimness, this is the film for you. Starting with industrial legends like Throbbing Gristle and Cabaret Voltaire, the film looks at the influences and influence of the genre that bridged the gap between pop music, avant-garde art and post-modern theory. CC.

Ziggy Stardust and the Spiders from Mars (Tuesday, 21:45 and Sunday, 19:15)

If you’re still feeling sad about Bowie, you can find one of a million rips of Cracked Actor on YouTube, or you can sit in on one of these screenings with a room full of other people sharing your feelings. This classic 1973 concert film is young Bowie in all of his technicolor splendor and still offers the right amount of weird more than 40 years later. We’re not saying we’ll cry during “Rock ‘n’ Roll Suicide,” but we’d appreciate it if you’d avert your eyes. AF.

The Possibilities Are Endless (Wednesday, 19:00)

Edwyn Collins is the former Orange Juice frontman, Postcard Records founder, and the guy behind “A Girl Like You,” which his been licensed a million times. His role as respected indie stalwart was nearly destroyed after a brain hemorrhage left him paralyzed down his right side and only able to say “yes,” “no,” his wife’s name, and “the possibilities are endless.” Yet Edwyn is still writing and recording music today, and this is the story of how. AF.

Mavis! (Thursday, 19:15)

Mavis Staples is surely one of the perfect subjects for a documentary film: a lifetime of music, civil-rights activism, and a never-ending string of collaborations with the great and the good in American music (her latest album includes songs written for her by Nick Cave, Neko Case and Bon Iver’s Justin Vernon). Take a gander and find out just why everyone wants to work with Mavis, and why Bob Dylan wanted to marry her. CC.

Hot Sugar’s Cold World (Thursday, 21:15)

After splitting up with his girlfriend, field-recording musician Hot Sugar goes hunting for new sounds in Paris. It sounds more like a Tao Lin novel than a music documentary, but if you didn’t convulse with rage while reading Taipei you can probably take this too. But I will admit that this film first sparked my interest because I was not expecting to read the names of both Jim Jarmusch and Neil deGrasse Tyson in the blurb. CC.

The Amazing Nina Simone (Friday, 19:15)

Look, the forthcoming Nina Simone biopic is a trash fire that’s already started smoldering. Forget it exists and look instead to this  semi-authorized documentary about Simone’s incredible work as a jazz singer, a protest singer, and a civil rights activist. It won’t downplay the controversy the music or the person; Simone was a complex character of the sort Americans could take inspiration from in an election year. Let’s not let that be upstaged by a controversial casting decision. AF.

PHOTOS: Puce Mary | Damien Dubrovnik | Internazionale | Mats Erlandsson, Mayhem Kbh, 30.03.2016

in Photos by
Puce Mary (photo by Morten Aagaard Krogh)

Photos by Morten Aagaard Krogh (mortenkrogh.com)

Internazionale (photo by Morten Aagaard Krogh)
Internazionale (photo by Morten Aagaard Krogh)
Mats Erlandsson (photo by Morten Aagaard Krogh)
Mats Erlandsson (photo by Morten Aagaard Krogh)
Damien Dubrovnik (photo by Morten Aagaard Krogh)
Damien Dubrovnik (photo by Morten Aagaard Krogh)
Damien Dubrovnik (photo by Morten Aagaard Krogh)
Damien Dubrovnik (photo by Morten Aagaard Krogh)
Puce Mary (photo by Morten Aagaard Krogh)
Puce Mary (photo by Morten Aagaard Krogh)
Puce Mary (photo by Morten Aagaard Krogh)
Puce Mary (photo by Morten Aagaard Krogh)

 

PHOTOS: Deafheaven, Amager Bio, Copenhagen, 17.03.2016

in Photos by

Photos by Tom Spray

Deafheaven (Photo by Tom Spray)

Deafheaven (Photo by Tom Spray)

Deafheaven (Photo by Tom Spray)

Deafheaven (Photo by Tom Spray)

Deafheaven (Photo by Tom Spray)

Deafheaven (Photo by Tom Spray)

Myrkur

Myrkur (Photo by Tom Spray)

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