Mitski packs a lot of emotion into two-and-a-half minutes. Her songs channel a familiar heartbreak and frustration. But if you call your latest album Puberty 2, then you’ve got a pretty clear understanding of what vibe you’re projecting.
Still, the most immediate impression Mitski gives during her set at Loppen is of being calm. Her body is relatively still as she sings and plays bass. Her face often has a neutral expression, no matter how long she holds a note. With her band stripped back to just guitar/bass/drums, the evening begins by feeling more intimate than her albums, with space given to her lyrics and her voice and the delicate almost-yodel that sneaks in.
She’s not cut off from the audience however. She’s clearly surprised by the turn out, the genuine familiarity with her songs, and conveys a warm, if nervous, humor. She introduces a dark cover of “How Deep is Your Love” by saying, “This next song was written by someone much richer than me.” The cover, however, not only highlights how strangely creepy the lyrics are to that song, but also serves as the first real display of how powerful her voice can be.
“Francis Forever” is the point in the set where her guitarist turns the volume up on his amp and introduces noise fills that compete with Mitski’s voice. But this is a turning point for her vocals in the set — as the guitars get louder, so does she, still hitting every note perfectly with a ferocity that could knock you back on your heels.
She ends on “last words of a shooting star” solo, delicately strumming a guitar. Though the house music comes up quickly, the crowd continues to cheer until Mitski reluctantly reappears, still alone, and picks up the guitar again. She bashes through a furious version of “My Body is Made of Crushed Little Stars” before once again giving a wave and a smile and walking off stage.
At 45 minutes, it’s a short set, especially considering that she has four albums of material to her name, but one that leaves your heart thumping out of your chest.