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ARTICLE: Arctic Monkeys – The Road to ‘AM’

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INTRODUCTION

In 2005, when the Arctic Monkeys were first thrown into the arms of the indie music world, a video of the band performing “I Bet That You Look Good On The Dancefloor” depicted the young band  looking awkward and boyish, but brilliant. Before the performance began, Alex Turner cleared his throat and drawled, in a thick Northern accent, “Weahr the ahrctic moonkees… Don’ buhleeve the ‘ype.” That proved impossible. The hype was real, and eight years on, it’s time for the band to release their fifth studio album, ‘AM’. After eleven years since their formation in 2002, the infant apes are all grown up, and ready to take over the world, one drunk text at a time. Here Today takes a look at their career up to this point, and why ‘AM’ makes them the greatest rock band of our generation.

THE CHANGING STAGE

Earlier this summer, Arctic Monkeys played the biggest gig of their career when they headlined Glastonbury Festival in the UK for the second time. However, every band has to start somewhere, and they didn’t start on the Pyramid Stage. On Friday the 13th June 2003, the band played their first ever gig at The Grapes, a small pub in their home town of Sheffield. What I would give to have a time machine and a ticket to Sheffield. Their set included “Ravey Ravey Ravey Club”, an unreleased track. But of course, there’s a grainy recording on YouTube:

As teenagers, Alex and ex-bassist Andy Nicholson found employment pulling pints at famous local venue, The Boardwalk, that had played an important role in launching up and coming bands from the area. When they returned to play a homecoming gig at the small venue, ex-bassist Andy pulled on a staff t-shirt and served behind the bar again. Alas, The Boardwalk went into administration in 2010.

In 2005, the band blew up and embarked on its first world tour. By the time they reached the UK leg, every concert was fully sold out, and £7 tickets were being flogged for £100 for two on eBay. Talk about demand.

At The Grapes in 2003, The band made a total of £27 in ticket sales. Less than ten years later, Turner is number 11 on the Heat Under 30s Rich List, and worth an estimated £9.8 million.

THE MYSPACE GENERATION

Shortly after the Grapes gig, the band started producing demo CDs at 2fly studios, to distribute for free at their small concerts. So began the band’s rise to first internet, then global fame. Whilst the boys didn’t know how to put music on the internet, had never heard of Myspace and got a mate to set up the website, fans were sharing the demo tracks online. It was a fan who came up with the title ‘Beneath the Boardwalk’ for the 17 track demo CD, and yes, that is referring to the same Boardwalk where Alex and Andy used to work. Just a year or so later, the band beat the British record for fastest selling debut album with ‘Whatever People Say I Am, That’s What I’m Not’ selling 363,735 over-the-counter copies in the first week. There was a time when Myspace was relevant.

 

COOL COLLABORATIONS

You’ve probably heard of The Last Shadow Puppets, Alex Turner’s incredibly cool side project band, which consists of himself, Miles Kane and James Ford. They’ve released only one album, ‘The Age of the Understatement’, but both Turner and Kane say they’ll record new material “when the time is right.” The Last Shadow Puppets may be on extended break, but Turner and Kane have continued to work together, and prove that mods and rockers can be friends after all. The “Milex” relationship has also been the cause of some slightly creepy tumblr blogs celebrating the bromance.

If Miles Kane wasn’t cool enough, Alex Turner and the Monkeys just happen to be good friends with Queens of The Stone Age legend Josh Homme. As well as co-producing the Monkeys’ third album, ‘Humbug’, Homme features on ‘AM’. Talking to Zane Lowe, Turner described the appearance as “very much a case of one of us returning a back scratch to the other,” referring to his own contribution to the latest QOTSA album, ‘…Like Clockwork’. “Just fun, it’s friends, extended family now,” is how Turner descibed the collaboration. ‘AM’ also features guest appearances by The Coral’s ex-guitarist Bill Ryder Jones and drummer Pete Thomas.

But it’s not just guitar brandishing musicians that Arctic Monkeys have worked with. In 2007, the band joined forces with British rap artist Dizzee Rascal, to create “Temptation Greets You Like Your Naughty Friend” and “Temptation”. The former was the Arctic Monkeys track, featured on the ‘Brianstorm’ EP, where Rascal rapped over a verse. The latter was Rascal’s interpretation, a full rap song with Turner’s dulcet tones sampled underneath. The two acts came together again during the Monkeys’ headliner set at Glastonbury in 2007.

THE HAIRVOLUTION OF ARCTIC MONKEYS

It’s safe to say that with each new Arctic Monkeys album, comes a new style, especially for Alex Turner. As a teenager in Sheffield, he sported a polo T-shirt and Jeremy Clarkson jean combo, with some pretty flat snips on his head. Fast forward to 2009, and he’s sporting a rather different look. Luscious locks of shiny brown hair hang around his face like a mop, and a gorgeous Alexa Chung is tucked under his arm. Then 2012 saw the introduction of greaser Turner. This slick LA Alex wears Saint Laurent, a leather jacket to promo shoots, has Topman style guides in dedication to his Teddy boy look, and rolls his hair into a slick quiff. Talking to GQ, Turner said he adopted the look because “All the boys got shorter hair and I thought, ‘What can I do to one-up them?’ I am the singer after all, and you’ve gotta be a dick sometimes.”

Turner is a style chameleon, musically as well as in fashion. ‘Whatever People Say I am, That’s What I’m Not’ was a perfect, grubby, indie rock storybook of suburban teenage life, and with tracks like “Fluorescent Adolescent” on ‘Favourite Worst Nightmare’, their follow up followed on a similar thread. However, as the title suggests, something about their second album already showed signs of a new musical style. ‘Favourite Worst Nightmare’ was loud, fast, austere and dangerous. The violent opening riff of “Brianstorm” sets the tone for the record: the really great, really well received record.

The view from Alex Turner’s 2009 ‘Humbug’ era eye covering mop of hair must have been pretty dark and confusing to have produced tracks like “Pretty Visitors”. Arctic Monkeys fans obviously think that none of the albums are bad, but this is often the one they don’t like as much. Personally, Humbug is one of my favourites because it’s confidently experimental, never a bad idea for a band that’s been around a while.

Whilst the first three albums got darker with each release, ‘Suck it and See’, also a reaction record, changed the other way. It was more accessible, “vintage”, but not addictive like the previous three. However, it was released just a few months before Turner announced to The Sun that he had “fucking forgotten how do that,” in reference to writing a smash hit. So you never know, maybe we’re in agreement about ‘Suck it…’

Now, in 2013, Turner is churning out different quotes about his song writing and recording process, albeit bizarre ones. To GQ: “The whole thing for me is like a chemical reaction. It’s like you put your different elements into all the test tubes, and you try and mix them together and get the right-colour smoke.”

Or there’s this one to NME: “Writing songs for me is like waiting for deliveries,” he explains. “You get a window: the washing machine’s got to be there between 11 and 5. You’ve got to wait for it. It [the song] is the washing machine, the idea! You’re like, ‘Right, we’re gonna do this record between now and then, and in the middle something is gonna arrive. A loosely metaphorical washing machine.” Turner’s dark patch where he forgot how to write a mammoth single is over. Finito. Gone. Need proof? Just sit back and listen to “Do I Wanna Know?”

AM

Ever since I find out that the name of this album would be ‘AM’, I’ve been totally stumped as to what it could stand for. Then Turner cleared it all up in an interview with Zane Lowe, where he admitted he’d stolen the idea from The Velvet Underground’s ‘VU’ record. Suddenly it all made sense. Here are nine more facts about ‘AM’:

Alex Turner describing ‘AM’: “It sounds like a Dr Dre beat, but we’ve given it an Ike Turner bowl cut and then we’ve sent it galloping across the desert on a Stratocaster.” (Rolling Stone)

On what happened in that LA studio: Matt Helders broke his hand because it “came into contact with something that was stronger than me.” (NME)

On ‘AM’, Arctic Monkeys make their drum machine debut with “I Wanna Be Yours”.

“Mad Sounds”, the seventh track on the album, was debuted at Hultsfred Festival in Sweden.

Josh Homme on the new record: “It’s a really cool, sexy after-midnight record… and it’s really good.” (NME)

Haim turned down the opportunity to be on “Do I Wanna Know?”, as they couldn’t fit it into their schedules. Bass player Este Haim said it was “maybe the worst day of my life,” to call and say no. (NME)

The record was finished in the nick of time. “We were on the phone, getting things finished like adding a tambourine to a chorus, when it should have been mastered. It was right down to the last minute.” Those dastardly tambourines. (XFM)

“Why’d You Only Call Me When You’re High?” debuted at number 8 in the UK charts, making it the band’s first top 10 single since 2007, when they released “Fluorescent Adolescent”.

ARTICLE: The many voices of Justin Vernon

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It comes as a shock to think that Bon Iver’s For Emma, Forever Ago was released only six years ago. The album that launched Justin Vernon into a muddled collective unconscious was notably bare and intimate, wintry landscape, inspired by the solitary Wisconsin cabin in which it was conceived. It could have been a rugged example of American frontierism, but instead “Skinny Love” became stock music for TV teenage angst. A lesser man would have left it at that or cashed in quick.

Instead, buoyed by a series of apparently unlikely collaborations with Kanye West, Vernon released a Bon Iver album that utterly did away with the lo-fi insularity of its predecessor. Bon Iver, featured a much higher level of production, instrumentation and arrangements, and songs like “Hinnom, TX” seem to indicate that West ended up having some influence upon Vernon’s sound, however indirectly.

http://www.youtube.com/watch?v=ilgdqrqWWB8

Listening to Bon Iver in chronological order, it becomes apparent that Vernon’s recent choice to tank the project is completely logical, with “Flume” and “Beth / Rest” as bookends. “Beth / Rest” always stuck out from the sophomore album as an oddly cheesy track, with Chariots of Fire-style synths and 80s saxophone. It is an experiment in tone that we have to respect, a divisive track that harkens back to Leonard Cohen’s 80s albums, the way the soul of a song permeates through the kitsch instrumentation.

Vernon is most often associated either with the “Skinny Love” sound or that of his Kanye collaborations, yet a quick look at his back catalogue is proof not only of the breadth of genres and sounds he has explored over his career, but also the number of people he has worked with. Not quite the solitary man in a cabin we once imagined.

Pre-Bon Iver, Justin was part of DeYarmond Edison, which, after his departure, became Megafaun. It’s always interesting hearing him harmonise with other people (as opposed to himself, as in “Woods”), and one of the best examples is in the Crosby, Stills and Nashe inspired tracks of DeYarmond Edison.

On the other end of the spectrum, we find him wearing Blues Brothers glasses, playing blues-rock and singing in a manner unlike anything we’ve heard him sing before with his other-other band The Shouting Matches. It is a timely reminder that there is definitely a light sight to Vernon, and that he has always operated on the margins of what can loosely be defined “Americana”, though the term does him a disservice.

http://www.youtube.com/watch?v=WBnpCR2Hm_E

Though there is likely to be no end to Vernon’s appearances on the most disparate albums imaginable, it is perhaps Volcano Choir that promises to be the successor to Bon Iver, since Volcano Choir’s new album also shows signs of a departure in sound, echoing those from Vernon’s previous band. Unmap had a certain wintry feel, but also featured higher production than the debut Bon Iver album, as well as relying much more heavily on cyclic guitar riffs and harmonized vocals. Some of the folk elements of the debut have been eliminated from the follow-up, Repave, and replaced with a more traditional rock instrumentation and touches of the anthemic.

It is tempting to draw up a timeline for Vernon’s career, tracing some kind of linear musical evolution. But what the selection presented here proves is that these different sounds, groups and voices have largely coexisted side by side. Whether he is playing on a Blind Boys of Alabama record or singing backing vocals for Kathleen Edwards or Megafaun, the evidence is that, Bon Iver or no Bon Iver, Justin Vernon will be around for quite some time.

ARTICLE: Who will headline Roskilde Festival 2014?

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Its almost like talking about Christmas on December 26th but still people are starting to speculate to who will be headlining Roskilde Festival 2014 which is set to take place between 28th June to 6th July. Although its early in the day certain patterns emerge with festivals and heres our list as to who we think is likely to grace the hallowed Orange Stage in 2014.

Arcade Fire

Why?: Three flawless albums and another just around the corner with the release of their forth studio album Reflektor on October 29th. They’re set to go on a worldwide tour in support of Reflektor starting off down under at Big Day Out Festival, come summer they’ll hit the shores of Europe expecting to play some of the largest festivals this fine continent has to offer, what other festival is bigger in Scandinavia than Roskilde Festival?

Last played the festival: 2007 (The year of the flood)

Likelihood of them appearing: Highly

Trentemøller

Why?: Roskilde always try give a diverse mixture of Danish and International headliners and across the rest of the bill for that matter. Hes about to release new album Lost September 23rd. Trentemøller has already announced shows across Europe and North America with his popularity only growing since his last headline show of Roskilde in 2009.

Last played the festival: 2009

Likelihood of them appearing: Almost certain

Rage Against The Machine

Why?: Roskilde’s organisers are friendly people and each year they ask who the public want to see play their festival, each year RATM top that list (or somewhere close), we appreciate that they’re a tough band to book since they only play shows when it suits them. Next July will mark 3 years since they last played live together, however, theres every chance 2014 could be that year with them strongly rumoured to play LA Rising in August, Roskilde and a string of other festival dates in the summer of 2014 could be a nice warm up.

Last played the festival: 1996

Likelihood of them appearing: Slim, but theres every hope

Daft Punk

Why?: After dropping Random Access Memory this year we all expected them to play at least a few festival slots with strong rumours of them appearing at Primavera Sound, Glastonbury and even Roskilde. This unfortunately never happened. And while appearances from them have been minimal this year they made a short appearance at the MTV VMA’s last week and this could work as a snowball effect to have them announce concerts and festivals “around the world” next year.

Last played the festival: 1997

Likelihood of them appearing: Doubtful

Jay-Z or Kanye West (or both together)

Why?: The always active Brooklyn/Chicago rappers both have recently released their own albums Magna Carta Holy Grail/Yeezus (respectively) this year, common trend with these two is that they hit the European circuit a year or so after dropping an album. However both have just had their first children, this could deter them, however they’re entrepreneurs and know the value of touring.

Last played the festival: 2008/2009

Likelihood of them appearing: Fairly good

Eminem

Why?: He just played Reading/Leeds festivals last weekend and he’s about to release Marshall Mathers LP 2, I’m sure he’ll want to play a handful of European shows in support of the album. He’s isn’t as relevant as he was back in 1999 and sure he’s cleaned up his act, but he’s still got a back catalogue of hits worthy of any festival.

Last played the festival: Never

Likelihood of them appearing: Miracles can happen

Mew

Why?: They’re about to release their forth album and again another Danish band worthy of being a headliner. Although what goes against them is that they played Orange stage back in 2012, that wasn’t so long ago but they surely can’t miss out on booking them again.

Last played the festival: 2012

Likelihood of them appearing: Likely….but…..

Blur

Why?: With rumours of new material and them playing most other large festivals across Europe in recent years, 2014 could be the year they make it back to Roskilde Festival, after all Damon Albarn has a long lasting relationship with the festival having played recently with Gorillaz and three times previously with Blur. They performed at SmukFest in 2012 and this year could finally be the year they roll out the hits once more to a 60,000 strong crowd rejoicing to epic sing-a-longs to one of Brit pops finest bands.

Last played the festival: 2003

Likelihood of them appearing: Good chance

Vampire Weekend

Why?: Its sometimes hard to constitute who a headliner is at Roskilde, although they most likely won’t be billed as a headliner theres a good chance if they book Vampire Weekend they’ll make an appearance on the Orange Stage in a similar slot to what The National played at this years festival. The band released their third album Modern Vampires Of The City earlier this year to critical acclaim, their first two albums secured them headlining spots at several high profile festivals across the globe and have now proved themselves worthy headliners. What better music to hear on a Saturday evening as the sun is setting over the Orange Stage than Vampire Weekend?

Last played the festival: 2010

Likelihood of them appearing: High

Wu-Tang Clan

Why?: The Staten Island rap collective played many high profile festivals worldwide this year including their set at Vangaard Festival in Copenhagen. That hyped set has left fans purring for more and will most likely be one of the top 5 bands the fans vote to headline the festival in 2014, after all it will mark 10 years since they last played Roskilde!

Last played the festival: 2004

Likelihood of them appearing: High!

INTERVIEW: Julia Holter

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Here Today: You recently released your third album, ‘Loud City Song’. Where did this record begin?

Julia Holter: There was a song that I was going to put on ‘Ekstasis’ that didn’t really work, and I decided that it needed to have a whole new record behind it, and that was what ‘Loud City Song’ became. That song is now called “Maxim’s II” and I made this new record for it.

 

HT: So is “Maxim’s II” the centrepiece of the album?

JH: Not necessarily, but if people are looking for some sort of centrepiece conceptually, which I don’t think you have to, then I guess it could be, but I wanted to make a record that didn’t have to be about the concept, and could just be a record to listen to and experience, and make your own judgements about.

 

HT: Was it difficult to go from writing in your room by yourself to having an ensemble of musicians around you?

JH: No, it was really great. It was way better than doing it alone because I was able to get help doing the things that I don’t know how to do very well, like recording drums for instance. People who have years of experience doing that do it so well. It makes a huge different having players play the parts, instead of just me playing everything on keyboard.

Julia Holter live

HT: When I listened to the record I got a sense that it was about feelings of intimidation in the city. Was that intentional?

JH: Yes, it’s kind of like the individual feeling bombarded by society.

HT: Is the city an intimidating place to be then?

JH: For me it’s not, I love the city, but it was more abstract. The city was a way to physically place society.

HT: Like a metaphor?

JH: Yeah exactly. The record’s more a story than a political commentary. It’s sort of like a coming of age story. There are elements of contemporary celebrity culture, like on “Maxim’s II”. I think that’s a kind of a tangent, but I do think that’s a way to look at it. So it’s not specifically anything about society, it’s not like I made a record about the problems of society, it’s more just a coming of age story about an individual in society making different decisions, like running away from society or staying in it. You can interpret it any way you want. In Gigi’s case, she’s expected to become a courtesan by her family, and she doesn’t want to do that. It could be anything; in the record there are different hints about what it could be, like being chased by paparazzi, or you could be a celebrity that’s always being spied on.

 

HT: There are lots of different emotions, atmospheres and sounds on the record. Why did you choose to put them all on one album?

JH: I don’t think I thought much about it. I basically had a story, and I let myself go free with whatever music fit each song. I wasn’t thinking, “well this song is going to be jazzy, and this one will be a soaring, dream experience song.” I have an idea of what’s going on in the song, and the music emerges out of that. It was all in my demos. Everything you hear atmosphere-wise was present in my demos when I made them at home, in a much cruder form than they are now. So it just sort of comes out of you and you don’t have a way of explaining it. I get people asking me “why is it jazzy?” and I have no explanation. It was like that in the demos; it’s not as if I got jazz players and it suddenly became jazzy, it just was. It wasn’t a conscious decision or style.

 

HT: So the story is what really guides you when you’re writing the music?

JH: Yeah, a lot of times it is, whether it’s for the album, or even on ‘Ekstasis’, which doesn’t have a concept, it’s just a collection of different songs, united by certain general things, each song has something of a story or a situation between characters. I build off that and don’t think about the musical genres.

HT: Do you think you get a better song if it’s naturally crafted?

JH: I think it’s the only way I can write. I don’t think about, “is this the right way?” it’s just the only way for me. I mean, there are always exceptions. I can probably think of a some times when I listened to a piece of music and then wanted to work off some musical ideas. “Maxim’s I” for instance was more complicated. When I wrote it I already had “Maxim’s II” which was then just “Maxim’s”, and then one day I was playing the keyboard and I really liked some chords that I was playing. It just came to me that he lyrics for “Maxim’s” could work for those chords as well. So sometimes it does just start with the music and the music creates the story itself.

 

HT: And do you have a favourite song in particular from the album?

JH: I don’t have one favourite, it changes. Recently it’s been “Maxim’s I”. It’s a really tricky one, and it took a long time to make, to mix and produce because the interaction between the acoustic instruments and the electronic was really tricky to master. Not literally, but figuratively, to get them balanced.

 

HT: Do you always write your music in the same frame of mind?

JH: Generally I just have to be really clear headed. If I’m being very creative I like the mornings, but if I want to get some technical stuff done the nighttime is good because I get kind of obsessive. But I do write in front of the computer sometimes, and I get distracted. I shift back and forth and walk around outside. It’s not like I’m sitting there for hours and hours.  But I can’t be drunk when I write, whereas I like having one drink when I perform.

Julia Holter live

HT: So I hear you used to do tutoring part time.

JH: Yeah, it was a job and I worked in High Schools. So many high school students today are so hip, they’re into all different types of music. It was very inspiring to work with some of them on music, recording etc.

 

HT: Did they ever ask you for advice?

JH: Yeah definitely. It takes a long time to get their trust, but when my music first started to get attention, it was really inspiring to them. They actually respected me more after that, which was funny. I think I was more of a mentor than a teacher. A tutor is always in that awkward, in-between place. College applications or life questions, homework, I helped them with that. Or even showing them cool music to listen to, and writing music.

 

HT: Did they ever inspire your writing?

JH: Well I didn’t write songs about them, but like everything in my life, it comes through somehow, indirectly. You have emotions and interactions in life, and that’s the only way you can be a writer. To draw on those experiences.

 

Loud City Song is out now on Domino Records. (Photos by Tom Spray)

Roskilde Festival 2013 | Bands to catch

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With the weekend fast approaching Roskilde Festival is just around the corner and we’ve compiled a final list of “must see” bands to catch during the festival. Our Roskilde Festival mini series continues tomorrow with the release of The Woken Trees adding to our current releases of Ice Cream Cathedral and Schultz and Forever.


Ice Cream Cathedral (Pavilion Junior // 14:30 // 30.06.2013)


Broke (Pavilion Junior // 17:30 // 30.06.2013)


Schultz and Forever (Pavilion Junior // 14:30 // 01.07.2013)


 (Pavilion Junior // 22:00 // 01.07.2013)


The Woken Trees (Pavilion Junior // 17:30 // 03.07.2013)


Ghost Venue (Apollo // 19:30 // 03.07.2013)


Baby In Vain (Pavilion Junior // 22:00 // 03.07.2013)


Savages (Pavilion // 20:00 // 04.07.2013)


Animal Collective (Arena // 22:30 // 04.07.2013)


Metz (Pavilion // 18:00 // 05.07.2013)


EL-P (Cosmopol // 20:00 // 05.07.2013)


Crystal Castles (Arena // 01:30 // 05.07.2013)


Parquet Courts (Pavilion // 15:00 // 06.07.2013)


The National (Orange // 19:30 // 06.07.2013)


Sigur Ros (Arena // 00:00 // 06.07.2013)


James Blake (Orange // 14:30 // 07.07.2013)


Black Rebel Motorcycle Club (Orange // 16:45 // 07.07.2013)


Queens Of The Stone Age (Orange // 19:00 // 07.07.2013)

 

Øresundsfestival 2013 | Bands to catch

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Last weekends SPOT Festival kick started the festival season and this coming weekend Here Today’s team will be at Øresundsfestival in Malmö, Sweden to give extensive photo coverage of sights, sounds and Swede’s. We’ve put together of some must see acts of the weekend……

Friday 10th May

The Eclectic Moniker – 19:00 @ Debaser Inne
Fallulah – 19:15 @ Kulturbolaget (KB)
Kashmir – 21:45 @ Kulturbolaget (KB)
Folkeklubben – 21:45 @ Far I Hatten
When Saints Go Machine – 23:20 @ Debaser (Inne)

Saturday 11th May

Broke – 19:00 @ Debaser (Inne)
Agnes Obel – 21:30 @ Johanneskyrkan
– 21:45 @ Debaser (Inne)
Iceage – 22:30 @ Babel

VIEW THE FULL LINE UP HERE

SPOT Festival | Bands to catch

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SPOT Festival is taking place in Aarhus, DK this weekend (starting today!), at Here Today we’ve compiled a list of 5 must see bands for each day, have a great weekend folks!

Friday 3rd May

Broke – 19:30 Radar
Broken Twin – 21:00 Lille Sal
 – 22:30 SCC This
Schultz And Forever – 23:00 Lille Sal
When Saints Go Machine – 23:30 SCC That

Saturday 4th May

Kites and Komets – 16:15 SCC This
DEATH VALLEY SLEEPERS – 16:30 Atlas
Ice Cream Cathedral – 17:15 SCC That
Cody – 18:15 SCC This
Complicated Universal Cum – 00:30 Voxhall

 


Schultz and Forever – Sociopathic Youth

Roskilde Festival 2013 | The full line up

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A few weeks ago we wrote up an article ‘The Line Up So Far….’, listing must see/recommended bands that had already been announced for Roskilde Festival 2013:

Sigur Ros
King Krule
Animal Collective
Savages
Crystal Castles
The National
Danny Brown
Highasakite

Unfortunately our “wildcard” Daft Punk wasn’t booked after all, not that it came as a shock given the headliners were already picked. No doubt they’ll bring ‘Random Access Memory’ to Roskilde (and the rest of the world) next year.

Anyway, now that we’ve seen the full line up heres an update on a few additional names we’ve added to our list of must see acts at this years festival………

 

Metz

 

EL-P

 

Schultz and Forever

 

Bobby Womack

 

Simian Mobile Disco

 

Iceage

 

Queens Of  The Stone Age

Black Rebel Motorcycle Club

 

Check out the rest of the line up HERE

 

Roskilde Festival 2013 | The Line Up So Far….

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In light of Roskilde Festival’s announcement this morning, at Here Today we thought we’d go to the trouble of compiling a list of the “must see” acts that’ll be performing at this years festival. The full line up is set to be released on the 18th April 2013 but until then heres a list of some of the bands we highly recommend seeing.

Sigur Ros – One of the most highly anticipated acts to play Roskilde this year and an early announcement for the festival organisers. After the release of their 6th studio album ‘Valtari’ the band went on a world wide tour playing most major cities across Europe only to miss out Copenhagen (the highest populated city of Icelander’s outside of Iceland), meaning they had something special up their sleeve and after just announcing they’ll be releasing ‘Kveikur’ in June 2013, their set on the Orange Stage is set up to be an extremely special concert.

Stage prediction: Orange

 

King Krule – Playing under the moniker of King Krule, 18 year old, Archy Marshall paints a picture in his songs of what its like to grow up in this generation in London, UK. He’s been labeled as the Joe Strummer of the 21st century and was recently nominated in the prestigious BBC Sound Of 2013.

Stage prediction: Odeon

 

Animal Collective – Trippy projections, inflatable caves, giant fluorescent teeth….all feature in the world Animal Collective have created themselves on their latest tour. The experimental psychedelic outfit will bring a similar visual set to Roskilde health permitting, they’ve recently had to cancel their US tour due to illness. Fingers crossed!

Stage prediction: Arena

 

Savages – London based all female post-punk/rock band Savages formed in 2011 and quickly rised from the underground scene having gained a reputation with their intense raw live shows. They’re set to release their debut album late 2013.

Stage prediction: Pavilion

 

Crystal Castles – Over the past 5 years electro duo Crystal Castles have been creating festival dance anthems but are better known for their live shows, you’ll generally find Ethan Kath hunched over his synths while Alice Glass is either found reclusively curled up onstage sipping on a bottle of vodka between performing epileptic dance moves or stage diving.

Stage prediction: Arena

 

The National – Last time the band played Roskilde Festival in 2010 to an over flowing tent at Arena, 2013 will surely see them play to the masses at the Orange stage. They’re a band that have seen an increase in popularity since releasing a string of critically acclaimed albums including ‘Alligator’, ‘Boxer’, ‘High Violet’ and are due to release ‘Trouble Will Find Me’ in late May, featuring guest appearances from Sufjan Stevens, St Vincent, Sharon Van Etten and Arcade Fire’s Richard Reed Parry. Perhaps we’ll see a collaboration at Roskilde Festival?

Stage prediction: Orange

 

Danny Brown – Exuberant Detroit rapper Danny Brown released his debut album ‘The Hybrid’ in 2010 launching him into the lime light of the US rap scene, his follow up ‘XXX’ was voted #1 hip-hop album of the year by Spin. He’s collaborated with several rap artists including A$AP Rocky and Das Racist. On his next album ‘Old’ (scheduled for release late summer) A$AP Rocky has returned the favour collaborating on said album along with Schoolboy Q, Ab-soul, Kitty and Purity Ring.

Stage prediction: Cosmopolitan

 

Highasakite – After already breaking out of their native Norway, the early part of 2013 has seen the band playing world wide showcases taking them to Eurosonic, By: Larm, SXSW etc. They’re debut EP ‘In And Out Of Weeks’ was release at the start of March, lead single from the EP “Indian Summer” and received praise from both Pitchfork and Bon Iver’s Justin Vernon.

Stage prediction: Pavilion

 

THE WILDCARD! 

Daft Punk – There was a lot of speculation in January 2013 as to whether Daft Punk will be playing live shows in 2013, several fake announcements were made tipping them to play at Primavera, Wireless and Roskilde to name a few. They appear to remain at the top of most festival goers wish list. Since then theres been a lot of static, until last week when they announced the release of a new album ‘Random Access Memories’ which is set to be released 21st May 2013. If they manage to book the French electronic duo this is what to expect………….

Stage prediction: Orange

 

INTERVIEW: Schultz and Forever

in Blog/Uncategorized by

Schultz and Forever have been nominated in the ‘Politiken IBYEN Awards 2013’ in the category ‘The Year’s Upcoming’ which shines light on 5 Danish acts that have gained hype over the past year and are about to break. Below is Schultz and Forever’s interview video made by the Here Today team for said award which also features two tracks from his recent session with us both ‘Half A Man’ and ‘Sociopathic Youth’.

Also nominated in the same category Jetsi Kain, you can view the session we recorded with them last summer HERE

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