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Roskilde Rising 2014: Monday 30th June

in Live Reviews/Roskilde Rising by
Get Your Gun (Photo by Tom Spray)

Heimatt

Being the first musician to perform at Roskilde Festival 2014 is not the easiest job in the world. The Roskilde buffs who wait for hours for the gates to open before flooding in and throwing up in a scummy tent that’s already been pissed on are a little too busy to take notice. The remaining crowd can be divided into three categories: the slightly hungover, the very hungover, and the super keen. And for those looking to take off the headache with a little music, Heimatt’s brand of light indie folk is perfect. Yesterday’s performance by frontman Magnus Grilstad’s had soaring vocals that were clear cut and reverberating, with lyrics about Scandinavia, love and sin, blending smoothly with Amalie Kjældgaard Kristensen’s violin.

Heimatt (Photo by Tom Spray)

Get Your Gun

Get Your Gun is a bit like a dark, apocalyptic version of The National, which serves for a nice bit of antithesis when the sun is beating down at what feels like 30 degrees and everyone is gradually declining into a pile of sunburnt skin. However, this didn’t stop singer Andreas arriving in practically head to toe black attire and trench coat. It’s clear that Get Your Gun are a band with a clear idea of their sound and image, but they’re unafraid of making purposeful experimental choices. The band played two tracks with the ‘Shameful Choir’, a men’s choir, a decision they made only a few days prior. Get Your Gun had clarity and clout as they made their debut at Roskilde Festival.

Get Your Gun (Photo by Tom Spray)

Blaue Blume

Blaue Blume’s falsetto vocals and stripped vintage pop sound were in full force as the four piece took to the Rising Stage yesterday evening. After attention from DIY and NME earlier in June, the band seemed wholly at ease with the Roskilde performance. Melodious riff lines and low, steady or spangled guitar underlay the gig to allow light, whispering vocals to grow, harmonise and waver. Effortlessly, the audience got swept away in Blaue Blume’s sound, and prepared for the party night ahead.

Blaue Blume (Photo by Tom Spray)

Photo by Tom Spray

Roskilde Rising 2014 | Bands to catch

in Blog/Roskilde Rising by

Monday 30th June

Who: Heimatt
When: 14:00

Fronted by Magnus Grilstad, Heimatt approaches indie rock through vibe of traditional English folk with its predominantly acoustic arrangements and a violin that offers not only colorful harmonies but sometimes erie textures as well. Grilstad’s throaty vocals have a deep, sensitive resonance and occasionally shade into an American country twang. Their debut EP, To The Mountain, released in February, is energetic in spite of fact that the lyrics betray a pretty constant sadness. With a majority of their tunes being upbeat, however, there is a perfect foil to all of that melancholia, or at least there’s a sense of catharsis.

Who: Get Your Gun
When: 15:30

Get Your Gun hail from the northernmost part of the Danish underground scene – Aalborg. The trio formed in 2008 by brothers Simon (drums) and Andreas Westmark (vocals/guitar) along with bassist Søren Nørgaard. The band’s sound is built around a combination of raw bursts of energy and monotonous drones. This is supported by a song universe containing noise, desperation and evil from the outmost corners. Their debut album The Worrying Kind was released this spring and has received critical acclaim across Europe.

Who: Blaue Blume
When: 17:00

Dramatic in the most theatrical sense of the word, Blaue Blume sound like they’re transmitting from another dimension. Their debut single, “Lost Sons of Boys,” out now, has hints of psychedelia to it, but many of the other tracks they’ve made available follow the darker strain running under that syncopated rhythm. Dominated by a freakishly high yet unexpectedly soulful falsetto — think Cat Stevens without anything to ground him — that offers a severe contrast to the otherwise muted, lethargic arrangements, it’s downtempo, but don’t expect to be able to chill out to these songs. In fact, it might be best to prepare for a little paranoia.

Tuesday 1st July

Who: Communions
When: 15:30

Like their big brothers, Iceage and LowerCommunions are squarely based among the Mayhem set, where waistbands are high, haircuts sharp, and screamed vocals drenched in reverb. The young quartet has gained attention by melding the typical hardcore/goth hybrid of the likes of Iceage with surf-rock melodies and one-note guitar riffs. Their first EP, Cobblestones, was naturally released by Posh Isolation back in January. The band came to the Black Tornado studios in Copenhagen to perform two songs, new track ‘Summer’s Oath’ and title track from their EP ‘Cobblestones’.

Who: My Heart The Brave
When: 18:30

Producer Caspar Hesselager’s brand of electro-pop relies on tightly syncopated rhythms and organic instrumentation. A classical pianist by training, Hesselager layers his songs with quirky riffs that encourage the listener to keep rewinding, in an attempt to prize the layers apart. The “Keep Me From It” single might seem to aspire to summer-hit status, but it’s off-kilter rhythms and steel-drum-imitating piano complicate the song and invite closer listening – which reveals a frantic bassline hidden under the heavy synth stabs. All these elements are brought together by Hesselager’s accented, low-key vocals.

Who: Förtress
When: 21:30

For those that are more hard rock inclined, look no further than the naked, tattooed torsos of Förtress. Recent single ‘Forest of the Wicked’ has all the long hair thrashing a heavy rock fan could wish for, whilst maintaining a solid melody and listenability. They keep their description on the band’s Facebook page simple: “Heavy Rock. Big Dicks. Balls of Steel.” Will their set match the male bravado?

Wednesday 2nd July

Who: Karl William
When: 14:00

Hoods, ginger locks, and the moody glance of a teenager music making teenager not to be messed with. King Krule? Try Karl William. This red head offers up rap and R&B over the simple beats on single ‘Kostumerant’, and tastefully turns his head to synth and autotune on ‘Foruden at Forgude’. Having released his four track EP 1. Sal last September, this Danish rapper looks ready to take the Roskilde rap fans by force.

Who: Narcosatanicos
When: 15:30

Narcosatanicos is a heavy name for a heavy band. The Aarhus-based sextet – including three guitarists and a saxophonist – draw from the likes of Suicide and Hawkwind to create a distinctive form of freeform, psychedelic noise-rock. The No-Wave saxophone wails, coupled with meaty basslines, make this a band that commands attention, manhandling the listener as their sonic hallucinations progress. Though one could spend several happy hours charting Narcosatanicos’ various influences, their sound is all their own, and their live performances promise to be intense and memorable experiences.

Who: Hexis
When: 21:30

Trading mostly in sludgy rhythms, rolling percussion, and lots of growling, Hexis have a sense of dynamics that gives their songs real dimension. Amongst the distortion and evil bellowing are countering shouts and unexpected cadences. The Copenhagen-based five-piece black metal outfit released their latest full length album, Abalam, in January. While their songs do have a thick, unsettling, buzzy quality to them, don’t expect endless, formless droning. They speed through most of their songs in quick, vicious succession, and Abalam clocks in at a succinct thirty five minutes — just enough time to rev you up or give you serious indigestion.

Who: The Awesome Welles
When: 23:00

Copenhagen’s newest ambassadors of brooding and theatrical indie rock may have a pun for a name, but their music is inspired by the straight-faced sincerity of bands like the National. Songs like “120” hark back to the grungy power-pop of the 90s and early 00s, whereas their newest single, “Undertaker”, – reportedly inspired by Soren Kierkegaard – sees them going for a more anthemic approach, with a very clear Scandinavian angle. Having supported the likes of Kellermensch and The Floor is Made of Lava, the Awesome Welles are poised to receive their own share of the limelight.

Roskilde Rising w/ Get Your Gun, Heimatt & The Awesome Welles | Huset, Copenhagen, 19.06.2014

in Photos/Roskilde Rising by

Photos by Tom Spray and Morten Aagaard Krogh

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INTRODUCING: Roskilde Rising 2014

in Blog/Roskilde Rising by

We’re pleased to announce that Here Today is Roskilde Rising‘s official media partner, we’ll be working along side them to help promote each act part of this years project and follow them in the run up to this years festival. The Roskilde Rising project started a few years ago with the aim of offering a platform to hand picked Scandinavian acts playing their Pavilion Junior stage at Roskilde Festival. They give artists a helping hand guiding them to the next stage of their career. This year Roskilde Rising returns with 9 acts picked from their new stage ‘Roskilde Rising’ that will be situated in the camping area and will run up until the main days of the festival. Heres an overview of each Rising band for 2014:

 

Karl William

Karl William

Hoods, ginger locks, and the moody glance of a teenager music making teenager not to be messed with. King Krule? Try Karl William. This red head offers up rap and R&B over the simple beats on single ‘Kostumerant’, and tastefully turns his head to synth and autotune on ‘Foruden at Forgude’. Having released his four track EP 1. Sal last September, this Danish rapper looks ready to take the Roskilde rap fans by force. 

 

Blaue Blume

Blaue Blume

Dramatic in the most theatrical sense of the word, Blaue Blume sound like they’re transmitting from another dimension. Their debut single, “Lost Sons of Boys,” out now, has hints of psychedelia to it, but many of the other tracks they’ve made available follow the darker strain running under that syncopated rhythm. Dominated by a freakishly high yet unexpectedly soulful falsetto — think Cat Stevens without anything to ground him — that offers a severe contrast to the otherwise muted, lethargic arrangements, it’s downtempo, but don’t expect to be able to chill out to these songs. In fact, it might be best to prepare for a little paranoia.

 

Heimatt

Heimatt

Fronted by Magnus Grilstad, Heimatt approaches indie rock through vibe of traditional English folk with its predominantly acoustic arrangements and a violin that offers not only colorful harmonies but sometimes erie textures as well. Grilstad’s throaty vocals have a deep, sensitive resonance and occasionally shade into an American country twang. Their debut EP, To The Mountain, released in February, is energetic in spite of fact that the lyrics betray a pretty constant sadness. With a majority of their tunes being upbeat, however, there is a perfect foil to all of that melancholia, or at least there’s a sense of catharsis. 

 

Get Your Gun

Get Your Gun

Rumbling verse lines followed up by crashing americana rock choruses is the confident offering from Get Your Gun. It’s simple, no nonsense guitar music, without teetering into Scandi-metal territory. Formed by brothers Andreas and Simon Westmark, Get Your Gun have been making music since 2008, but are finally releasing their debut album The Worrying Kind this month.

 

The Awesome Welles2

The Awesome Welles

Copenhagen’s newest ambassadors of brooding and theatrical indie rock may have a pun for a name, but their music is inspired by the straight-faced sincerity of bands like the National. Songs like “120” hark back to the grungy power-pop of the 90s and early 00s, whereas their newest single, “Undertaker”, – reportedly inspired by Soren Kierkegaard – sees them going for a more anthemic approach, with a very clear Scandinavian angle. Having supported the likes of Kellermensch and The Floor is Made of Lava, the Awesome Welles are poised to receive their own share of the limelight.

 

My Heart The Brave

My Heart the Brave

Producer Caspar Hesselager’s brand of electro-pop relies on tightly syncopated rhythms and organic instrumentation. A classical pianist by training, Hesselager layers his songs with quirky riffs that encourage the listener to keep rewinding, in an attempt to prize the layers apart. The “Keep Me From It” single might seem to aspire to summer-hit status, but it’s off-kilter rhythms and steel-drum-imitating piano complicate the song and invite closer listening – which reveals a frantic bassline hidden under the heavy synth stabs. All these elements are brought together by Hesselager’s accented, low-key vocals. 

 

Förtress

Förtress

For those that are more hard rock inclined, look no further than the naked, tattooed torsos of Förtress. Recent single ‘Forest of the Wicked’ has all the long hair thrashing a heavy rock fan could wish for, whilst maintaining a solid melody and listenability. They keep their description on the band’s Facebook page simple: “Heavy Rock. Big Dicks. Balls of Steel.” Will their set match the male bravado?

 

Hexis

Hexis

Trading mostly in sludgy rhythms, rolling percussion, and lots of growling, Hexis have a sense of dynamics that gives their songs real dimension. Amongst the distortion and evil bellowing are countering shouts and unexpected cadences. The Copenhagen-based five-piece black metal outfit released their latest full length album, Abalam, in January. While their songs do have a thick, unsettling, buzzy quality to them, don’t expect endless, formless droning. They speed through most of their songs in quick, vicious succession, and Abalam clocks in at a succinct thirty five minutes — just enough time to rev you up or give you serious indigestion. 

 

Narcosatanicos

Narcosatanicos is a heavy name for a heavy band. The Aarhus-based sextet – including three guitarists and a saxophonist – draw from the likes of Suicide and Hawkwind to create a distinctive form of freeform, psychedelic noise-rock. The No-Wave saxophone wails, coupled with meaty basslines, make this a band that commands attention, manhandling the listener as their sonic hallucinations progress. Though one could spend several happy hours charting Narcosatanicos’ various influences, their sound is all their own, and their live performances promise to be intense and memorable experiences. 

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