Against unbelievable odds (an awful PA, miniscule room and a career largely built on one song), CSS managed to prevail. The Brazilian quintet played a short, 50 minute set, bringing a large quantity of punk brashness and wild enthusiasm to their particular brand of electro-rock. Singer Lovefoxxx made up for the shitty PA, which would have disgraced a 5-year-old’s birthday party, by inciting the crowd, sharing oddball linguistic insights (the main one being that “tak” is too short a word to express gratitude), and generally being very loveable. Chatting to her after the gig, next to the drawing of a slow loris riding a Christiania bike, I realized I’d spent the set trying to like the music as much as I liked the people making it. In a way CSS seem to run solely on an enthusiasm. No one can deny that even such a short set was full of some very unremarkable and very similar songs, but it’s hard to care about that. They appear amateur in a refreshing way, happy to be doing what they are doing.
I’ll be honest: I went to hear one song, and one song only. And when CSS played “Lets Make Love and Listen to Death from Above”, I was ready to forgive any inconvenience. Like Editors the night previous, they do rely heavily on certain musical styles and tropes, but CSS do so without cynicism. They are brash and, when considered soberly, almost irrelevant musically. But they are a party band, no one has to consider them soberly.