Two years after releasing their debut album Beekeeper, Danish electronic duo Rangleklods (Pernille Smith-Sivertsen and Esben Nørskov Andersen) has a new album named straitjacket coming up. The first single from their upcoming album is “Lost U”. Watch the video produced by Copenhagen/Berlin based Cyan Studios below:
The month of March will not only be treating us with some exciting concerts, but also Sonar Festival (March 13-14). We have updated our “Here Today Concerts” playlist with a few selected artists that you might want to spend a night listening to. Among them are Dean Blunt, Jessica Pratt, Yung (tonight with Total Heels), Ex Hex and Wounded Kings.
Yung + Total Heels (Stengade, 04.03.2015)
As the music scene centered around Mayhem is becoming more widely known, you might be fooled into thinking that it is the only place to go underground in Denmark. That is not the case, though, as Aarhus has it’s own very lively scene. Yung is one of the most promising bands that have emerged from there in the last few years. Tonight (March 4. 2015) they will be playing Stengade along with another great band: Total Heels. Didn’t make it to any of Iceage’s sold out shows at Jazzhouse last week? Well don’t worry, good times are waiting at Stengade. [Link to event.]
Ex Hex (Loppen, 05.03.2015)
According to The Guardian’s 5 star review of Ex Hex’s 2014 album, Rips, the band “sit somewhere near the middle of a Go-gos/Ramones/Sleater-Kinney Venn diagram, and join latterday power-pop aces like Warm Soda, the Love Triangle and Sheer Mag in making some of the most endlessly repeat-listenable should-be-hits of recent years.”
What else is there to say, sounds fun, right? [Link to event.]
Dean Blunt (Jazzhouse, 20.03.2015)
Dean Blunt, who plays Jazzhouse on the 20th of March, is an interesting new breed of experimental lo-fi R&B, dub and electronica. Last year he released the album Black Metal to great critical acclaim.
Dean Blunt is also one half of Hype Williams. [Link to event.]
Jessica Pratt (Stengade, 28.03.2015)
San Fransisco born singer-songwriter Jessica Pratt has just released her second album, On Your Own Love Again. Forget laptop wall-of-sound productions, Jessica Pratt made her album on an analogue 4-track recorder with little more than a guitar and her voice. As Pitchfork writes, it worked out really well: “Its warm, home-recorded atmosphere is more dramatic and distinctive than Jessica Pratt [her debut album]: finger-picked psychedelia, lucidly layered harmonies, hissy tape effects, an overcast haze. But Pratt’s songwriting is more cohesive and concise, her whispered secrets more alluring”. [Link to event.]
Wounded Kings (Loppen, 18.03.2015)
Life can not always be expressed in freak-folk and “repeat-listenable should-be-hits”. Sometimes you need a bit of doom metal and this is where The Wounded Kings enter the scene. Their latest album Consolamentum has received great praise among reviewers. If you sometimes find yourself nodding along to Black Sabbath, Wounded Kings are worth considering. [Link to event]
We are debuting “Here Today Listening“, a weekly-updated playlist for which we pick out the 7 tracks from recently released or upcoming albums that we have been obsessing over the most. Follow us on Spotify and stay updated on the best tracks of the week.
Father John Misty – “Nothing Good Ever Happens at the Goddamn Thirsty Crow”
The second studio album from Father John Misty, the moniker of Baltimore-born singer-songwriter and former Fleet Foxes drummer Joshua Tillman, has received high praise from critics around the world. Witty songwriting and lush melodies are at the center of this album. Lilting sadly like a barroom ballad, “Nothing Good Ever Happens at the Goddamn Thirsty Crow” shifts from lapsteel guitar to strings, and even a jazzy clarinet solo. But when it comes to Father John Misty, it’s all about the cynical one-liners: “She blackens pages like a Russian romantic/ Gets down more often than a blowup doll.”
Darren Hayman – “May Day 1894”
Darren Hayman, formerly of the band Hefner, is no stranger to history concept albums. In the summer of 2013 Hayman released Bugbears, the last album in his trilogy about 17th century Essex. Two years later he is back with a new concept album that rewrites an old arts & crafts pamphlet by nineteenth-century polymath William Morris. The result, Chants for Socialists, is collection of beautifully crafted songs that are as relevant now as they where more than hundred years ago.
Marika Hackman – “Animal Fear”
In the music press you are more likely to hear about Marika Hackman’s privileged background and famous model friends than her music, but the London-based singer-songwriter lush and down-tempo take on alt-folk doesn’t need any such context. Her latest single, taken from her debut album, We Slept At Last, balances laid-back vocals with ponderous drums, poised like a cat ready to spring.
Blur – “Go Out”
We still have two months to way before the release of The Magic Whip, Blur’s first album in 12 years. Judging by “Go Out”, the supposed “Asian” theme of the album is thankfully limited to artwork and lyrics, rather than the cultural insensitivity of Siouxsie and the Banshees “Hong Kong Garden”. The single features a cheeky bass-line, care of Alex “the smug cheese man” James, noisy guitars from Graham Coxton, and Damon Albarn singing about onanism “at the local.”
The Pop Group – “Mad Truth”
The comeback of the year aware has to go to The Pop Group, not just for the length of time between album releases (35 years), but also for the power of this belated punch to the face. Citizen Zombie might be a little more accessible than their 1979 debut, Y, but the same manic energy is apparent. “Mad Truth” is a gorgeous piece of violent disco funk, proving frontman Mark Stewart has lost none of his confrontational attitude.
Courtney Barnett – “Pedestrian at Best”
The Australian singer-songwriter came to critical attention with the release of her double EP in 2013, full of laid-back Americana-influenced jangle. “Pedestrian at Best” substitutes that slacker image with grungy riffs and a witty barrage of lyrics (“I think you’re a joke but I don’t find you very funny”). It’s a promising taster of her upcoming album, Sometimes I Sit and Think, and Sometimes I Just Sit, due at the end of March.
Screaming Females – “Ripe”
Speaking of grunge, New Jersey’s Screaming Females are back with the scorching Rose Mountain. Thanks to the production of Mat Bayles, the band’s sixth studio album has a decidedly stoner-rock flavour, full of chugging bass-lines and fat guitar tones. Marissa Paternoster’s vocals punch through the noise, adding a brilliant demented edge to the already manic tones of songs like “Ripe”.
Photos by James Hjertholm (jameshjertholm.com)