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Cut Copy

Photos of the year 2013

in Blog/Photos by

The Hives

The Hives, Store Vega, Copenhagen, 31.01.2013 (Photo by Tom Spray)

The_Men-9

The Men, Stengade, Copenhagen, 21.03.2013 (Photo by Morten Krogh)

The Soft Moon, Loppen, Copenhagen, 30.03.2013 (Photo by Morten Krogh)

Shout Out Louds, Lille Vega, Copenhagen, 09.04.2013 (Photo by Hilmar Darri Flygenring)

Folkeklubben-3581

Folkeklubben, Pumpehuset, Copenhagen, 25.04.2013 (Photo by Morten Krogh)

Autre Ne Veut

Autre Ne Veut, Rust, Copenhagen, 23.04.2013 (Photo by Tom Spray)

Daughter

Daughter, Lille Vega, Copenhagen, 10.04.2013 (Photo by Tom Spray)

Japandroids

Japandroids, Store Vega, Copenhagen, 03.04.2013 (Photo by Tom Spray)

Jake Bugg

Jake Bugg, Store Vega, Copenhagen, 02.04.2013 (Photo by Tom Spray)

Palma Violets

Palma Violets, BETA, Copenhagen, 31.03.2013 (Photo by Tom Spray)

Schultz and Forever

Schultz and Forever, DR Byen, Copenhagen, 03.03.2013 (Photo by Tom Spray)

Araab Muzik

Araab Muzik, KB3, Copenhagen, 08.03.2013 (Photo by Tom Spray)

Metz

Metz, Ideal Bar, Copenhagen, 04.03.2013 (Photo by Tom Spray)

Crystal Castles

Crystal Castles, Store Vega, Copenhagen, 02.03.2013 (Photo by Tom Spray)

Cody

Cody, Store Vega, 01.03.2013 (Photo by Tom Spray)

Widowspeak

Widowspeak, Loppen, Copenhagen, 08.05.2013 (Photo by Tom Spray)

Øresundsfestival 2013

Øresundsfestival, Malmö, 10.05.2013 (Photo by Tom Spray)

Øresundsfestival 2013

The Eclectic Moniker, Øresundsfestival, Malmö, 10.05.2013 (Photo by James Hjertholm)

Øresundsfestival 2013

Broke, Øresundsfestival, Malmö, 11.05.2013 (Photo by Tom Spray)

Øresundsfestival 2013

MØ, Øresundsfestival, Malmö, 11.05.2013 (Photo by Tom Spray)

Øresundsfestival 2013

Iceage, Øresundsfestival, Malmö, 11.05.2013 (Photo by Tom Spray)

Øresundsfestival 2013

The White Album, Øresundsfestival, Malmö, 11.05.2013 (Photo by James Hjertholm)

Bruce Springsteen

Bruce Springsteen, Parken, Copenhagen, 14.05.2013 (Photo by Tom Spray)

Bring Me The Horizon

Bring Me The Horizon, Amager Bio, Copenhagen, 18.05.2013 (Photo by Tom Spray)

Beach Fossils

Beach Fossils, Stengade, Copenhagen, 21.05.2013 (Photo by Tom Spray)

Nick Cave

Nick Cave, Optimus Primavera Sound, Porto, 31.05.2013 (Photo by Janye Yong)

blur

Blur, Optimus Primavera Sound, Porto, 31.05.2013 (Photo by Janye Yong)

grizzly bear

Grizzly Bear, Optimus Primavera Sound, Porto, 01.06.2013 (Photo by Janye Yong)

A$AP Rocky (Photo by Tom Spray)

A$AP Rocky, Falconer Salen, Copenhagen, 11.06.2013 (Photo by Tom Spray)

Mew (Photo by Tom Spray)

Mew, Store Vega, Copenhagen, 12.06.2013 (Photo by Tom Spray)

The National (Photo by Tom Spray)

The National, Loppen, Copenhagen, 20.06.2013 (Photo by Tom Spray)

Trash Talk (Photo by Tom Spray)

Trash Talk, Store Vega, Copenhagen, 27.06.2013 (Photo by Tom Spray)

Drenge (Photo by Tom Spray)

Drenge, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)

Savages (Photo by Tom Spray)

Savages, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)

Slipknot (Photo by Tom Spray)

Slipknot crowd, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)

Animal Collective (Photo by Tom Spray)

Animal Collective, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)

Metz (Photo by Tom Spray)

Metz, Roskilde Festival, 05.07.2013 (Photo by Tom Spray)

EL-P (Photo by Tom Spray)

EL-P, Roskilde Festival, 05.07.2013 (Photo by Tom Spray)

Iceage (Photo by Tom Spray)

Iceage, Roskilde Festival, 06.07.2013

Action Bronson (Photo by Tom Spray)

Action Bronson, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)

The National (Photo by Tom Spray)

The National, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)

Metallica (Photo by Tom Spray)

Metallica, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)

Sigur Ros (Photo by Tom Spray)

Sigur Ros, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)

James Blake (Photo by Tom Spray)

James Blake, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)

Black Rebel Motorcycle Club (Photo by Tom Spray)

Black Rebel Motorcycle Club, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)

Queens Of The Stone Age (Photo by Tom Spray)

Queens Of The Stone Age, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)

Kraftwerk (Photo by Tom Spray)

Kraftwerk, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)

Kraftwerk (Photo by Tom Spray)

Kraftwerk crowd, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)

John Legend (Photo by Tom Spray)

John Legend, Store Vega, Copenhagen, 16.07.2013 (Photo by Tom Spray)

Sleep Party People (Photo by Tom Spray)

Sleep Party People, Pumpehuset, Copenhagen, 27.07.2013 (Photo by Tom Spray)

The Smashing Pumpkins Photos by Tom Spray (www.tom-spray.com)

The Smashing Pumpkins, Falconer Salen, 31.07.2013 (Photo by Tom Spray)

OFF Festival

OFF Festival, Katowice, Poland (Photo by Tom Spray)

OFF Festival (Photo by Tom Spray)

OFF Festival, Katowice, Poland (Photo by Tom Spray)

AlunaGeorge, OFF Festival (Photo by Tom Spray)

AlunaGeorge, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Cloud Nothing, OFF Festival (Photo by Tom Spray)

Cloud Nothings, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Scenes, OFF Festival (Photo by Tom Spray)

OFF Festival, Katowice, Poland (Photo by Tom Spray)

Julia Holter, OFF Festival (Photo by Tom Spray)

Julia Holter, OFF Festival, Katowice, Poland (Photo by Tom Spray)

The Walkmen, OFF Festival (Photo by Tom Spray)

The Walkmen, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Autre Ne Veut, OFF Festival (Photo by Tom Spray)

Autre Ne Veut, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Japandroids, OFF Festival (Photo by Tom Spray)

Japandroids crowd, OFF Festival, Katowice, Poland (Photo by Tom Spray)

We draw A, OFF Festival (Photo by Tom Spray)

We draw A, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Fucked Up, OFF Festival (Photo by Tom Spray)

Fucked Up, OFF Festival, Katowice, Poland (Photo by Tom Spray)

My Bloody Valentine, OFF Festival (Photo by Tom Spray)

My Bloody Valentine, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Japandroids, OFF Festival (Photo by Tom Spray)

Japandroids, OFF Festival, Katowice, Poland (Photo by Tom Spray)

Godspeed You! Black Emperor Photos by Tom Spray (www.tom-spray.com)

Godspeed You! Black Emperor, Tivoli Concert Hall, Copenhagen, 07.08.2013 (Photo by Tom Spray)

ice_cream_cathedral-8479

Ice Cream Cathedral, Lille Vega, Copenhagen, 07.08.2013 (Photo by Morten Aagaard Krogh)

Haim

Haim, Lille Vega, Copenhagen, 07.08.2013 (Photo by Morten Aagaard Krogh)

Tame Impala - Photo by Tom Spray (www.tom-spray.com)

Tame Impala, Store Vega, Copenhagen, 09.08.2013 (Photo by Tom Spray)

Dirty Beaches - Photo by Tom Spray (www.tom-spray.com)

Dirty Beaches, Copenhagen, 11.08.2013 (Photo by Tom Spray)

Mikal Cronin - Photo by Tom Spray (www.tom-spray.com)

Mikal Cronin, Pumpehuset, Copenhagen, 11.08.2013 (Photo by Tom Spray)

Ducktails - Photo by Tom Spray (www.tom-spray.com)

Ducktails, Pumpehuset, Copenhagen, 11.08.2013 (Photo by Tom Spray)

transmetro-9211

Trans Metro Express, Strøm Festival, 13.08.2013 (Photo by Morten Aagaard Krogh)

haxan cloak

The Haxan Cloak, Cisternerne, Copenhagen, 14.08.2013 (Photo by Morten Aagaard Krogh)

malmo-festival-9366

Ice Cream Cathedral, Malmo Festival, Road Trip, 17.08.2013 (Photo by Morten Aagaard Krogh)

malmo-9862

Baby In Vain, Malmo Festival, Road Trip, 17.08.2013 (Photo by Morten Aagaard Krogh)

byrne-vincent-9963

David Byrne & St Vincent, Falconer Salen, Copenhagen, 22.08.2013 (Photo by Morten Aagaard Krogh)

MS MR Live 1

MS MR, Rust, Copenhagen, 28.08.2013 (Photo by Ivan Boll)

Matthew E. White (Photo by Jen Tse)

Matthew E. White, Store Vega, Copenhagen, 09.09.2013 (Photo by Jen Tse)

APlaceToBuryStrangers-2063

A Place To Bury Strangers, Loppen, Copenhagen, 24.09.2013 (Photo by Morten Aagaard Krogh)

Delorean (Photo by Jen Tse)

Delorean, Lille Vega, Copenhagen, 25.09.2013 (Photo by Jen Tse)

Editors (Photo by Tom Spray)

Editors, Store Vega, Copenhagen, 26.09.2013 (Photo by Tom Spray)

MGMT (Photo by Jen Tse)

MGMT, Store Vega, Copenhagen, 01.10.2013 (Photo by Jen Tse)

James Blake (Photo by James Hjertholm)

James Blake crowd, Falconer Salen, Copenhagen, 06.10.2013 (Photo by James Hjertholm)

Baby In Vain (Photo by Jen Tse)

Baby In Vain, Pumpehuset, Copenhagen, 04.10.2013 (Photo by Jen Tse)

Washed Out - Photo by Tom Spray (www.tom-spray.com)

Washed Out, Lille Vega, Copenhagen, 09.10.2013 (Photo by Tom Spray)

Foals (Photo by Tom Spray)

Foals, Store Vega, Copenhagen, 15.10.2013 (Photo by Tom Spray)

Julianna Barwick (Photo by Tom Spray)

Julianna Barwick, Jazzhouse, Copenhagen, 20.10.2013 (Photo by Tom Spray)

Biffy Clyro by Jen Tse

Biffy Clyro, Den Grå Hal, Copenhagen, 01.11.2013 (Photo by Jen Tse)

national 1

The National, Forum, Copenhagen, 02.11.2013 (Photo by James Hjertholm)

JuliaHolter-5362

Julia Holter, Jazzhouse, Copenhagen, 05.11.2013 (Photo by Morten Aagaard Krogh)

IMG_6180small

Nick Cave and The Bad Seeds, Falconer Salen, Copenhagen, 08.11.2013 (Photo by Jonas Bang)

14. okt 13 80_o

The Woken Trees, UK tour (Photo by Jonas Bang)

Crystal Stilts-7055

Crystal Stilts, Stengade, Copenhagen, 14.11.2013 (Photo by Morten Aagaard Krogh)

fuckbuttonsmulti

Fuck Buttons, Pumpehuset, Copenhagen, 16.11.2013 (Photo by Tom Spray)

Volcano Choir (Photo by Tom Spray)

Volcano Choir, Amager Bio, Copenhagen, 18.11.2013 (Photo by Tom Spray)

Youth Lagoon (Photo by Jen Tse)

Youth Lagoon, Pumpehuset, Copenhagen, 20.11.2013 (Photo by Jen Tse)

EL-P and Killer Mike (Photo by Tom Spray)

EL-P and Killer Mike, Lille Vega, Copenhagen, 20.11.2013 (Photo by Tom Spray)

The Tallest Man On Earth (Photo by Tom Spray)

The Tallest Man On Earth, Store Vega, Copenhagen, 21.11.2013 (Photo by Tom Spray)

Get Your Gun (Photo by Jonas Bang)

Get Your Gun, Russia/Estonia tour, fall 2013 (Photo by Jonas Bang)

Trentemøller (Photo by James Hjertholm)

Trentemøller, Store Vega, Copenhagen, 22.11.2013 (Photo by James Hjertholm)

blouse-8593

Blouse, Loppen, Copenhagen, 26.11.2013 (Photo by Morten Aagaard Krogh)

MØ (Photo by James Hjertholm)

MØ, Store Vega, Copenhagen, 28.11.2013 (Photo by James Hjertholm)

Queens Of The Stone Age (Photo Jen Tse)

Queens Of The Stone Age, Forum, Copenhagen, 29.11.2013 (Photo by Jen Tse)

Destroyer (Photo by Ivan Boll)

Destroyer, Jazzhouse, Copenhagen, 03.12.2013 (Photo by Ivan Boll)

Kurt Vile (Photo by Ivan Boll)

Kurt Vile, Store Vega, Copenhagen, 05.12.2013 (Photo by Ivan Boll)

20131213-182524.jpg

Oh Land, Store Vega, Copenhagen, 12.12.2013 (Photo by Ivan Boll)

Cut Copy (Photo by Tom Spray)

Cut Copy, Lille Vega, Copenhagen, 13.12.2013 (Photo by Tom Spray)

INTERVIEW: Cut Copy

in Blog by

The dreariness of a Copenhagen winter is easily combatted by the shiny electronica of Australia’s Cut Copy. Their fourth full length album, Free Your Mind, sees the quartet expanding on the synth pop of its predecessor, Zonoscope, while exploring more experimental territory.

“Probably everything we do is pop to some degree,” says frontman Dan Whitford. “Even when we think we’re doing something crazy, it still sounds a bit poppy.”

Whitfrod sat down with us backstage at Lille Vega ahead of the final show of Cut Copy’s tour to talk about Free Your Mind, touring, recording, and why he’s afraid of concept albums.

Cut Copy (Photo by Tom Spray)

Today’s the last day of the tour?

Last show. We fly back tomorrow. I think we’ve got most of the day here, and then we fly out in the evening. It’s crazy. The start of this tour just seemed like a never-ending run of shows. We have a backstage pass with all the shows on it, and we completed a whole US tour and it wasn’t even a quarter of the way through! We were like, “What the hell is going on? It’s going to go forever.” But we somehow got there. It’s been a really fun tour, actually, so that certainly hasn’t been a problem. But I think just being away from home, and missing being in Australian summer for two months is a bit of a thing for us. We’re keen to get back and put some shorts on and go to the beach.

Had the new songs been road tested before?

No, this was our first tour for the record. It came out when we’d already started this tour, so this was the first chance to play these songs to our fans. But it’s been cool.

Is there a learning curve to playing them live?

Yeah, we do figure it out but until you actually go on stage sometimes you don’t actually know what’s going to work properly or whether the songs come across properly to crowds. I guess just because the way we write music is very much that when we’re in a studio, we’re not thinking about performing live, we’re just like, “well, we can add this and add this and all sorts of crazy shit.” But then when it actually gets to playing it, we can’t have 30 different instruments on stage. We each play our parts, so sometimes it’s a weird translation from the record to a live context. I think you have to adapt a bit as you go. But thankfully the songs from this record seem to have worked really well from the beginning. I haven’t felt like we’ve had to change much, it’s just been like, “Yes, that’s how it should sound.”

Cut Copy (Photo by Tom Spray)

Any songs in particular working well?

I really enjoy playing, “Let Me Show You Love.” I guess it’s a more deep song, maybe not quite as much of a pop song as some of the other tracks on the record. It seemed like maybe that was something that wouldn’t necessarily win over crowds. I mean, it was fun for us to play, but it’s actually worked really well in the context of the live set, and people really seem to get into it, so it’s a nice surprise that people are enjoying the track that we actually enjoy playing the most.

Do you prefer recording or touring?

It goes in phases. Certainly, by the end of making this record, I just wanted to go and play some shows. We’d been at home for a year and a half, we’d been working on the record writing, and then all these stages of recording, and then mixing. I think after a while you can’t even get in front of an audience, because you almost forget when you’re in a studio for too long that people are going to actually hear it. Because you think, after a while, it’s only the people in the band that have been listening to it, and that’s all that matters. But in actual fact, you just need other people to hear it. Sometimes you’re like, “What were we worrying about? It works!”

We’re still really enjoying playing live at the moment, but usually by the end of touring a particular record you’re pretty keen to get back in the studio, because I think as exciting as touring and traveling is, eventually you get to a point where you want to get some sort of creative stimulation again. You’ve been playing those songs so many times over and over that you want to find something new. It goes in cycles. It balances out. You can’t have one without the other, and they’re equally fun in their own way.

Do you ever write on the road?

It’s sort of difficult, because making electronic music in particular, it’s so reliant on the instruments and different synthesizers and equipment that you have on hand, you’re experimenting with all these different things, and using so many different things at once, that it’s kind of hard when you’re away touring. You don’t have access to all that. I’ve done remixing and that sort of thing while touring in the past, but not so much writing songs from scratch. I think probably also because half the time you’re on tour you’re feeling a bit hung over and sorry for yourself, so it’s not really the right mindset for being creative.

Cut Copy (Photo by Tom Spray)

Would you describe “Free Your Mind” as a theme for the album?

I guess it does. I think it emerged, but we didn’t set out to do that. We really set out to not think about the end result. When we were making the record, as almost a technique to not get stuck, we decided that we’re just going to be totally positive about any suggestion that anyone made. We’d just try it, no matter how stupid it sounded, and then we can always come back later, and we can decide then if it’s good or not. To avoid having a stalemate where you’re just not sure whether you should do something or not and then have an argument, let’s just do it. You can always decide later. We didn’t really go back and listen to any of the songs that we were writing or recording until much later, particularly as a group. It wasn’t until maybe six months or more into the process that we actually listened to all of the ideas that we’d been working on. That’s when we discovered that there might be some sort of thread that runs through some of these songs. Once we discovered that, we tried to draw that out a little bit. I guess maybe the concept emerged, but I’m always scared to say “concept album” because it sounds self indulgent.

Are there other lyrical themes?

I guess so. Not all the songs seem to fit into that same box. The thing that sets this record apart to me is that previous records have been a lot more personal or introverted. The first record feels like a weird, lonely, solitary record. This one feels like almost an open invitation to anyone and everyone to be involved in what the record is about. Almost like a call to arms in a way for people who are listening to it to let go and enjoy themselves and do whatever they need to do for that to happen. For me, it feels like that probably is the thing that sets it apart from other records that we’ve done.

Where did the dialogue samples come from?

All sorts of different places. Some of them are from old mini disc recordings that I made when I was a teenager, recording all these different things from television and radio and weird places. A large number of them are from field recordings. Ben, our bass player, moved to Washington DC, and went around with this portable recorder, and just recorded people. Just asking them about their weirdest experiences and the strangest things that had happened to them and got some pretty funny results. A lot of those have ended up on the record as well.

Cut Copy (Photo by Tom Spray)

What is your recording process like? As the main producer for the album, is it difficult to balance producing with recording?

At some point there needs to be someone that makes the final decision. I think we try to keep it as a group process up to a certain point. If no one can decide, I’m just like, “Well, I’m the producer, this is what we’re doing.” I put my foot down every now and then. But I think, inevitably, if you’re making electronic music you’re always producing your own music on some level. Even if you have an outside producer — like our second record, we worked with Tim Goldsworthy as a producer — but still, even just making the synthesizer sounds or deciding to use particular instruments, that’s basically doing the job of a producer. It’s not like we’re a rock band, we each have our instrument and that’s what happens. We switch around so much that it feels like we’re always producing our own records, even if we’re working with someone else. But it’s been cool, the last two records we’ve done in a very DIY way, where just found a cool space and set up our own studio, brought in all our own gear. It feels like a modern way of doing things as well, because you don’t need a big recording studio these days to make a record. You can bring in your computer and some good equipment and all your instruments, and there’s no reason you can’t make an awesome-sounding record.

Have you set up a permanent studio?

No, we’ve had two different ones. They were both warehouses. The first one, the one we used for Zonoscope, was a very rustic: Holes in the ceiling, no heating or anything like that. It was incredibly cold, because we were recording in winter, so we had these big coats on, and had one little bar heater that we huddled around, and if someone had to go and record something, they’d have to run up to the other end of the room, get cold as they were recording their instruments, and run back again. This time around we found a much better space that had actual acoustic treatment because bands were rehearsing there sometimes. And it had heating. We learned from the Zonoscope experience that some comfort is probably good.

Cut Copy (Photo by Tom Spray)

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