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Our gig picks this week

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“Hey guys, any good concerts this week?” You bet. As the days get darker and colder the gigs keep piling up. To help you sort out your musical priorities, we’ve come up with our recommendations for the next five days.

Wednesday, November 4

Julia Holter, Vega

Always a favourite at Here Today, Julia Holter’s latest release, Have You In My Wilderness has received universal acclaim. If your dream hangout spot is the Road House from Twin Peaks, welcome to your new musical obsession.

Thursday, November 5

The Prodigy, Tap1

Do we really need to tell you why the Prodigy are worth seeing? Weren’t you around when the video for “Firestarter” was playing everywhere? Jeez, live a little.

Shilpa Ray, Loppen

If you haven’t already shaved the top of your head and colored the remaining hair green in tribute to the Prodigy, you can opt for a more quiet evening with Shilpa Ray, who did this wonderful duet with Nick Cave and Warren Ellis.

Friday, November 6

Chelsea Wolfe, Loppen

The dark queen of doom folk is back again with Abyss. Halloween really isn’t over till Chelsea’s passed through town.

Mercury Rev, Koncerthuset

These indie heroes of the 80s and 90s are still going strong with their newly release The Light in You.

James Chance and the Contortions, Jazzhouse

NY NO WAVE! KILL YR IDOLS! God knows how or why they are still playing, but how can you not be into a little contortion?

Saturday, November 7

Put on your best canadian tuxedo and point your Mustang south towards Amager Bio for longhaired-wonder Kurt Vile.

(If you are in Århus you will have the chance to experience Kurt Vile at Voxhall on the 4. of November.)

Kuku and Blixa Bargeld, Jazzhouse

Honestly I can’t think of many reasons why you wouldn’t want to see Blixa Bargeld doing anything, anywhere. Just the other day I watched a video of him making risotto on German tv. Worth it.

Sunday, November 8

Son Lux, Lille Vega

No one goes wild on a Sunday, so why not chill with Son Lux instead? Also, is this what people mean by chamber pop?

Thurston Moore, Store Vega

Or else head round the corner to Vega’s larger venue and check out Sonic Youth-founder Thurston Moore. Then again I haven’t read Kim Gordon’s autobiography yet so I dunno whether I’m supposed to be ok with him or not.

Patty Waters, Jazzhouse

Believe it or not, Jazzhouse does actually host jazz gigs every now and then. “Priestess of the avant-garde” should be all the endorsement this jazz innovator needs. Jazz (and did I mention jazz?)

 

VIDEO: Son Lux – You Don’t Know Me

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son lux

We’re big fans of Son Lux and their latest album, Bones, which is why we’re particularly excited to share their latest video for “You Don’t Know Me.”

Part unhappy marriage narrated by a disillusioned wife, part pastel occult ritual, the video for “You Don’t Know Me” offsets the cold distance of the song’s synthetic composition with sharply contrasting lighting. Mixed in is an assortment of imagery from the bizarre (crushing raw eggs in rubber gloves for no discernible reason) to the sublime (that set dressing!), and some things that are just downright humorous (handing out sticks of gum like communion wafers). Its overall effect is a witty balance. And who knew that chiaroscuro and Wes Andersen color palettes went together so well?

Watch the video here:


We had a great time when Ryan Lott and co. packed out Stengade at the beginning of 2014, even if they don’t go for the high drama of their latest short. It’s still a few months away, but considering they sold out their last Copenhagen visit, it’s probably not too early to buy tickets for their November show at Vega.

LIVE REVIEW: Son Lux, Stengade, 31.01.2014

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There is something particularly interesting about watching electronic artists interpret their work live. It’s never certain whether you’ll get a full band or someone with a laptop. With Son Lux (né Ryan Lott), touring for the first time ever with a backing band. His sold out show at Stengade — and first ever show in Copenhagen — saw him accompanied by a drummer and guitarist in what was only their 18th show together.

Interpretation is really the way to look at the set. While the basics of all of Son Lux’s  songs were there, thus making them each readily identifiable, the listening experience was still completely different from his albums. The biggest changes in dynamics come from the guitarist; as recordings, these are not guitar-centric songs, so the moments when the distortion is hit the hardest have a dramatic effect.

Then there is Lott himself: Limited to the space behind his keyboards, he is strangely compelling to watch. He often has his arms raised aloft — perhaps the only bit of him that can be seen from the back of the packed room — or moves in jerky motions to match glitchier music. Even during his quieter songs, he dances with with an enthusiasm that doesn’t quite match up but is infectious all the same.

One of the biggest shocks, however, is his voice. The whispered fragility of the vocals on his records, bolstered there with dozens of overdubs, gives no indication of just how strong his voice really is. Not only is it resonant and often emotive, but it carries through the cadences in the songs where the other instruments fall away and, as another example, when he comes back alone for the encore to play a minimalist version of “Lanterns Lit” Lott has a clear idea of how he works as a recording artist and as a live performer, and he knows how to execute each. His show might not be flashy, but it’s still an experience.

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