Photos by Amanda Farah
Boris have gained cult status with their idiosyncratic take on slow, ominous waves of distorted guitars. Having collaborated with everyone from doom lords Sunn O))) and noise king Merzbow, Boris are the kind of band you bring a spare set of earplugs when you go see them. So their opening song, “Away from You”, comes as surprise: the delicate, reverb-y guitars, tasteful drumming and breathy vocals are about as far away as you can get from noise.
But Boris have never been a band that’s easy to define. With countless albums to their name, they have slowly morphed away from chugging psych band to a more genuinely experimental outfit, borrowing with ease from shoe-gaze, abstract noise and J-pop.
The confirmation of this comes with “Coma”, second track both of the set and their latest release, LOVE & EVOL: the sense of space is still there, but this time it is tackled with their signature wall of noise. Having seen Sunn O))) about a month ago it’s interesting to see that guitarists Atsuo and Wata are employing a similar live technique to Stephen O’Malley and co, slowly gesturing each chord change in order to synchronise with the ponderous tempo.
What’s so impressive about Boris in a live setting is how the trio manage to produce so much out of two guitars and a drum kit. It helps of course that Atsuo and Wata have an endless supply of pedals and pre-amps at their disposal, Atsuo supplementing his down-tuned guitar with an extra bass neck (as if Boris are ever in need of even more low end), Wata achieving the same effect electronically.
The energetic soul of the band is drummer and vocalist Takeshi, who tonight is in full stadium-goth mode, black lipstick and head mic. Boris may be experimental, but they are also fun. They nod to their origins with a cover of the Melvins’ song that gave them their name, and close with the lush, My Bloody Valentine-inspired “Farewell”. Which proves they also have a taste for appropriate titles.