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VIDEO: Metro Cult – Transparent

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A new video is out by the Danish post-punk band Metro Cult. Directed by Johannah Jørgensen the video makes great use of Copenhagen’s architecture transforming the city into a bleak concrete backdrop. Their new EP is out today (May 14th) on Mass Media Records.

AUDIO: Soho Rezanejad – ‘Idolatry’

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Soho Rezanejad former member of Gold Lip and collaborator with Lust For Youth and Kasper Bjørke, has shared her debut single ‘Idolatry’ today (11th May). Generating dark pop anthems with her seductive baritone vocals, Soho explores the sinister areas of electronic-pop. A debut EP is on the horizon with a rough date scheduled of fall 2015.

Listen to ‘Idolatry’ below:

LIVE REVIEW: Screaming Females, Loppen, 28.04.2015

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Screaming Females

[inlinetweet prefix=”” tweeter=”” suffix=””]Much is made of Screaming Female’s frontwoman Marissa Paternoster’s guitar playing, and rightfully so[/inlinetweet]. Her technique is hard to match, but while she can shred like it’s nobody’s business, she has an intuition that makes Screaming Female’s music interesting and tactful rather than a wanton display of her skills.

Live, however, you can’t downplay the significance of the band’s rhythm section. The bass in particular contributes so much to the propulsion of each song, and is what gives their set a punk feel, even though Paternoster’s riffs take them far away from that territory.

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This is a band with enough confidence to turn their backs to the audience, to repeatedly form a tight circle around drummer Jarrett Dougherty’s kit and play for themselves, and yet their energy is fantastic. Because when they are facing the audience, Paternoster twists her body in determined, broad movements and swings her hair with a tact that could only have been learned by watching MTV in the early 90s, and enough sweat is flung off of bassist King Mike’s hair to make us all feel a little gross but in a largely good way.

But there’s a huge shift with the intro to “Hopeless.” It’s the first time we really hear Paternoster’s voice clearly, and it’s rich and soulful and quickly supplanted once again by her usual growl.

They end the night first with King Mike handing off his bass to an enthusiastic young man and giving him an impromptu lesson. Paternoster steps off the stage and the two pair crumple to the floor before she, too, hands off her guitar for another member of the audience to take over. It’s fun, an anti-rock star move worth a good laugh (and given the monetary and potential sentimental value of one’s instruments, it’s brave, too), and it brings the night to a definite if surprising close.

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PHOTOS: White Hills, Loppen, 14.04.2015

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Photos by Morten Aagaard Krogh (mortenkrogh.com)

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PLAYLIST: Here Today’s Concerts – April

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We have updated our “Here Today Concerts” playlist.

The Twilight Sad (Loppen, 03.04.2015)

The Twilight Sad has just released their fourth studio album, Nobody Wants to Be Here and Nobody Wants to Leave, to raving reviews.  Drowned In Sound wrote:  “The Twilight Sad gave birth to one of the greatest British debut albums in living memory. That was in 2007 and just seven years later they’ve given us an indication that they could attain greatness on a par with MBV or The Jesus and Mary Chain. Hell, carry on like this and we’ll be comparing them with The Cure.” Sounds like a band you want to hear, right?

Eyehategod (Loppen, 07.04.2015)

Wearing earplugs to an Eyehategod show is as effective as wearing a bulletproof vest to a catapult festival. As veteran purveyors of sludge metal, the New Orleans outfit grind out blood-encrusted songs that fall on the exploding end of the noise spectrum. Their music is the sound gravity makes with a limitless supply of anvils and anchors, the spectacle of which will be well worth the price of admission.

Kate Tempest (Vega, 13.04.2015)

The obvious reference point to Kate Tempest debut album Everybody Down is the Streets’ second album, A Grand Don’t Come for Free. It is a conceptual album that tells the story of three characters battling loneliness in the big city, with each song representing a new chapter; a rather ambitious undertaking which the young Londoner gets away with quite well.

Calexico (Amager Bio, 14.04.2015)

Calexico specializes in music of the soul by sunset, a style and attitude inherent to the group’s home in the Mexican-American borderlands of Tucson, Arizona. Combining the warm acoustic arrangements of country and the brassy orchestration of Mexican folk music, they can get big and loud without being unwelcoming. Their forthcoming album Edge of the Sun is set to release on April 14, the day of their show at Amager Bio. If ever there were a time and a place…

White Hills (Loppen, 14.04.2015)

Psychedelic New-Yorkers White Hills haven’t released much material in the last couple of years, but that hasn’t kept them out of the lime-light. An appearance on Only Lovers Left Alive–a scene in which the vampiric Tilda Swinton, Tom Hiddelston and Mia Wasikowska gloomily headbang to the band in a Detroit club–has cemented their reputation as purveyors of far out cool. Loppen is certainly an appropriate venue for a band with the Jim Jarmusch seal of approval.

Grouper (Jazzhouse, 21.04.2015)

Having listened to Ruins, Liz Harris’ latest album as ambient act Grouper, it’s difficult to picture exactly what kind of performance she will put on at Jazzhouse. How do you haunt a stage the way that album haunts the mind? Undoubtedly with the aid of smoke and mirrors. Even if all that means is a bit of dry ice and some mood lighting, the aural component is smoke you can’t blow out, a mirror you can’t turn away from.

Moon Duo (Stengade, 22.04.2015)

If the East Coast psychedelia of White Hills isn’t enough for one month, Moon Duo are coming to Copenhagen to represent the West Coast. On the back of their latest critically-acclaimed album, Shadow of the Sun, the Duo will be kraut-rocking through Europe, leaving behind them a trail of burned rubber and broken speakers.

Colin Stetson (Jazzhouse, 22.04.2015)

Stetson’s New History of Warfare trilogy, recently completed, has gone a long way in redefining the capabilities of the saxophone. Thanks to circular breathing techniques and microphones inserted in strange places, Colin Stetson has turned the usually jaunty sax into an instrument of bleak and violent landscapes. Eerie pulsations and terrifying screeches are the order of the day, and we look forward to experiencing them in Lynchian environment of Jazzhouse.

Screaming Females (Loppen, 28.04.2015)

Actually there is only one female in the New Jersey Punk outfit Screaming Females, Marissa Paternoster. Even though she is tiny, she fills the stage in a way that stops the question “why are they called that then?” popping into your head. Her powerful vibrato and brutal guitar work is hard to match. Their 2012 album Ugly was recorded with Steve Albini and gained praise with publications such as Pitchfork. On their new album Rose Mountain the band explores new territory which results in a more refined sound which holds great promise for the future.

AUDIO: The Soft Moon ‘Deeper’

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Photo by Morten Aagaard Krogh (mortenkrogh.com)

Post-punk on peyote, maybe? Descriping The Soft Moon is not an easy task. Being the brain child of singer-songwriter Luis Vasquez, the synth-based project is minimal, yet challenging. You can now stream the new album ‘Deeper’ at NPR – and make sure to get tickets for their concert at Loppen in May: Soft Moon live at Loppen in Copenhagen on May 20th 2015

PLAYLIST: Sónar Copenhagen

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Since its beginning in Barcelona in 1994 the electronic music festival Sónar has expanded to over 46 cities acros the globe. This weekend Sónar is coming to Copenhagen. We have made a little selection of artists that will be playing the festival.
With a slight focus on local artists, our playlist spans the electronic pop of Kwamie Liv to the techno-infused avant-garde industrial soundscapes of artists like Puce Mary and Vessel.

Sekuoia

Sekuoia, the moniker of Alexander Bech Madsen, produces atmospheric and dreamy electronica with dry beats and synths. Listen to Here Today’s session with Sekuoia from last year, as well as the one Sekuoia recorded together with Ice Cream Cathedral.

Vessel

In 2014 Vessel released their second studio album, Punish, Honey, described by Sonar as “one of 2014’s most stimulating and challenging”. Drowned In Sound wrote “It’s broodingly mechanic, and yet harrowingly human; it’s truly Bristolian, and neither futuristic nor nostalgic; it’s simply and unignorably now.”

Tri Angle, Vessel’s label, is also home to artists like Haxan Cloak and Forrest Swords.

Kwamie Liv

Kwamie Liv is on the rise. Big time. Simple as that.

Factory Floor

Factory Floor is a band that has to be seen live. With influences that range from Throbbing Gristle to Depeche Mode their sound combines dark and industrial tones with a rapturous rhythm section.

AV AV AV

AV AV AV was formed in late 2013 by three already established names on the danish electronc scene: UNKWON, ELOQ AND DJ E.D.D.E.H. They first track ‘All Good’ became a summer essantial and since then AV AV AV has progressed at a steady pace, with a big show at DR Koncerthuset and a spot on the poster for Roskilde Festival 2015.

Puce Mary

When Frederikke Hoffmeier goes on stage she is Puce Mary, an artist known for her experiental music, shifting from sound art over minimal synth to techno. Puce Mary is released on labels such as Posh Isolation, Freak Animal and Ideal Recordings.

Taragana Pyjarama

Taragana Pyjarama’s debut album was relased on the German label Kompakt, which is about as high as you can get when it comes to European electronic dance music and ambient pop. Before that – in 2011 – he had an EP out on French label Fool House. His sound has been compared to artists like Panda Bear. Taragana Pyjarama’s latest release, Nothing Hype, is published on Wyrd, his own label. Here Today did a session with him in 2013 which you can listen to below.

Sonar Copenhagen will take place on the 13. & 14. of March 2015

VIDEO: Rangleklods ‘Lost U’

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Rangleklods

Two years after releasing their debut album Beekeeper, Danish electronic duo Rangleklods (Pernille Smith-Sivertsen and Esben Nørskov Andersen) has a new album named straitjacket coming up. The first single from their upcoming album is “Lost U”.  Watch the video produced by Copenhagen/Berlin based Cyan Studios below:

PLAYLIST: Here Today’s Concerts

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The month of March will not only be treating us with some exciting concerts, but also Sonar Festival (March 13-14). We have updated our “Here Today Concerts” playlist with a few selected artists that you might want to spend a night listening to. Among them are Dean Blunt, Jessica Pratt, Yung (tonight with Total Heels), Ex Hex and Wounded Kings.

Yung + Total Heels (Stengade, 04.03.2015)

As the music scene centered around Mayhem is becoming more widely known, you might be fooled into thinking that it is the only place to go underground in Denmark. That is not the case, though, as Aarhus has it’s own very lively scene. Yung is one of the most promising bands that have emerged from there in the last few years. Tonight (March 4. 2015) they will be playing Stengade along with another great band: Total Heels. Didn’t make it to any of Iceage’s sold out shows at Jazzhouse last week? Well don’t worry, good times are waiting at Stengade. [Link to event.]

Ex Hex (Loppen, 05.03.2015)

According to The Guardian’s 5 star review of Ex Hex’s 2014 album, Rips, the band “sit somewhere near the middle of a Go-gos/Ramones/Sleater-Kinney Venn diagram, and join latterday power-pop aces like Warm Soda, the Love Triangle and Sheer Mag in making some of the most endlessly repeat-listenable should-be-hits of recent years.”

What else is there to say, sounds fun, right? [Link to event.]

Dean Blunt (Jazzhouse, 20.03.2015)

Dean Blunt, who plays Jazzhouse on the 20th of March, is an interesting new breed of experimental lo-fi R&B, dub and electronica. Last year he released the album Black Metal to great critical acclaim.

Dean Blunt is also one half of Hype Williams. [Link to event.]

Jessica Pratt (Stengade, 28.03.2015)

San Fransisco born singer-songwriter Jessica Pratt has just released her second album, On Your Own Love Again. Forget laptop wall-of-sound productions, Jessica Pratt made her album on an analogue 4-track recorder with little more than a guitar and her voice. As Pitchfork writes, it worked out really well: “Its warm, home-recorded atmosphere is more dramatic and distinctive than Jessica Pratt [her debut album]: finger-picked psychedelia, lucidly layered harmonies, hissy tape effects, an overcast haze. But Pratt’s songwriting is more cohesive and concise, her whispered secrets more alluring”. [Link to event.]

Wounded Kings (Loppen, 18.03.2015)

Life can not always be expressed in freak-folk and “repeat-listenable should-be-hits”. Sometimes you need a bit of doom metal and this is where The Wounded Kings enter the scene. Their latest album Consolamentum has received great praise among reviewers. If you sometimes find yourself nodding along to Black Sabbath, Wounded Kings are worth considering. [Link to event]

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