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Albums of the year 2014

in Blog by
Swans-To-Be-Kind

Swans – To Be Kind

After thirteen studio albums, Swans have not diluted their power or talent one bit. But somehow, since their rekindling in 2010, they have become more popular. To Be Kind is just as provocative and challenging as Swans’ early material, with half-an-hour-long songs like “Bring the Sun/Touissant Overture” and off-kilter oddities like “A Little God in My Hand”, but the sound and instrumentation has matured, becomings both less distorted and somehow more dissonant. As we witnessed in November, Swans are still a brutally loud and relentless live band, a constant provocation to audience and peers, and much loved because of it. – CC


 møMØ – NoMythologies To Follow

Karen Marie Ørsted is my hero. My braid swinging, ex-punk rocker, stage diving hero. I remember the first time I listened to one of MØ’s tracks, loading up Spotify and finding myself blasting ‘Pilgrim’ and ‘Let The Youth Go Mad’ for hours on end and wondering how one individual could contain quite so much effortless cool. She was the Danish alternative pop princess I’d been waiting for, ready to join a royal court populated by Björk, Kate Bush and Lana Del Rey. I waited for No Mythologies To Follow for over a year, as singles like ‘Glass’ and ‘XXX 88’ trickled out from MØ HQ. I was delighted to find that the debut album did not disappoint, as Ørsted shared something that was exciting, thematic, beautiful and most importantly, sounds fucking fantastic. From the first time I heard it, I knew that No Mythologies… was my album of the year. – HT


WhatIsThisHeartHow To Dress Well – What Is This Heart?

Tom Krell’s third album What Is This Heart touches on lighter subjects than his previous two albums Total Loss (2012) and Love Remains (2010). Not one to shy away from touching personal matters, the album starts off with ‘2 Years On (Shame Dream)’ and leads you softly into a journey that expands an extremely vivid personal dream about his family. ‘Face Again’ the stand out single along with ‘Repeat Pleasure’ work in his signature indie R&B coupled with stunning falsetto which leave you questioning how these tracks aren’t further up the charts. WITH takes a turn with grand orchestral ‘Pour Cyril’ before leading into cute power pop ballads ‘Very Best Friend’ and ‘Precious Love’ proving key changes are making a come back! – TS


 Angel OlsenAngel Olsen – Burn Your Fire For No Witness

The most immediately striking thing about Angel Olsen is her voice, a voice that could easily croon country hits but instead lopes over scruffy, dampened guitars. Her voice alone should earn her and Burn Your Fire for No Witness a place in hearts and best-of lists, but what really makes Burn Your Fire… so special is that it’s wholly intuitive. Olsen’s second full length album is her first with a full band, and it’s the album her debut hinted she was capable of making. She hasn’t abandoned minimalist solo tracks, but she balances them against full-band arrangements. And it’s not just the range of her voice that’s striking but it’s incredible malleability; that it’s raw yet gentle, that it jumps from disaffected to emotive from one line to another, that it rasps and twangs with equal affect. And while she’s not too proud to pay homage to the ‘90s on “Forgiven/Forgotten” and “High and Wild,” these frazzled moments give way easily to stark folk ballads. The album comes down so slowly that by the time you’ve reached the hushed conclusion of “Windows” there’s a sense of catharsis. Burn Your Fire… doesn’t just leave you feeling satisfied, but completed. – AF


 sharon van ettenSharon Van Etten  – Are We There

Somewhere in Tennessee there is apparently an ex-boyfriend of Sharon Van Etten who, during their relationship, kept telling her that her music was terrible. There is a lesson to be learned here.
“Are We There” is one of those records that grows on you. There is something extremely vulnerable and honest about Sharon Van Etten’s song writing and performance on stage. Her voice has depth which is completed by the unique vocal harmonies with Heather Woods Broderick. As Sharon Van Etten told The New York Times when she released her previous album “Tramp”, she does not really consider them harmonies: “I just hear two notes at once — I just hear two melodies.” – MK


6) East India YouthTotal Strife Forever
7) IceagePlowing Into The Fields Of Love
8) Scott Walker and SunnO)))Soused
9) Tune-yardsNikki Nack
10) The War On DrugsLost In A Dream
11) Future IslandsSingles
12) Sleep Party PeopleFloating
13) FKA TwigsLP1
14) EagullsEagulls
15) St. VincentSt. Vincent
16) Alt-JThis Is All Yours
17) Wild BeastsPresent Tense
18) Mac DeMarcoSalad Days
19) Ice Cream CathedralSudden Anatomy
20) Lana Del ReyUltraviolence
21) Get Your GunThe Worrying Kind
22) SpoonThey Want My Soul
23) WarpaintWarpaint
24) Shiny DarklyLittle Earth
25) BeyoncéBeyoncé

Photos of the year 2014

in Photos by
The Rolling Stones (Photo by Morten Aagaard Krogh)

It has been a busy year for Here Today. During 2014 our photographers and journalists covered Roskilde FestivalNorthside FestivalTrailerpark FestivalWasn’t Born To Follow (a mini festival by Smash! Bang! Pow!), as well as over 50 live shows with artists like St. VincentSwansAngel OlsenSharon Van EttenThe War On DrugsMac DemarcoCommunionsFirst HateLower, and many more.

We have put together a selection of the best photos of the year 2014. It has not been easy. Some stood out, though, like the picture below of Perfect Pussy; a picture that captures the raw energy of the show while still being very carefully composed and a perfect example of Henry Cartier Bresson’s concept of the decisive moment.

Perfect Pussy (photo by Morten Aagaard Krogh / mortenkrogh.com)Perfect Pussy | Wasn´t Born To Follow, Pumpehuset, Copenhagen (Photo by Morten Aagaard Krogh)

Another amazing photo is the one of Damon Albarn (by Tom Spray) spitting water at the audience at Roskilde Festival. The crowd, the big empty space and the solitary figure (Damon) at the edge of the stage in a defiant stance; it is a picture with allegorical qualities, one that can make you mind wander.

Damon Albarn (Photo by Tom Spray)

Damon Albarn | Roskilde Festival, Arena Stage (Photo by Tom Spray)

Then there is Morten Aagaard Krogh‘s photograph of the The Rolling Stones (at the top of this post) from when the band played the legendary Orange Stage at Roskilde Festival, a stage that has come to symbolize the festival. The Orange Stage was originally made for The Rolling Stones’s 1976 Summer tour, but in 1978 it was sold to Roskilde Festival. For the first time since 1976 The Rolling Stones where reunited with their old stage. It was also the first time they played Roskilde Festival. James Hjertholm’s photo of Hexis’s leadsinger Filip Andersen is also very powerful and last, but not least, there is a whole gallery of photos (at the bottom of the page) that are equally great.

Hexis (Photo by James Hjertholm)

Hexis | Roskilde Festival, Rising Stage (Photo by James Hjertholm)

See the gallery with Here Today’s photos of the year 2014 below.

The gallery features photos by Morten Aagaard Krogh (mortenkrogh.com), Tom Spray (tom-spray.com), James Hjertholm (jameshjertholm.com), Ivan Boll (ivanrb.dk) and Jonas Bang (jonasbang.com).

All images are copyright of the individual photographers.

VIDEO: Get Your Gun – “Call Me Rage”

in Blog/New Music by

Get Your Gun have shared a video for their single “Call Me Rage” from their debut album The Worrying Kind. The video was directed by Here Today contributor Jonas Bang and shows the band on their triumphant summer tour playing shows at several festivals and touring Europe.

Watch the video for “Call Me Rage” below:

PHOTOS: Trailerpark Festival

in Photos by

Photos by Morten Aagaard Krogh (mortenkrogh.com)

Reptile Youth
Reptile Youth
Communions
Communions
Trailerpark audience
Trailerpark audience
Shiny Darkly
Shiny Darkly
Le1f
Le1f
Get Your Gun
Get Your Gun
Christopher
Christopher

 

Trailerpark Festival ambience
Trailerpark Festival ambience
Broke
Broke
Sleep Party People
Sleep Party People
Trailerpark festival ambience
Trailerpark festival ambience
Ice Cream Cathedral
Ice Cream Cathedral
Baby In Vain
Baby In Vain
Trailerpark Festival audience
Trailerpark Festival audience
Trailerpark Festival ambience
Trailerpark Festival ambience
Mont Oliver
Mont Oliver
Naomi Pilgrim
Naomi Pilgrim
Sea Change
Sea Change
Trailerpark Festival ambience
Trailerpark Festival ambience
Giana Factory
Giana Factory
Trailerpark Festival ambience
Trailerpark Festival ambience
Sekuoia
Sekuoia
Trailerpark Festival ambience
Trailerpark Festival ambience
Trailerpark Festival ambience
Trailerpark Festival ambience
Trailerpark Festival ambience
Trailerpark Festival ambience

Thanks to Sony for letting us try their new Sony a7S camera

Check out Charlie Cassarino’s festival report 

See also photos from the individual days: Thursday, Friday and Saturday

Trailerpark Festival report

in Live Reviews by

Arriving early at a concert in Copenhagen is tremendously unfashionable, and at a festival doubly so. The benefit of being at Trailerpark in the afternoon is being able to explore the various tents, trailers and assorted installations before they are covered under a mass of pretty people. The festival focuses as much on constructing creative and comfortable spaces as it does on the music, and this year is no exception. As well as the eponymous trailers—one made up to look like a Lynchian crime scene, complete with smoke machine and eerie music, another a Tinder-sponsored shag-shack—there are swings made of recycled pallets, surrealist plush sculptures, rum cabañas and a tent devoted to what can only be described as audio-visual terrorism.

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The Tinder-trailer during a quite moment.

Fans of poor decision-making are welcome to try a spot of tattoo roulette—quite literally spinning a wheel to decide what image will be indelibly etched onto your skin—and in the wilder hours of Friday even an over-cautious curmudgeon like yours truly has to exercise a significant amount of self-restraint to avoid it. Those in search of less permanent damage can get a lopsided haircut and a single leg shaved by a bunch of clowns in bondage gear. Pretty standard fare, really.

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There is perhaps no better place than here to take stock of the quality and diversity of the Danish scene, the line-up consisting almost entirely of homegrown talent. This, however, is the only constant. One can wander away from a hip hop act at Royal stage and suddenly come across an emissary of the Mayhem/Posh Isolation scene at Outdoor stage. Throughout, DJs and smaller electronic acts are blasting away in the intimate enclave of Rebel stage.

Thursday

The day starts relatively peacefully with Alice Boman’s wistful folk pop, which transitions neatly into the music of CODY, Copenhagen’s post-folk collective and arguably one of the most talented groups of musicians in the city. Drawing primarily on material from Windshield, their latest album, the six-piece (but depending on the day there could just as easily be eight people on stage, or even just the one) manage to work their wealth of instruments into a beautifully simple whole.

The rest of the day is devoted mainly to electronic acts. Among the most promising newer artists are Mont Oliver, who add a touch of Madchester swagger to their performance (seriously, the guy at the keyboards is even wearing one of those floppy 90s fishing hats). Later on, Ice Cream Cathedral filled Outdoor stage with their pop pyschedelia, followed by a mesmeric Sekuoia.

Ice Cream Cathedral
Ice Cream Cathedral
trailerpark_thursday-2496
Cody

Baby In Vain did their best to convert the crowd to Satan, before Julias Moon could do is darndest to become the Danish equivalent of Michael Jackson.

Friday

Though every day at Trailerpark has its moments, Friday is the one that does its best to physically and mentally destroy festival-goers. In the most positive sense of the phrase, naturally. Hand Of Dust and Get Your Gun bring a dark and twisted version of Americana to town, though their early slots mean that only a handful of the most dedicated are able to witness any of it.

The tone for the rest of the evening is set by New York rapper Le1f. Preceded by a brief display from an acrobat in bondage gear (a phrase I don’t get to use enough), Khalif Diouf exudes equal parts sexuality (consider that barely an hour later will see a DJ set from someone called DJ Cockwhore) and flighty exuberance.  Cutting songs short when he gets tired of them, Le1f makes it clear that he is here to have as much fun as the audience.

Le1f
Le1f

Though Sleep Party People’s mix of lullabies and post-rock is both a visually and aurally captivating experience, the true energy of the evening is found with two bands:  Reptile Youth and Broke. Though the former is considerably more famous, the two share similarities in sound and attitude, guitar-led dance music and physicality. I can personally attest to having had Reptile Youth’s frontman Mads Damsgaard Kristiansen land on my head twice during improperly announced stage dives, and Broke’s frontman developed a liking for humping one of the central tent poles of Outdoor stage.

Reptile Youth
Reptile Youth

All this can only be topped by the utter perfection (in the eyes and ears of this reviewer at least) of The Felines, who bring wide smiles and awkward attempts at the twist to the 4am crowd.

Saturday

Fans of Danish “pop sensations” and hip hop acts must forgive me, but the real stars of the final day of Trailerpark are all at Outdoor stage. First Hate are possibly the dorkiest duo I have ever seen, which automatically makes them cooler than anyone in this tremendously well-dressed audience. It helps that they almost flawlessly channel Speak and Spell-era Depeche Mode, down to the Dave Gahan-esque vocals and dance moves. It’s pure and unabashed synth-pop, and it instantly converts all those present.

If prizes were being awarded, one would have to go to Communions, who have transformed into a much more mature band in the intervening months since our last encounter with them. The punk attitude is still there, but it no longer has a stranglehold over their sound, and finally they devote themselves to the wiry jangle-pop that was always lurking underneath the discordant tone and shambolic compositions. Those of us who spent the bike-ride to Enghave listening exclusively to Felt (or is that just me?) are in for a very pleasant surprise.

trailerpark_saturday-5429
Communions

As people gather to watch Shiny Darkly, it is evident that they are precisely the same hand-picked audience that attended First Hate and Communions. Apparently I have become a stereotype, though what that might be is unclear. Though perhaps the most obviously post-punk oriented of all the acts at Trailerpark, Shiny Darkly do not simply emulate their elders and betters. The raw riffs and chanted vocals are driven by a spartan and effective rhythm section, and on occasion even joined by a violinist or a trumpet player. The extra instruments are used with an ear for noise and harmonics as much as they add an extra layer of melody to the songs. At any rate they bespeak a level of ambition that is the mark of a healthy music scene. The likes of S!vas and Christopher might bring in the punters, but visitors looking for the true energy of the city should follow the leather jackets.

trailerpark_saturday-5726
Shiny Darkly

 View  the galleries from Trailerpark Festival here:

Thursday

Friday

Saturday

All days

Thanks to Sony for letting us try the new Sony a7S camera.

All photos by Morten Aagaard Krogh (mortenkrogh.com)

PHOTOS: Trailerpark Festival, Day 2, 01.08.2014

in Photos by

Photos by Morten Aagaard Krogh

Get Your Gun

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Hand Of Dust

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Trailerpark Festival ambience

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Sea Change

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Le1f

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Trailerpark Festival ambience

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Reptile Youth

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Emil Germ

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Sleep Party People

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Trailerpark Festival ambience

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Broke

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Ghost Venue

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Thanks to Sony for giving us the opportunity to try their new Sony a7S camera

Roskilde Rising 2014: Monday 30th June

in Live Reviews/Roskilde Rising by
Get Your Gun (Photo by Tom Spray)

Heimatt

Being the first musician to perform at Roskilde Festival 2014 is not the easiest job in the world. The Roskilde buffs who wait for hours for the gates to open before flooding in and throwing up in a scummy tent that’s already been pissed on are a little too busy to take notice. The remaining crowd can be divided into three categories: the slightly hungover, the very hungover, and the super keen. And for those looking to take off the headache with a little music, Heimatt’s brand of light indie folk is perfect. Yesterday’s performance by frontman Magnus Grilstad’s had soaring vocals that were clear cut and reverberating, with lyrics about Scandinavia, love and sin, blending smoothly with Amalie Kjældgaard Kristensen’s violin.

Heimatt (Photo by Tom Spray)

Get Your Gun

Get Your Gun is a bit like a dark, apocalyptic version of The National, which serves for a nice bit of antithesis when the sun is beating down at what feels like 30 degrees and everyone is gradually declining into a pile of sunburnt skin. However, this didn’t stop singer Andreas arriving in practically head to toe black attire and trench coat. It’s clear that Get Your Gun are a band with a clear idea of their sound and image, but they’re unafraid of making purposeful experimental choices. The band played two tracks with the ‘Shameful Choir’, a men’s choir, a decision they made only a few days prior. Get Your Gun had clarity and clout as they made their debut at Roskilde Festival.

Get Your Gun (Photo by Tom Spray)

Blaue Blume

Blaue Blume’s falsetto vocals and stripped vintage pop sound were in full force as the four piece took to the Rising Stage yesterday evening. After attention from DIY and NME earlier in June, the band seemed wholly at ease with the Roskilde performance. Melodious riff lines and low, steady or spangled guitar underlay the gig to allow light, whispering vocals to grow, harmonise and waver. Effortlessly, the audience got swept away in Blaue Blume’s sound, and prepared for the party night ahead.

Blaue Blume (Photo by Tom Spray)

Photo by Tom Spray

Get Your Gun | Roskilde Rising, 30.06.2014

in Photos/Roskilde Rising/Uncategorized by

Photos by Tom Spray (www.tom-spray.com)

Get Your Gun (Photo by Tom Spray)

Get Your Gun (Photo by Tom Spray)

Get Your Gun (Photo by Tom Spray)

Get Your Gun (Photo by Tom Spray)

Get Your Gun (Photo by Tom Spray)

Get Your Gun (Photo by Tom Spray)

Get Your Gun (Photo by Tom Spray)

SESSION: Get Your Gun (Roskilde Rising)

in Roskilde Rising/Sessions by

Get Your Gun hail from the northernmost part of Denmark – Aalborg. The trio formed in 2008 by brothers Simon (drums) and Andreas Westmark (vocals/guitar) along with bassist Søren Nørgaard. The band’s sound is built around a combination of raw bursts of energy and monotonous drones. This is supported by a song universe containing noise, desperation and evil from the outmost corners. Their debut album The Worrying Kind was released this spring and has received critical acclaim across Europe. The band are no strangers to Here Today having recorded a session with us previously after the release of their first EP in the fall of 2012, they return to us after being championed by Scandinavia’s largest music festival, Roskilde Festival, as part of their Rising project which will no doubt propel them to even greater heights!

Roskilde Rising 2014 | Bands to catch

in Blog/Roskilde Rising by

Monday 30th June

Who: Heimatt
When: 14:00

Fronted by Magnus Grilstad, Heimatt approaches indie rock through vibe of traditional English folk with its predominantly acoustic arrangements and a violin that offers not only colorful harmonies but sometimes erie textures as well. Grilstad’s throaty vocals have a deep, sensitive resonance and occasionally shade into an American country twang. Their debut EP, To The Mountain, released in February, is energetic in spite of fact that the lyrics betray a pretty constant sadness. With a majority of their tunes being upbeat, however, there is a perfect foil to all of that melancholia, or at least there’s a sense of catharsis.

Who: Get Your Gun
When: 15:30

Get Your Gun hail from the northernmost part of the Danish underground scene – Aalborg. The trio formed in 2008 by brothers Simon (drums) and Andreas Westmark (vocals/guitar) along with bassist Søren Nørgaard. The band’s sound is built around a combination of raw bursts of energy and monotonous drones. This is supported by a song universe containing noise, desperation and evil from the outmost corners. Their debut album The Worrying Kind was released this spring and has received critical acclaim across Europe.

Who: Blaue Blume
When: 17:00

Dramatic in the most theatrical sense of the word, Blaue Blume sound like they’re transmitting from another dimension. Their debut single, “Lost Sons of Boys,” out now, has hints of psychedelia to it, but many of the other tracks they’ve made available follow the darker strain running under that syncopated rhythm. Dominated by a freakishly high yet unexpectedly soulful falsetto — think Cat Stevens without anything to ground him — that offers a severe contrast to the otherwise muted, lethargic arrangements, it’s downtempo, but don’t expect to be able to chill out to these songs. In fact, it might be best to prepare for a little paranoia.

Tuesday 1st July

Who: Communions
When: 15:30

Like their big brothers, Iceage and LowerCommunions are squarely based among the Mayhem set, where waistbands are high, haircuts sharp, and screamed vocals drenched in reverb. The young quartet has gained attention by melding the typical hardcore/goth hybrid of the likes of Iceage with surf-rock melodies and one-note guitar riffs. Their first EP, Cobblestones, was naturally released by Posh Isolation back in January. The band came to the Black Tornado studios in Copenhagen to perform two songs, new track ‘Summer’s Oath’ and title track from their EP ‘Cobblestones’.

Who: My Heart The Brave
When: 18:30

Producer Caspar Hesselager’s brand of electro-pop relies on tightly syncopated rhythms and organic instrumentation. A classical pianist by training, Hesselager layers his songs with quirky riffs that encourage the listener to keep rewinding, in an attempt to prize the layers apart. The “Keep Me From It” single might seem to aspire to summer-hit status, but it’s off-kilter rhythms and steel-drum-imitating piano complicate the song and invite closer listening – which reveals a frantic bassline hidden under the heavy synth stabs. All these elements are brought together by Hesselager’s accented, low-key vocals.

Who: Förtress
When: 21:30

For those that are more hard rock inclined, look no further than the naked, tattooed torsos of Förtress. Recent single ‘Forest of the Wicked’ has all the long hair thrashing a heavy rock fan could wish for, whilst maintaining a solid melody and listenability. They keep their description on the band’s Facebook page simple: “Heavy Rock. Big Dicks. Balls of Steel.” Will their set match the male bravado?

Wednesday 2nd July

Who: Karl William
When: 14:00

Hoods, ginger locks, and the moody glance of a teenager music making teenager not to be messed with. King Krule? Try Karl William. This red head offers up rap and R&B over the simple beats on single ‘Kostumerant’, and tastefully turns his head to synth and autotune on ‘Foruden at Forgude’. Having released his four track EP 1. Sal last September, this Danish rapper looks ready to take the Roskilde rap fans by force.

Who: Narcosatanicos
When: 15:30

Narcosatanicos is a heavy name for a heavy band. The Aarhus-based sextet – including three guitarists and a saxophonist – draw from the likes of Suicide and Hawkwind to create a distinctive form of freeform, psychedelic noise-rock. The No-Wave saxophone wails, coupled with meaty basslines, make this a band that commands attention, manhandling the listener as their sonic hallucinations progress. Though one could spend several happy hours charting Narcosatanicos’ various influences, their sound is all their own, and their live performances promise to be intense and memorable experiences.

Who: Hexis
When: 21:30

Trading mostly in sludgy rhythms, rolling percussion, and lots of growling, Hexis have a sense of dynamics that gives their songs real dimension. Amongst the distortion and evil bellowing are countering shouts and unexpected cadences. The Copenhagen-based five-piece black metal outfit released their latest full length album, Abalam, in January. While their songs do have a thick, unsettling, buzzy quality to them, don’t expect endless, formless droning. They speed through most of their songs in quick, vicious succession, and Abalam clocks in at a succinct thirty five minutes — just enough time to rev you up or give you serious indigestion.

Who: The Awesome Welles
When: 23:00

Copenhagen’s newest ambassadors of brooding and theatrical indie rock may have a pun for a name, but their music is inspired by the straight-faced sincerity of bands like the National. Songs like “120” hark back to the grungy power-pop of the 90s and early 00s, whereas their newest single, “Undertaker”, – reportedly inspired by Soren Kierkegaard – sees them going for a more anthemic approach, with a very clear Scandinavian angle. Having supported the likes of Kellermensch and The Floor is Made of Lava, the Awesome Welles are poised to receive their own share of the limelight.

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