PHOTOS OF THE YEAR 2016
Photos by Morten Aagaard Krogh, Tom Spray and Amanda Farah
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LIVE REVIEW: Roskilde Festival 2016, Day 2, 30.06.2016
Reviews by Amanda Farah and Jesper Gaarskjær
Courtney Barnett — Avalon
If what you want is high energy rock music, it’s hard to do better than Courtney Barnett. Her blues-driven slacker rock with big choruses is perfect for jumping around and wailing along. You could take ready cue from her bassist, who spends much of the set flinging his body from side to side like Muppets are made to when they’re dancing. Add to the to that the background projects of weird but amusing cartoons and there’s the feeling of a subversive kids’ show for adults.
It’s also clear where Barnett’s comfort zone is. It’s well into her set before she says anything to the crowd, though this is a kind group who’ve heard “No One Really Cares If You Don’t Go to the Party” on the radio a hundred times and are singing along to “Depreston,” a song about gentrification and property values. But when she plays a solo her body turns into a rubber band and she loses herself in something ecstatic.
It’s easy to imagine a day when Courtney Barnett will be headlining festivals. She has the songs and she has the energy. The ability to command a stage is still forthcoming, but you can see that she knows it’s something she has to work on. It’s growth we can look forward to seeing. — AF
PJ Harvey — Arena
PJ Harvey knows how to make an entrance. She walks out onto the Arena stage with her band in single file, including a mini drum procession, with her saxophone in hand and wearing an amazing black feather vest.
The Arena stage is filled from end to end with her band, no mean feat, and the crowd is spilling out from the tent. If Polly Jean doesn’t say much between songs, it’s because she has the sort of presence that allows her to get away with saying so little. The profundity of hearing songs like “Let England Shake” and “The Words That Maketh Murder” a week after the UK’s referendum is not lost, even if she doesn’t call direct attention to it.
It’s not as the PJ Harvey is someone you go to see for lightheartedness. The shift away from political drama to songs from To Bring You My Love, including the title track and “Down By the Water” fills the space with a dark energy.
She closes with “River Anacostia” from her latest album, The Hope Six Demolition Project. Slowly, her band join her in a perfect line, singing the final lines together in a communion that’s almost spiritual. Though the crowd lingers, cheering for more, it’s too perfect an ending to follow up. — AF
Tenacious D — Orange
We went out to see Tenacious D thinking it would be a laugh, and it absolutely was. Jack Black on stage is essentially the guy from School of Rock, and Kyle Gass is the guy who is not Jack Black, i.e. an excellent straight man who deals with Black’s over-the-top emoting. For goodness sake, there’s a guy in red body paint and pair of furry trousers playing the part of Satan.
It’s 10 years since the release of The Pick of Destiny, and the set features heavily from the record. A rare outing for “Master Exploder” turns into a somewhat elaborate Milli Vanilli joke, and the segment culminates in “Phoenix,” which acknowledges that sales for The Pick of Destiny were less than stellar. Even if it’s heavy handed in the way that only main stage acts can be, the display of performance is admirable (Black’s repeated mispronunciation of “mange tak” is less so, but points for trying).
Despite the duo’s best efforts not to be serious at all, the crowd is definitely taking them seriously. This is typified in the mass singalong of “Tribute,” which explicitly states that it’s not the greatest song in the world. But if you can’t get in on the joke, what’s the point? — AF
JÚNÍUS MEYVANT (IS), Pavilion
It starts with a resounding “HU!” from the crowd. These days there is something special about everything from Iceland thanks to their football teams’ success at the Euro 2016 and their now legendary HU!-cheer. This event is no exception. Júníus Meyvant, on stage preparing for the first song, seizes the opportunity and gets the whole tent to roar “HU!”, and so a pleasant afternoon begins in the best possible way.
Június Meyvant has brought quite an orchestra to the setup. Eight people in all, including three of them playing wind instruments, kicking off with a surprising instrumental take, indicating that Június Meyvant has much more to offer than the soft, folky tunes from his celebrated first EP. The likes of “Gold Laces” and “Color Decay”. We got those beauties, of course, but the red-bearded Icelander takes the audience new places from song to song. Hushed tunes, full-blown orchestral compositions and solo appearances with only Júníus Meyvant on stage with his guitar.
At the center of it all, his trademark voice, both smooth, raspy and raw, adding some edge to the folky softcore. In between the melodies — during the sometimes too long breaks — he entertains with a profound sarcasm that stands in contrast to the songs, many of them taken from his forthcoming debut album. After this afternoon, that also ended with a “HU!”, expectations are mile high. JG
BISSE (DK), Gloria
There really is no one like Bisse. He blew up Gloria with a high voltage performance, making a clear statement: he is one to watch in the next few years.
He enters the stage as colorful and powerful as his music would lead you to expect. Glitter on one cheek, painted oversized eyebrows on the other, red lipstick, red nails, circular sunglasses, and — when he took the glasses off — a determined, piercing stare under the blond hair. And backed by a tight, intense three-man-band he delivered his shouting, rattling songs; this blend of rage, light, darkness, tenderness, new-wave and punk, that is nowhere else to be heard.
Bisse shouts more than he sings, flitting around the stage, changing dress three times and dancing with a naked torso, sexy and edgy at the same time. And he has a lot to say to the world. He has released four albums in a single year, and though their quality can fluctuate a little, and though it often was hard to distinguish the words from each other in Gloria, he gives everything he has, an artist at his most beautiful, leaving the room breathless. Even when he announces that he is about to do some ballads, it takes only a few seconds before the first ballad turns into a raging roar.
Bisse, this highly gifted chameleon of emotions, attitude, chaos, sex and poetry, really makes the blood rush. JG
SAVAGES (UK), Avalon
I adore Savages. I adore lead singer Jehnny Beth, the black intensity in her eyes, her explosive moves and unbreakable voice, and this Thursday night she and her three bandmates underlined what has been obvious to the world the last three years: Savages is a ripping, gripping and ruthlessly beautiful live act.
Jehnny Beth is above all the mesmerizing star. Pitch-black backslick, red lipstick, pale skin and dark suit. When she stares or points, she leaves a mark of latent danger. She is known for her interaction with the crowd, crowdsurfing and crawling over them — I last experienced it this April in Boston, USA — but that dimension was unfortunately missing at Avalon.
That said, Savages lit the tent up with their energetic darkness and songs about anger and love turned bad, both in their ballads and in their tight punk explosions. JG
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Photos of the year 2014
It has been a busy year for Here Today. During 2014 our photographers and journalists covered Roskilde Festival, Northside Festival, Trailerpark Festival, Wasn’t Born To Follow (a mini festival by Smash! Bang! Pow!), as well as over 50 live shows with artists like St. Vincent, Swans, Angel Olsen, Sharon Van Etten, The War On Drugs, Mac Demarco, Communions, First Hate, Lower, and many more.
We have put together a selection of the best photos of the year 2014. It has not been easy. Some stood out, though, like the picture below of Perfect Pussy; a picture that captures the raw energy of the show while still being very carefully composed and a perfect example of Henry Cartier Bresson’s concept of the decisive moment.
Perfect Pussy | Wasn´t Born To Follow, Pumpehuset, Copenhagen (Photo by Morten Aagaard Krogh)
Another amazing photo is the one of Damon Albarn (by Tom Spray) spitting water at the audience at Roskilde Festival. The crowd, the big empty space and the solitary figure (Damon) at the edge of the stage in a defiant stance; it is a picture with allegorical qualities, one that can make you mind wander.
Damon Albarn | Roskilde Festival, Arena Stage (Photo by Tom Spray)
Then there is Morten Aagaard Krogh‘s photograph of the The Rolling Stones (at the top of this post) from when the band played the legendary Orange Stage at Roskilde Festival, a stage that has come to symbolize the festival. The Orange Stage was originally made for The Rolling Stones’s 1976 Summer tour, but in 1978 it was sold to Roskilde Festival. For the first time since 1976 The Rolling Stones where reunited with their old stage. It was also the first time they played Roskilde Festival. James Hjertholm’s photo of Hexis’s leadsinger Filip Andersen is also very powerful and last, but not least, there is a whole gallery of photos (at the bottom of the page) that are equally great.
Hexis | Roskilde Festival, Rising Stage (Photo by James Hjertholm)
See the gallery with Here Today’s photos of the year 2014 below.
The gallery features photos by Morten Aagaard Krogh (mortenkrogh.com), Tom Spray (tom-spray.com), James Hjertholm (jameshjertholm.com), Ivan Boll (ivanrb.dk) and Jonas Bang (jonasbang.com).
All images are copyright of the individual photographers.
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LIVE REVIEW: Savages, Vega, 06.03.2014
Savages may have marked the last date of their tour with little fanfare, but a crowded main floor of Vega is a testament to success they have enjoyed since the release of Silence Yourself, their debut album on Sacred Bones Records. Proving that I’m not the only one to find the taste of Copenhageners unpredictable, the organisers were forced to move the gig from Lille to Store Vega after a surge in public interest.
One satisfaction is the amount of people gathered around the stage for the opening act; the other is the act itself. Joining Savages all the way from Australia, A Dead Forest Index produce beautiful music under an awful name. Borrowing both from the icy folk-songs of Nico (whose album, The Marble Index, probably explains part of the band’s moniker) and the guitar-and-drums minimalism of Low, these two boys create intense atmospheres through the use of layered vocals, canny guitar effects, and unpredictable drum fills.
Savages saunter on stage like they’ve just finished beating up some skinny indie boyband in a back alley. With no more ceremony than a single “Hi” from lead singer Jehnny, the band launch into “I Am Here”. Emerging out of the slide and sustain noise from Gemma Thompson’s guitar, the verse has that bass-lead bounce that made post-punk almost the only genre I listened to in high school, while the chorus showcases Jehnny’s vocal abilities, as precise as they are wild. The bounce isn’t a complete fabrication of mine, as I see drummer Fay Milton jumping up and down on her seat in time with the kick-drum.
Jehnny prowls about with intense blue eyes and an Ian Curtis haircut (well, that isn’t going to help against the comparison-brigade). She doesn’t so much talk to the crowd as recite short monologues. It is an inescapable fact that Savages are a very serious-minded band, but no one needs jokes or witty anecdotes when confronted with a band that can play songs like “Husbands”, which puts to shame most ‘original’ or ‘authentic’ post-punk bands.
The other benefit of the band’s seriousness is their strict and often-repeated policy on phones and cameras. Plastered all around the place are posters reminding people that constantly taking pictures during the show will probably get you a black eye. Some bastard close by me keeps snapping away, until one heroic guy behind him swatted the phone out of his hands.
The set is a short one, barely an hour, but then their only album, Silence Yourself, is less than 40 minutes in length. Savages close with their longest song, as yet unrecorded, and generally referred to as “Fuckers”. It doesn’t contain the most profound or interesting lyrics ever (“don’t let those fuckers get you down”), but it gives a chance for the band to stretch out and play with the dynamics of a song. It’s a good ending to what must have been a wild year for the band, and as people shuffle out of the venue and into Ideal Bar next door to hear Jehnny’s DJ set, you can’t help wondering what comes next.
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Savages | Store Vega, Copenhagen, 06.03.2014
Photos by Jonas Bang (www.jonasbang.com)
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Photos of the year 2013
The Hives, Store Vega, Copenhagen, 31.01.2013 (Photo by Tom Spray)
The Men, Stengade, Copenhagen, 21.03.2013 (Photo by Morten Krogh)
The Soft Moon, Loppen, Copenhagen, 30.03.2013 (Photo by Morten Krogh)
Shout Out Louds, Lille Vega, Copenhagen, 09.04.2013 (Photo by Hilmar Darri Flygenring)
Folkeklubben, Pumpehuset, Copenhagen, 25.04.2013 (Photo by Morten Krogh)
Autre Ne Veut, Rust, Copenhagen, 23.04.2013 (Photo by Tom Spray)
Daughter, Lille Vega, Copenhagen, 10.04.2013 (Photo by Tom Spray)
Japandroids, Store Vega, Copenhagen, 03.04.2013 (Photo by Tom Spray)
Jake Bugg, Store Vega, Copenhagen, 02.04.2013 (Photo by Tom Spray)
Palma Violets, BETA, Copenhagen, 31.03.2013 (Photo by Tom Spray)
Schultz and Forever, DR Byen, Copenhagen, 03.03.2013 (Photo by Tom Spray)
Araab Muzik, KB3, Copenhagen, 08.03.2013 (Photo by Tom Spray)
Metz, Ideal Bar, Copenhagen, 04.03.2013 (Photo by Tom Spray)
Crystal Castles, Store Vega, Copenhagen, 02.03.2013 (Photo by Tom Spray)
Cody, Store Vega, 01.03.2013 (Photo by Tom Spray)
Widowspeak, Loppen, Copenhagen, 08.05.2013 (Photo by Tom Spray)
Øresundsfestival, Malmö, 10.05.2013 (Photo by Tom Spray)
The Eclectic Moniker, Øresundsfestival, Malmö, 10.05.2013 (Photo by James Hjertholm)
Broke, Øresundsfestival, Malmö, 11.05.2013 (Photo by Tom Spray)
MØ, Øresundsfestival, Malmö, 11.05.2013 (Photo by Tom Spray)
Iceage, Øresundsfestival, Malmö, 11.05.2013 (Photo by Tom Spray)
The White Album, Øresundsfestival, Malmö, 11.05.2013 (Photo by James Hjertholm)
Bruce Springsteen, Parken, Copenhagen, 14.05.2013 (Photo by Tom Spray)
Bring Me The Horizon, Amager Bio, Copenhagen, 18.05.2013 (Photo by Tom Spray)
Beach Fossils, Stengade, Copenhagen, 21.05.2013 (Photo by Tom Spray)
Nick Cave, Optimus Primavera Sound, Porto, 31.05.2013 (Photo by Janye Yong)
Blur, Optimus Primavera Sound, Porto, 31.05.2013 (Photo by Janye Yong)
Grizzly Bear, Optimus Primavera Sound, Porto, 01.06.2013 (Photo by Janye Yong)
A$AP Rocky, Falconer Salen, Copenhagen, 11.06.2013 (Photo by Tom Spray)
Mew, Store Vega, Copenhagen, 12.06.2013 (Photo by Tom Spray)
The National, Loppen, Copenhagen, 20.06.2013 (Photo by Tom Spray)
Trash Talk, Store Vega, Copenhagen, 27.06.2013 (Photo by Tom Spray)
Drenge, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)
Savages, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)
Slipknot crowd, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)
Animal Collective, Roskilde Festival, 04.07.2013 (Photo by Tom Spray)
Metz, Roskilde Festival, 05.07.2013 (Photo by Tom Spray)
EL-P, Roskilde Festival, 05.07.2013 (Photo by Tom Spray)
Iceage, Roskilde Festival, 06.07.2013
Action Bronson, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)
The National, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)
Metallica, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)
Sigur Ros, Roskilde Festival, 06.07.2013 (Photo by Tom Spray)
James Blake, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)
Black Rebel Motorcycle Club, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)
Queens Of The Stone Age, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)
Kraftwerk, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)
Kraftwerk crowd, Roskilde Festival, 07.07.2013 (Photo by Tom Spray)
John Legend, Store Vega, Copenhagen, 16.07.2013 (Photo by Tom Spray)
Sleep Party People, Pumpehuset, Copenhagen, 27.07.2013 (Photo by Tom Spray)
The Smashing Pumpkins, Falconer Salen, 31.07.2013 (Photo by Tom Spray)
OFF Festival, Katowice, Poland (Photo by Tom Spray)
OFF Festival, Katowice, Poland (Photo by Tom Spray)
AlunaGeorge, OFF Festival, Katowice, Poland (Photo by Tom Spray)
Cloud Nothings, OFF Festival, Katowice, Poland (Photo by Tom Spray)
OFF Festival, Katowice, Poland (Photo by Tom Spray)
Julia Holter, OFF Festival, Katowice, Poland (Photo by Tom Spray)
The Walkmen, OFF Festival, Katowice, Poland (Photo by Tom Spray)
Autre Ne Veut, OFF Festival, Katowice, Poland (Photo by Tom Spray)
Japandroids crowd, OFF Festival, Katowice, Poland (Photo by Tom Spray)
We draw A, OFF Festival, Katowice, Poland (Photo by Tom Spray)
Fucked Up, OFF Festival, Katowice, Poland (Photo by Tom Spray)
My Bloody Valentine, OFF Festival, Katowice, Poland (Photo by Tom Spray)
Japandroids, OFF Festival, Katowice, Poland (Photo by Tom Spray)
Godspeed You! Black Emperor, Tivoli Concert Hall, Copenhagen, 07.08.2013 (Photo by Tom Spray)
Ice Cream Cathedral, Lille Vega, Copenhagen, 07.08.2013 (Photo by Morten Aagaard Krogh)
Haim, Lille Vega, Copenhagen, 07.08.2013 (Photo by Morten Aagaard Krogh)
Tame Impala, Store Vega, Copenhagen, 09.08.2013 (Photo by Tom Spray)
Dirty Beaches, Copenhagen, 11.08.2013 (Photo by Tom Spray)
Mikal Cronin, Pumpehuset, Copenhagen, 11.08.2013 (Photo by Tom Spray)
Ducktails, Pumpehuset, Copenhagen, 11.08.2013 (Photo by Tom Spray)
Trans Metro Express, Strøm Festival, 13.08.2013 (Photo by Morten Aagaard Krogh)
The Haxan Cloak, Cisternerne, Copenhagen, 14.08.2013 (Photo by Morten Aagaard Krogh)
Ice Cream Cathedral, Malmo Festival, Road Trip, 17.08.2013 (Photo by Morten Aagaard Krogh)
Baby In Vain, Malmo Festival, Road Trip, 17.08.2013 (Photo by Morten Aagaard Krogh)
David Byrne & St Vincent, Falconer Salen, Copenhagen, 22.08.2013 (Photo by Morten Aagaard Krogh)
MS MR, Rust, Copenhagen, 28.08.2013 (Photo by Ivan Boll)
Matthew E. White, Store Vega, Copenhagen, 09.09.2013 (Photo by Jen Tse)
A Place To Bury Strangers, Loppen, Copenhagen, 24.09.2013 (Photo by Morten Aagaard Krogh)
Delorean, Lille Vega, Copenhagen, 25.09.2013 (Photo by Jen Tse)
Editors, Store Vega, Copenhagen, 26.09.2013 (Photo by Tom Spray)
MGMT, Store Vega, Copenhagen, 01.10.2013 (Photo by Jen Tse)
James Blake crowd, Falconer Salen, Copenhagen, 06.10.2013 (Photo by James Hjertholm)
Baby In Vain, Pumpehuset, Copenhagen, 04.10.2013 (Photo by Jen Tse)
Washed Out, Lille Vega, Copenhagen, 09.10.2013 (Photo by Tom Spray)
Foals, Store Vega, Copenhagen, 15.10.2013 (Photo by Tom Spray)
Julianna Barwick, Jazzhouse, Copenhagen, 20.10.2013 (Photo by Tom Spray)
Biffy Clyro, Den Grå Hal, Copenhagen, 01.11.2013 (Photo by Jen Tse)
The National, Forum, Copenhagen, 02.11.2013 (Photo by James Hjertholm)
Julia Holter, Jazzhouse, Copenhagen, 05.11.2013 (Photo by Morten Aagaard Krogh)
Nick Cave and The Bad Seeds, Falconer Salen, Copenhagen, 08.11.2013 (Photo by Jonas Bang)
The Woken Trees, UK tour (Photo by Jonas Bang)
Crystal Stilts, Stengade, Copenhagen, 14.11.2013 (Photo by Morten Aagaard Krogh)
Fuck Buttons, Pumpehuset, Copenhagen, 16.11.2013 (Photo by Tom Spray)
Volcano Choir, Amager Bio, Copenhagen, 18.11.2013 (Photo by Tom Spray)
Youth Lagoon, Pumpehuset, Copenhagen, 20.11.2013 (Photo by Jen Tse)
EL-P and Killer Mike, Lille Vega, Copenhagen, 20.11.2013 (Photo by Tom Spray)
The Tallest Man On Earth, Store Vega, Copenhagen, 21.11.2013 (Photo by Tom Spray)
Get Your Gun, Russia/Estonia tour, fall 2013 (Photo by Jonas Bang)
Trentemøller, Store Vega, Copenhagen, 22.11.2013 (Photo by James Hjertholm)
Blouse, Loppen, Copenhagen, 26.11.2013 (Photo by Morten Aagaard Krogh)
MØ, Store Vega, Copenhagen, 28.11.2013 (Photo by James Hjertholm)
Queens Of The Stone Age, Forum, Copenhagen, 29.11.2013 (Photo by Jen Tse)
Destroyer, Jazzhouse, Copenhagen, 03.12.2013 (Photo by Ivan Boll)
Kurt Vile, Store Vega, Copenhagen, 05.12.2013 (Photo by Ivan Boll)
Oh Land, Store Vega, Copenhagen, 12.12.2013 (Photo by Ivan Boll)
Cut Copy, Lille Vega, Copenhagen, 13.12.2013 (Photo by Tom Spray)
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LIVE REVIEW: Iceland Airwaves Day 4, 02.11.2013
Mac DeMarco: Surprisingly there was no nudity in DeMarco’s show this time. He came on stage with three other band members who all had good input on the show. The guitar particularly sounded so clean and smooth it was like you could see the notes float in the air coming out of the instrument. Mac said in the beginning that he had some problems singing because of a sore throat, but he sounded better than I imagined. He went from singing in an elegant high pitched voice down to cool, deep whiskey style. The whole band was lively and had a very comfortable performance. They were louder than I had thought and always very tuned. The best thing about the band’s performance was its inventiveness. When DeMarco announced there were only two songs left they played a couple of cover songs — for example, a heavy metal version of “Blackbird” were the bassist stretched his vocal chords. They also performed Metallica’s song “Enter Sandman”, the Police song “Message in a Bottle,” and then to trump it all they played “Break Stuff” by Limp Bizkit to which the guitarist was spitting the lines. To end the show they slowed things down and played the beautiful song “Still Together” and DeMarco crowd surfed while providing nice high pitch vocals. 4,5*/5*
Mykki Blanco: To get the party started, Mykki sent out a hype man. He performed some odd stunts, rapping and screaming to some hip-hop rock beats. His mission to rouse the crowd failed completely but it sure was interesting. But things were about to get more and more interesting. When Mykki finally came on stage, wearing a provocative dress and turning the concert into a drag show, the crowd went wild and he got the vibe from the audience that was needed. After witnessing him stripping off the dress and showing off some nipple tassels, I didn’t know what to expect musically. When Mykki began to perform his songs the show got to another level. His rapping skills are admirable and the flow was very tight. Mixing together punk and hip-hop created something I have never heard before. Mykki was obviously exited to play this concert. He did some a cappella rhymes which were very well delivered. I wasn’t so sure about whether I would like Mykki’s music before attending the concert but after this show I am a fan of this drag queen of Hip-hop. 3,5*/5*
Gold Panda: In my opinion it tends to be kind of weird to stand in a huge crowd and watch some guy press buttons and play with his computer. This time it wasn’t weird at all. Gold Panda truly knows how to create some exotic warm electronic beats that are very easy to dance to. The sound wasn’t perfect and maybe he had some technical problem but that didn’t matter considering that he was performing at 23:00 on a Saturday night. Most of the songs he played are from his new album, Half of Where You Live, and the crowed was digging it. 3,5*/5*
Savages: The coolest act of Iceland Airwaves this year was definitely the four girls from the band Savages. Just with walking on stage they announced without saying it “if you don’t like our music then fuck off”. The band’s style is punk rock, and they dress and perform in that way. The drummer has a big role in their show and showed some good skills pounding the skins. Also Jehnny Beth, the band’s vocalist, gave a powerful performance and sang with much empathy. It wasn’t so crowded at the venue but most of the people seemed to like what they were seeing. On the down side, the songs Savages perform started to sound the same as the show went on. For that reason I sometimes lost attention, but the drummer always knocked me back in. 3*/5*
FM Belfast: There is no better way of ending a Saturday night then attending a FM Belfast concert. The venue was crowded with people in all kinds of conditions but everyone went wild without exception. Originally, FM Belfast featured four band members, but this time they were supported by two guys. That gave the three singers of the band more space to move around and hype the crowd. To be honest, my memory doesn’t recall much about this concert, except for jumping up and down, sitting on the floor, and some ribbons and stuff being thrown off the stage. It truly was a blast. 4*/5*
FM Belfast photo by Aníta Björk Jóhannsdóttir. All other photos via Iceland Airwaves.
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Savages | Roskilde Festival 2013, Pavilion, 04.07.2013
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Optimus Primavera Sound 2013 | Day 2
Savages (Photo by Jayne Yong)
Liars (Photo by Jayne Yong)
Daughn Gibson (Photo by Jayne Yong)
Explosions In The Sky (Photo by Jayne Yong)
Local Natives (Photo by Jayne Yong)
Grizzly Bear (Photo by Jayne Yong)
Melody’s Echo Chamber (Photo by Jayne Yong)
Glass Candy (Photo by Jayne Yong)
Fuck Buttons (Photo by Jayne Yong)
Julio Bashmore (Photo by Jayne Yong)
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Roskilde Festival 2013 | The full line up
A few weeks ago we wrote up an article ‘The Line Up So Far….’, listing must see/recommended bands that had already been announced for Roskilde Festival 2013:
Sigur Ros
King Krule
Animal Collective
Savages
Crystal Castles
The National
Danny Brown
Highasakite
Unfortunately our “wildcard” Daft Punk wasn’t booked after all, not that it came as a shock given the headliners were already picked. No doubt they’ll bring ‘Random Access Memory’ to Roskilde (and the rest of the world) next year.
Anyway, now that we’ve seen the full line up heres an update on a few additional names we’ve added to our list of must see acts at this years festival………
Check out the rest of the line up HERE
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