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Cate Le Bon live at Jazzhouse Copenhagen

LIVE REVIEW: Cate Le Bon, Jazzhouse, 09.11.2016

in Live Reviews by

We were charmed when we first saw Cate Le Bon live at Roskilde this summer. But her show at Jazzhouse was the performance we really wanted from her. If that initial set left us wanting, it became clear that it was only ever a matter of translation.

As distinctive as Cate Le Bon’s ramshackle indie rock is — in particular her tuneful, quirky approach to Nico’s iconic vocal delivery — she’s not a very flashy performer. As a headliner, however, her personality comes through clearly. It’s in small touches, like the yelp at the end of “Duke” or the way the guitar outro on “How Do You Know?” deteriorates into an imprecise grind before springing directly into “I Can’t Help You.” It’s obviously well-rehearsed, but it’s a thrilling shot in the arm all the same.

Cate Le Bon live at Jazzhouse Copenhagen

Photos by Morten Aagaard Krogh

Because mostly what was lost in translation from the Roskilde performance was a question of energy. Cate Le Bon is understated in her performance, and her energy translates much better in Jazzhouse than on a Roskilde stage, where her little head tosses and subtle steps backward as she leans into a chord are lost to scale. And if we couldn’t infer that on our own, if we couldn’t see how much more comfortable she clearly is, she makes it pretty clear when she relates how pleased she and her band were when they arrived at Jazzhouse and saw the small stage near the bar upstairs. They were disappointed (or “terrified,” in Cate’s words) upon realizing they were playing in the main room.

But for this innate shyness, you can see the would-be rockstar, the guitarist who enjoys playing a solo. The frayed outro of “What’s Not Mine,” which unravels over the course of minutes, might not send her into spasms or even shake her from where she stands, but her absorption in clear. The details you can’t see from a festival stage that you can see from a few feet away in a tiny club is a reminder to us that the setting is an integral part of the experience. You can’t feel like you’re in on a secret when you’re standing in a field.

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