Online music magazine based in Copenhagen, Denmark

LIVE REVIEW: RP Boo + Jana Rush, Alice, 09.11.2018

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It took a long time for RP Boo’s name to be widely recognised, but his influence on the footwork genre has gradually brought him to legendary status, first in his native Chicago, and finally here in the wider world. Producing since the mid 90s, his first full-length record only appeared in 2013 on Mike Paradinas’s Planet Mu label. Footwork is as much a dance style as it is a music genre, characterised mostly by its intricacy and speed. On this side of the Atlantic its main acts are mainly released on that same label, which is perhaps most known for abstract, even geeky, IDM, but as we discover tonight its real focus is on creating pure joy.

The night opens with local boys Lyra Valenza, whose frenetic blend of techno, ecstatic rave and confrontational breakbeats indirectly seems to point much more clearly towards British and American tradition than most of their local peers. They feel like a real breath of fresh air compared to the dourness that characterises a lot of the rest of the scene.

Jana Rush is part of the same scene as RP Boo, which is clearly evidenced as they photograph and celebrate each other’s sets.  With an incredible ear for detail and a taste for obscene vocal samples, Jana Rush exhibits an incredible control over the flow of the set, gathering momentum at each beat, offsetting peaks with moments of gleeful chaos. Halfway through her set it is hard to believe that the headline act hasn’t even started.

Taking a breather outside, we can hear the bass and kick rumbling through the walls, which helps to isolate the core of the footwork sound. The kick is at its simplest right now, four to the floor, but the bass is played in triplets, creating a juddering effect not entirely unlike experiencing heart palpitations. And I mean that in the most positive sense. Back inside RP Boo is waving at us as the first brass burst of “02-52-03” thunders through the room. Later I discover that the sample is from an old Godzilla movie, which makes perfect sense, especially matched later on with a sample from, of all things, the Rocky theme.

That’s RP Boo in a nutshell, really: the decades of dedication to his craft, all that painstaking layering of rhythms, all of it is still based on the simple desire to create these joyful moments where the intensity of it all means your brain devoting all its energy just to keep up with the body. Without a doubt its the most fun I’ve ever had at Alice.

Photos by Victor Yakimov

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