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Moon Duo

LIVE REVIEW: Moon Duo, Pumpehuset, 29.03.17

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Moon Duo live at Pumpehuset

Photos by Johannes Leszinski

 The key to Moon Duo is their simplicity: three instruments, three chords, one drum beat and 5 to 10 minutes to explore their every nuance. That sounds like an exaggeration, but it really isn’t. Moon Duo have two modes, on and off. Fans of crescendos and dynamic juxtapositions had better look elsewhere.

It’s two years since the last time I saw the Duo, and the roominess of Pumpehuset is a marked difference from the sweaty shoebox that they played previously. The reason for a larger venue, quite apart from having perhaps gained greater notoriety in recent years, is made apparent as soon as the band take to the stage. A large white semicircle at the back acts as a screen for some major psychedelic eyewash, as a thick weave of multicoloured beams reaches out into the audience.

Moon Duo live at Pumpehuset

It’s one of the best combinations of light and sound I’ve caught in a while, to the extent that for long periods of the set I have absolutely no clue what song they are playing. Nodding my head, banging a long-empty bottle of water on my leg. This isn’t exactly a new experience for me, but perhaps unusual for a sober Wednesday night.

The distinctive and ridiculously massive headstock of Ripley Johnson’s signature ’59 Airline waves in time with a solo barely hovering above Sanae Yamada’s keyboards. The real unsung hero, though, has to be John Jeffries and his unerring metronomic beat. No frills, no fills. After a very tight 60 minute set, the band’s encore is an appropriately thumping version of the Stooges “No Fun”. A banger, but very far from the truth.

Moon Duo live at Pumpehuset

 

LIVE REVIEW: Moon Duo, Stengade, 22.04.2015

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Photos by Morten Aagaard Krogh (mortenkrogh.com)

The West-coast psychedelia of Moon Duo, full of prehistoric riffs and driving rhythms, has packed Stengade on a Wednesday night. The former duo, now a trio with the addition of a drummer, are riding the waves of glowing reviews for their latest album, Shadow of the Sun, a work which adds real meat to the band’s sound.

Certainly the inclusion of John Jeffries on drums adds heft and urgency to the live sound, relentlessly propelling the band forward. Tonight his presence is heard rather than seen, as his drum kit is completely obscured by a thick screen of smoke. But no matter, the audience at least has the satisfaction of being able to see Ripley Johnson’s Rasputin-esque beard and the effortless intricacies of the wonderful Sanae Yamada on keyboards.

Moon duo-04213

The band begin with album-opener “Wilding”, a fast, twitchy psychedelic pop song, something like a sped-up Suicide track. Skilled though the band clearly is, their strength is in their simplicity, the devotion to three-chord rock’n’roll riffs, and more importantly, to the perfectly sculpted sounds of organ and guitar. It’s music that sounds familiar, yet completely current and urgent. Their latest single, “Animal”, perversely has their drummer imitating a drum machine, over which they layer a chugging horror-theme of a riff.

The room is packed, hot and filled with smoke. Sweat trickles down as heads bang and girls do that thing where they shake their hair from side to side (have you noticed this seemingly gendered pattern, boys nodding and girls shaking their heads?). Hardly a second to breathe between each song, the set flashes and burns out after just 50 minutes, concluding our travels in the murky magical land of Moon Duo.

PLAYLIST: Here Today’s Concerts – April

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We have updated our “Here Today Concerts” playlist.

The Twilight Sad (Loppen, 03.04.2015)

The Twilight Sad has just released their fourth studio album, Nobody Wants to Be Here and Nobody Wants to Leave, to raving reviews.  Drowned In Sound wrote:  “The Twilight Sad gave birth to one of the greatest British debut albums in living memory. That was in 2007 and just seven years later they’ve given us an indication that they could attain greatness on a par with MBV or The Jesus and Mary Chain. Hell, carry on like this and we’ll be comparing them with The Cure.” Sounds like a band you want to hear, right?

Eyehategod (Loppen, 07.04.2015)

Wearing earplugs to an Eyehategod show is as effective as wearing a bulletproof vest to a catapult festival. As veteran purveyors of sludge metal, the New Orleans outfit grind out blood-encrusted songs that fall on the exploding end of the noise spectrum. Their music is the sound gravity makes with a limitless supply of anvils and anchors, the spectacle of which will be well worth the price of admission.

Kate Tempest (Vega, 13.04.2015)

The obvious reference point to Kate Tempest debut album Everybody Down is the Streets’ second album, A Grand Don’t Come for Free. It is a conceptual album that tells the story of three characters battling loneliness in the big city, with each song representing a new chapter; a rather ambitious undertaking which the young Londoner gets away with quite well.

Calexico (Amager Bio, 14.04.2015)

Calexico specializes in music of the soul by sunset, a style and attitude inherent to the group’s home in the Mexican-American borderlands of Tucson, Arizona. Combining the warm acoustic arrangements of country and the brassy orchestration of Mexican folk music, they can get big and loud without being unwelcoming. Their forthcoming album Edge of the Sun is set to release on April 14, the day of their show at Amager Bio. If ever there were a time and a place…

White Hills (Loppen, 14.04.2015)

Psychedelic New-Yorkers White Hills haven’t released much material in the last couple of years, but that hasn’t kept them out of the lime-light. An appearance on Only Lovers Left Alive–a scene in which the vampiric Tilda Swinton, Tom Hiddelston and Mia Wasikowska gloomily headbang to the band in a Detroit club–has cemented their reputation as purveyors of far out cool. Loppen is certainly an appropriate venue for a band with the Jim Jarmusch seal of approval.

Grouper (Jazzhouse, 21.04.2015)

Having listened to Ruins, Liz Harris’ latest album as ambient act Grouper, it’s difficult to picture exactly what kind of performance she will put on at Jazzhouse. How do you haunt a stage the way that album haunts the mind? Undoubtedly with the aid of smoke and mirrors. Even if all that means is a bit of dry ice and some mood lighting, the aural component is smoke you can’t blow out, a mirror you can’t turn away from.

Moon Duo (Stengade, 22.04.2015)

If the East Coast psychedelia of White Hills isn’t enough for one month, Moon Duo are coming to Copenhagen to represent the West Coast. On the back of their latest critically-acclaimed album, Shadow of the Sun, the Duo will be kraut-rocking through Europe, leaving behind them a trail of burned rubber and broken speakers.

Colin Stetson (Jazzhouse, 22.04.2015)

Stetson’s New History of Warfare trilogy, recently completed, has gone a long way in redefining the capabilities of the saxophone. Thanks to circular breathing techniques and microphones inserted in strange places, Colin Stetson has turned the usually jaunty sax into an instrument of bleak and violent landscapes. Eerie pulsations and terrifying screeches are the order of the day, and we look forward to experiencing them in Lynchian environment of Jazzhouse.

Screaming Females (Loppen, 28.04.2015)

Actually there is only one female in the New Jersey Punk outfit Screaming Females, Marissa Paternoster. Even though she is tiny, she fills the stage in a way that stops the question “why are they called that then?” popping into your head. Her powerful vibrato and brutal guitar work is hard to match. Their 2012 album Ugly was recorded with Steve Albini and gained praise with publications such as Pitchfork. On their new album Rose Mountain the band explores new territory which results in a more refined sound which holds great promise for the future.

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