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Photos of the year 2014

in Photos by
The Rolling Stones (Photo by Morten Aagaard Krogh)

It has been a busy year for Here Today. During 2014 our photographers and journalists covered Roskilde FestivalNorthside FestivalTrailerpark FestivalWasn’t Born To Follow (a mini festival by Smash! Bang! Pow!), as well as over 50 live shows with artists like St. VincentSwansAngel OlsenSharon Van EttenThe War On DrugsMac DemarcoCommunionsFirst HateLower, and many more.

We have put together a selection of the best photos of the year 2014. It has not been easy. Some stood out, though, like the picture below of Perfect Pussy; a picture that captures the raw energy of the show while still being very carefully composed and a perfect example of Henry Cartier Bresson’s concept of the decisive moment.

Perfect Pussy (photo by Morten Aagaard Krogh / mortenkrogh.com)Perfect Pussy | Wasn´t Born To Follow, Pumpehuset, Copenhagen (Photo by Morten Aagaard Krogh)

Another amazing photo is the one of Damon Albarn (by Tom Spray) spitting water at the audience at Roskilde Festival. The crowd, the big empty space and the solitary figure (Damon) at the edge of the stage in a defiant stance; it is a picture with allegorical qualities, one that can make you mind wander.

Damon Albarn (Photo by Tom Spray)

Damon Albarn | Roskilde Festival, Arena Stage (Photo by Tom Spray)

Then there is Morten Aagaard Krogh‘s photograph of the The Rolling Stones (at the top of this post) from when the band played the legendary Orange Stage at Roskilde Festival, a stage that has come to symbolize the festival. The Orange Stage was originally made for The Rolling Stones’s 1976 Summer tour, but in 1978 it was sold to Roskilde Festival. For the first time since 1976 The Rolling Stones where reunited with their old stage. It was also the first time they played Roskilde Festival. James Hjertholm’s photo of Hexis’s leadsinger Filip Andersen is also very powerful and last, but not least, there is a whole gallery of photos (at the bottom of the page) that are equally great.

Hexis (Photo by James Hjertholm)

Hexis | Roskilde Festival, Rising Stage (Photo by James Hjertholm)

See the gallery with Here Today’s photos of the year 2014 below.

The gallery features photos by Morten Aagaard Krogh (mortenkrogh.com), Tom Spray (tom-spray.com), James Hjertholm (jameshjertholm.com), Ivan Boll (ivanrb.dk) and Jonas Bang (jonasbang.com).

All images are copyright of the individual photographers.

SESSION: Hexis (Roskilde Rising)

in Roskilde Rising/Sessions by

Trading mostly in sludgy rhythms, rolling percussion, and lots of growling, Hexis have a sense of dynamics that gives their songs real dimension. Amongst the distortion and evil bellowing are countering shouts and unexpected cadences. The Copenhagen-based five-piece black metal outfit released their latest full length album, Abalam, in January. While their songs do have a thick, unsettling, buzzy quality to them, don’t expect endless, formless droning. They speed through most of their songs in quick, vicious succession, and Abalam clocks in at a succinct thirty five minutes — just enough time to rev you up or give you serious indigestion.

Roskilde Rising 2014: Wednesday 2nd July

in Live Reviews/Roskilde Rising by

Karl William

Smooth, soulful vocals and simple drum loop backing were Karl William’s offering to the Rising Stage, a welcome respite from the rock guitar of the past two days. The fresh faced 19 year old seemed rehearsed, but as teenagers often are, slightly awkward. William’s R&B backtracks carried him through ‘Foruden at Forgude’ and ‘Kostumeramt’, with high synths and low bass, he managed to pack a 2,000+ strong crowd in the Rising field, as the crowd mouthed his lyrics from the front to the back.

Karl William (Photo by Tom Spray)

Narcosatanicos 

If there’s one thing you can be sure of in life, it’s that bands who describe themselves as “intense, fucked up psychedelic noise rock collapsing into a distorted, rhythmic mindfuck of saxophones, guitars and LSD,” are utterly terrible. Such is Narcosatanicos’ Facebook description. But with an attitude of open mindedness and positivity, I went to see the acid fans perform. The band powered through their 45 minute set with a light mainly shone on their critically acclaimed self titled album. The crowd certainly wasn’t the largest at the Rising stage but those who were in attendance we’re a dedicated fan base they’ve grown from their early days on the psych scene. 

Narcosatanicos (Photo by Tom Spray)

Narcosatanicos (Photo by Tom Spray)

Narcosatanicos (Photo by Tom Spray) 

Hexis

The extent to my experience with metal music is limited to watching half of the Metallica set at last year’s Roskilde. Consequently, I feel a bit of a fraud reviewing Hexis. But judging by the full crowd of Roskilde Rising’s only black metal band, I would say that a lot of people are quite keen on them. I was stood a fair distance from the crowd in order to prevent all my bones from being crushed in the 30m circle mosh pit of death, but from my totally naïve perspective, I observed: 1) Hexis were totally sick, 2) The moshing was nuts, 3) I could totally get into this and 4) people actually head slam?

Hexis (Photo by James Hjertholm)

Hexis (Photo by James Hjertholm)

The Awesome Welles

Lights, relentless energy, and an incredible amount of power made The Awesome Welles’ performance forceful to the very end. Frontman Adam Nyborg Allen’s unshaking, loud vibrato vocals, and the smashing of the band’s classic rock drum lines made tracks like ‘Out of the Woods’, with a chorus line that falls flat on record, suddenly have the anthemic strength they were always intended to have. As the final act to perform at Roskilde Rising 2014, The Awesome Welles made sure the warm up went out with a bang.

The Awesome Welles (Photo by James Hjertholm)

The Awesome Welles (Photo by James Hjertholm)

Photo by Tom Spray

Hexis | Roskilde Rising, 02.07.2014

in Photos/Roskilde Rising by
Hexis (Photo by James Hjertholm)

Photos by James Hjertholm (www.jameshjertholm.com)

Hexis (Photo by James Hjertholm)

Hexis (Photo by James Hjertholm)

Hexis (Photo by James Hjertholm)

Hexis (Photo by James Hjertholm)

Hexis (Photo by James Hjertholm)

Roskilde Rising 2014 | Bands to catch

in Blog/Roskilde Rising by

Monday 30th June

Who: Heimatt
When: 14:00

Fronted by Magnus Grilstad, Heimatt approaches indie rock through vibe of traditional English folk with its predominantly acoustic arrangements and a violin that offers not only colorful harmonies but sometimes erie textures as well. Grilstad’s throaty vocals have a deep, sensitive resonance and occasionally shade into an American country twang. Their debut EP, To The Mountain, released in February, is energetic in spite of fact that the lyrics betray a pretty constant sadness. With a majority of their tunes being upbeat, however, there is a perfect foil to all of that melancholia, or at least there’s a sense of catharsis.

Who: Get Your Gun
When: 15:30

Get Your Gun hail from the northernmost part of the Danish underground scene – Aalborg. The trio formed in 2008 by brothers Simon (drums) and Andreas Westmark (vocals/guitar) along with bassist Søren Nørgaard. The band’s sound is built around a combination of raw bursts of energy and monotonous drones. This is supported by a song universe containing noise, desperation and evil from the outmost corners. Their debut album The Worrying Kind was released this spring and has received critical acclaim across Europe.

Who: Blaue Blume
When: 17:00

Dramatic in the most theatrical sense of the word, Blaue Blume sound like they’re transmitting from another dimension. Their debut single, “Lost Sons of Boys,” out now, has hints of psychedelia to it, but many of the other tracks they’ve made available follow the darker strain running under that syncopated rhythm. Dominated by a freakishly high yet unexpectedly soulful falsetto — think Cat Stevens without anything to ground him — that offers a severe contrast to the otherwise muted, lethargic arrangements, it’s downtempo, but don’t expect to be able to chill out to these songs. In fact, it might be best to prepare for a little paranoia.

Tuesday 1st July

Who: Communions
When: 15:30

Like their big brothers, Iceage and LowerCommunions are squarely based among the Mayhem set, where waistbands are high, haircuts sharp, and screamed vocals drenched in reverb. The young quartet has gained attention by melding the typical hardcore/goth hybrid of the likes of Iceage with surf-rock melodies and one-note guitar riffs. Their first EP, Cobblestones, was naturally released by Posh Isolation back in January. The band came to the Black Tornado studios in Copenhagen to perform two songs, new track ‘Summer’s Oath’ and title track from their EP ‘Cobblestones’.

Who: My Heart The Brave
When: 18:30

Producer Caspar Hesselager’s brand of electro-pop relies on tightly syncopated rhythms and organic instrumentation. A classical pianist by training, Hesselager layers his songs with quirky riffs that encourage the listener to keep rewinding, in an attempt to prize the layers apart. The “Keep Me From It” single might seem to aspire to summer-hit status, but it’s off-kilter rhythms and steel-drum-imitating piano complicate the song and invite closer listening – which reveals a frantic bassline hidden under the heavy synth stabs. All these elements are brought together by Hesselager’s accented, low-key vocals.

Who: Förtress
When: 21:30

For those that are more hard rock inclined, look no further than the naked, tattooed torsos of Förtress. Recent single ‘Forest of the Wicked’ has all the long hair thrashing a heavy rock fan could wish for, whilst maintaining a solid melody and listenability. They keep their description on the band’s Facebook page simple: “Heavy Rock. Big Dicks. Balls of Steel.” Will their set match the male bravado?

Wednesday 2nd July

Who: Karl William
When: 14:00

Hoods, ginger locks, and the moody glance of a teenager music making teenager not to be messed with. King Krule? Try Karl William. This red head offers up rap and R&B over the simple beats on single ‘Kostumerant’, and tastefully turns his head to synth and autotune on ‘Foruden at Forgude’. Having released his four track EP 1. Sal last September, this Danish rapper looks ready to take the Roskilde rap fans by force.

Who: Narcosatanicos
When: 15:30

Narcosatanicos is a heavy name for a heavy band. The Aarhus-based sextet – including three guitarists and a saxophonist – draw from the likes of Suicide and Hawkwind to create a distinctive form of freeform, psychedelic noise-rock. The No-Wave saxophone wails, coupled with meaty basslines, make this a band that commands attention, manhandling the listener as their sonic hallucinations progress. Though one could spend several happy hours charting Narcosatanicos’ various influences, their sound is all their own, and their live performances promise to be intense and memorable experiences.

Who: Hexis
When: 21:30

Trading mostly in sludgy rhythms, rolling percussion, and lots of growling, Hexis have a sense of dynamics that gives their songs real dimension. Amongst the distortion and evil bellowing are countering shouts and unexpected cadences. The Copenhagen-based five-piece black metal outfit released their latest full length album, Abalam, in January. While their songs do have a thick, unsettling, buzzy quality to them, don’t expect endless, formless droning. They speed through most of their songs in quick, vicious succession, and Abalam clocks in at a succinct thirty five minutes — just enough time to rev you up or give you serious indigestion.

Who: The Awesome Welles
When: 23:00

Copenhagen’s newest ambassadors of brooding and theatrical indie rock may have a pun for a name, but their music is inspired by the straight-faced sincerity of bands like the National. Songs like “120” hark back to the grungy power-pop of the 90s and early 00s, whereas their newest single, “Undertaker”, – reportedly inspired by Soren Kierkegaard – sees them going for a more anthemic approach, with a very clear Scandinavian angle. Having supported the likes of Kellermensch and The Floor is Made of Lava, the Awesome Welles are poised to receive their own share of the limelight.

Roskilde Festival Warm Up Schedule

in Roskilde Rising by

Monday 30th June

Rising Stage
14.00 HEIMATT
15.00 BRYNJOLFUR
15.30 GET YOUR GUN
16.30 IBERIA
17.00 BLAUE BLUME

Apollo
18.00 FRANSKILD
18.30 THE DIVERS
19.30 WE ARE THE WAY FOR THE COSMOS TO KNOW ITSELF
20.00 THE MINDS OF 99
21.00 PANDREAS
21.30 SLÖA KNIVAR
22.30 JAAKKO EINO KALEVI
23.00 EMILIE NICOLAS
Resident DJ: Borneland

Tuesday 1st July

Rising Stage
14.00 TIDLIGE ARMBÅND
15.30 COMMUNIONS
17.00 KINDRED FEVER
18.30 MY HEART THE BRAVE
20.00 RA
21.30 FÖRTRESS
23.00 MONT OLIVER

Apollo Stage
15.00 SAMARIS
16.30 UNKWON
18.00 DNKL
19.30 KANT
21.00 SAY LOU LOU
22.30 NAUSE
Resident DJ: Borneland 

Wednesday 2nd July

Rising Stage
14.00 KARL WILLIAM
15.30 NARCOSATANICOS
17.00 BLOODY BEACH
18.30 KILL J
20.00 KÖNSFÖRRÄDARE
21.30 HEXIS
23.00 THE AWESOME WELLES

Apollo Stage
15.00 SHADOW SHADOW
16.30 BLOKSBERG
18.00 S!VAS
19.30 SNAVS
21.00 SLICK SHOOTA
22.30 TBA
Resident DJ: Borneland 

INTRODUCING: Roskilde Rising 2014

in Blog/Roskilde Rising by

We’re pleased to announce that Here Today is Roskilde Rising‘s official media partner, we’ll be working along side them to help promote each act part of this years project and follow them in the run up to this years festival. The Roskilde Rising project started a few years ago with the aim of offering a platform to hand picked Scandinavian acts playing their Pavilion Junior stage at Roskilde Festival. They give artists a helping hand guiding them to the next stage of their career. This year Roskilde Rising returns with 9 acts picked from their new stage ‘Roskilde Rising’ that will be situated in the camping area and will run up until the main days of the festival. Heres an overview of each Rising band for 2014:

 

Karl William

Karl William

Hoods, ginger locks, and the moody glance of a teenager music making teenager not to be messed with. King Krule? Try Karl William. This red head offers up rap and R&B over the simple beats on single ‘Kostumerant’, and tastefully turns his head to synth and autotune on ‘Foruden at Forgude’. Having released his four track EP 1. Sal last September, this Danish rapper looks ready to take the Roskilde rap fans by force. 

 

Blaue Blume

Blaue Blume

Dramatic in the most theatrical sense of the word, Blaue Blume sound like they’re transmitting from another dimension. Their debut single, “Lost Sons of Boys,” out now, has hints of psychedelia to it, but many of the other tracks they’ve made available follow the darker strain running under that syncopated rhythm. Dominated by a freakishly high yet unexpectedly soulful falsetto — think Cat Stevens without anything to ground him — that offers a severe contrast to the otherwise muted, lethargic arrangements, it’s downtempo, but don’t expect to be able to chill out to these songs. In fact, it might be best to prepare for a little paranoia.

 

Heimatt

Heimatt

Fronted by Magnus Grilstad, Heimatt approaches indie rock through vibe of traditional English folk with its predominantly acoustic arrangements and a violin that offers not only colorful harmonies but sometimes erie textures as well. Grilstad’s throaty vocals have a deep, sensitive resonance and occasionally shade into an American country twang. Their debut EP, To The Mountain, released in February, is energetic in spite of fact that the lyrics betray a pretty constant sadness. With a majority of their tunes being upbeat, however, there is a perfect foil to all of that melancholia, or at least there’s a sense of catharsis. 

 

Get Your Gun

Get Your Gun

Rumbling verse lines followed up by crashing americana rock choruses is the confident offering from Get Your Gun. It’s simple, no nonsense guitar music, without teetering into Scandi-metal territory. Formed by brothers Andreas and Simon Westmark, Get Your Gun have been making music since 2008, but are finally releasing their debut album The Worrying Kind this month.

 

The Awesome Welles2

The Awesome Welles

Copenhagen’s newest ambassadors of brooding and theatrical indie rock may have a pun for a name, but their music is inspired by the straight-faced sincerity of bands like the National. Songs like “120” hark back to the grungy power-pop of the 90s and early 00s, whereas their newest single, “Undertaker”, – reportedly inspired by Soren Kierkegaard – sees them going for a more anthemic approach, with a very clear Scandinavian angle. Having supported the likes of Kellermensch and The Floor is Made of Lava, the Awesome Welles are poised to receive their own share of the limelight.

 

My Heart The Brave

My Heart the Brave

Producer Caspar Hesselager’s brand of electro-pop relies on tightly syncopated rhythms and organic instrumentation. A classical pianist by training, Hesselager layers his songs with quirky riffs that encourage the listener to keep rewinding, in an attempt to prize the layers apart. The “Keep Me From It” single might seem to aspire to summer-hit status, but it’s off-kilter rhythms and steel-drum-imitating piano complicate the song and invite closer listening – which reveals a frantic bassline hidden under the heavy synth stabs. All these elements are brought together by Hesselager’s accented, low-key vocals. 

 

Förtress

Förtress

For those that are more hard rock inclined, look no further than the naked, tattooed torsos of Förtress. Recent single ‘Forest of the Wicked’ has all the long hair thrashing a heavy rock fan could wish for, whilst maintaining a solid melody and listenability. They keep their description on the band’s Facebook page simple: “Heavy Rock. Big Dicks. Balls of Steel.” Will their set match the male bravado?

 

Hexis

Hexis

Trading mostly in sludgy rhythms, rolling percussion, and lots of growling, Hexis have a sense of dynamics that gives their songs real dimension. Amongst the distortion and evil bellowing are countering shouts and unexpected cadences. The Copenhagen-based five-piece black metal outfit released their latest full length album, Abalam, in January. While their songs do have a thick, unsettling, buzzy quality to them, don’t expect endless, formless droning. They speed through most of their songs in quick, vicious succession, and Abalam clocks in at a succinct thirty five minutes — just enough time to rev you up or give you serious indigestion. 

 

Narcosatanicos

Narcosatanicos is a heavy name for a heavy band. The Aarhus-based sextet – including three guitarists and a saxophonist – draw from the likes of Suicide and Hawkwind to create a distinctive form of freeform, psychedelic noise-rock. The No-Wave saxophone wails, coupled with meaty basslines, make this a band that commands attention, manhandling the listener as their sonic hallucinations progress. Though one could spend several happy hours charting Narcosatanicos’ various influences, their sound is all their own, and their live performances promise to be intense and memorable experiences. 

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