Getting to TAP1 feels a bit like a journey through no man’s land on the way to a rave for the few in the know. It isn’t exactly like that, though. Situated in a former distillery in one of the few unpolished areas of Copenhagen, the 4500 capacity venue, where the War On Drugs are playing, is enormous: it’s about 100 meters from one end to the other, and even though it’s only half filled and I’m standing in the middle of the crowd, the frontman Adam Granduciel is just a tiny silhouette on the bright lit stage.
But The War On Drugs is not a band that you come to see, it’s a band that you come to hear. It’s unlikely to add anything to the concert if Adam Granduciel suddenly turned into some guitar-throwing rock-god I. With that in mind I learn to accept that the show is entirely stripped of anything of visual interest.
After opening with “In Chains” from their latest album A Deeper Understanding, The War On Drugs move on to “Baby Missiles” from their 2011 album Slave Ambient, and I am relieved to hear that the textured and layered music doesn’t loose all of its details to the raw surroundings. Because being spoiled with venues such as Loppen, Jazzhouse (rip) and Vega, I have to admit, that I was quite nervous about the sound. Concrete and steel aren’t exactly materials known for their acoustic qualities and apparently the sound hadn’t been top notch when The War On Drugs played the night before.
During the two hour set The War On Drugs plays almost the entire album A Deeper Understanding and about half of Lost in A Dream, plus a few songs from Slave Ambient and Wagonwheel Blues. I think it’s debatable if The War On Drugs ever made a hit, but it feels like a hit parade anyhow.
Adam Granduciel is not particular chatty, and the music is in large executed very much like it is on record. People often associate the The War On Drugs with driving through vast landscapes, and I am thinking to myself that this particular road trip could just go on, because at no time do I feel boredom creeping in.
It’s a very diverse crowd; the majority here is, like at most other concerts, people in their 20’s and 30’s, but there’s also quite a few who grew up while Bob Dylan, Bruce Springsteen and Neil Young were still young. Maybe it’s because the band seems to evoke these great artists, while still being very much their own, that they have such a wide appeal.
The photo was taken at Roskilde Festival 2015 by Morten Aagaard Krogh