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Albums of the year 2014

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Swans-To-Be-Kind

Swans – To Be Kind

After thirteen studio albums, Swans have not diluted their power or talent one bit. But somehow, since their rekindling in 2010, they have become more popular. To Be Kind is just as provocative and challenging as Swans’ early material, with half-an-hour-long songs like “Bring the Sun/Touissant Overture” and off-kilter oddities like “A Little God in My Hand”, but the sound and instrumentation has matured, becomings both less distorted and somehow more dissonant. As we witnessed in November, Swans are still a brutally loud and relentless live band, a constant provocation to audience and peers, and much loved because of it. – CC


 møMØ – NoMythologies To Follow

Karen Marie Ørsted is my hero. My braid swinging, ex-punk rocker, stage diving hero. I remember the first time I listened to one of MØ’s tracks, loading up Spotify and finding myself blasting ‘Pilgrim’ and ‘Let The Youth Go Mad’ for hours on end and wondering how one individual could contain quite so much effortless cool. She was the Danish alternative pop princess I’d been waiting for, ready to join a royal court populated by Björk, Kate Bush and Lana Del Rey. I waited for No Mythologies To Follow for over a year, as singles like ‘Glass’ and ‘XXX 88’ trickled out from MØ HQ. I was delighted to find that the debut album did not disappoint, as Ørsted shared something that was exciting, thematic, beautiful and most importantly, sounds fucking fantastic. From the first time I heard it, I knew that No Mythologies… was my album of the year. – HT


WhatIsThisHeartHow To Dress Well – What Is This Heart?

Tom Krell’s third album What Is This Heart touches on lighter subjects than his previous two albums Total Loss (2012) and Love Remains (2010). Not one to shy away from touching personal matters, the album starts off with ‘2 Years On (Shame Dream)’ and leads you softly into a journey that expands an extremely vivid personal dream about his family. ‘Face Again’ the stand out single along with ‘Repeat Pleasure’ work in his signature indie R&B coupled with stunning falsetto which leave you questioning how these tracks aren’t further up the charts. WITH takes a turn with grand orchestral ‘Pour Cyril’ before leading into cute power pop ballads ‘Very Best Friend’ and ‘Precious Love’ proving key changes are making a come back! – TS


 Angel OlsenAngel Olsen – Burn Your Fire For No Witness

The most immediately striking thing about Angel Olsen is her voice, a voice that could easily croon country hits but instead lopes over scruffy, dampened guitars. Her voice alone should earn her and Burn Your Fire for No Witness a place in hearts and best-of lists, but what really makes Burn Your Fire… so special is that it’s wholly intuitive. Olsen’s second full length album is her first with a full band, and it’s the album her debut hinted she was capable of making. She hasn’t abandoned minimalist solo tracks, but she balances them against full-band arrangements. And it’s not just the range of her voice that’s striking but it’s incredible malleability; that it’s raw yet gentle, that it jumps from disaffected to emotive from one line to another, that it rasps and twangs with equal affect. And while she’s not too proud to pay homage to the ‘90s on “Forgiven/Forgotten” and “High and Wild,” these frazzled moments give way easily to stark folk ballads. The album comes down so slowly that by the time you’ve reached the hushed conclusion of “Windows” there’s a sense of catharsis. Burn Your Fire… doesn’t just leave you feeling satisfied, but completed. – AF


 sharon van ettenSharon Van Etten  – Are We There

Somewhere in Tennessee there is apparently an ex-boyfriend of Sharon Van Etten who, during their relationship, kept telling her that her music was terrible. There is a lesson to be learned here.
“Are We There” is one of those records that grows on you. There is something extremely vulnerable and honest about Sharon Van Etten’s song writing and performance on stage. Her voice has depth which is completed by the unique vocal harmonies with Heather Woods Broderick. As Sharon Van Etten told The New York Times when she released her previous album “Tramp”, she does not really consider them harmonies: “I just hear two notes at once — I just hear two melodies.” – MK


6) East India YouthTotal Strife Forever
7) IceagePlowing Into The Fields Of Love
8) Scott Walker and SunnO)))Soused
9) Tune-yardsNikki Nack
10) The War On DrugsLost In A Dream
11) Future IslandsSingles
12) Sleep Party PeopleFloating
13) FKA TwigsLP1
14) EagullsEagulls
15) St. VincentSt. Vincent
16) Alt-JThis Is All Yours
17) Wild BeastsPresent Tense
18) Mac DeMarcoSalad Days
19) Ice Cream CathedralSudden Anatomy
20) Lana Del ReyUltraviolence
21) Get Your GunThe Worrying Kind
22) SpoonThey Want My Soul
23) WarpaintWarpaint
24) Shiny DarklyLittle Earth
25) BeyoncéBeyoncé

Photos of the year 2014

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The Rolling Stones (Photo by Morten Aagaard Krogh)

It has been a busy year for Here Today. During 2014 our photographers and journalists covered Roskilde FestivalNorthside FestivalTrailerpark FestivalWasn’t Born To Follow (a mini festival by Smash! Bang! Pow!), as well as over 50 live shows with artists like St. VincentSwansAngel OlsenSharon Van EttenThe War On DrugsMac DemarcoCommunionsFirst HateLower, and many more.

We have put together a selection of the best photos of the year 2014. It has not been easy. Some stood out, though, like the picture below of Perfect Pussy; a picture that captures the raw energy of the show while still being very carefully composed and a perfect example of Henry Cartier Bresson’s concept of the decisive moment.

Perfect Pussy (photo by Morten Aagaard Krogh / mortenkrogh.com)Perfect Pussy | Wasn´t Born To Follow, Pumpehuset, Copenhagen (Photo by Morten Aagaard Krogh)

Another amazing photo is the one of Damon Albarn (by Tom Spray) spitting water at the audience at Roskilde Festival. The crowd, the big empty space and the solitary figure (Damon) at the edge of the stage in a defiant stance; it is a picture with allegorical qualities, one that can make you mind wander.

Damon Albarn (Photo by Tom Spray)

Damon Albarn | Roskilde Festival, Arena Stage (Photo by Tom Spray)

Then there is Morten Aagaard Krogh‘s photograph of the The Rolling Stones (at the top of this post) from when the band played the legendary Orange Stage at Roskilde Festival, a stage that has come to symbolize the festival. The Orange Stage was originally made for The Rolling Stones’s 1976 Summer tour, but in 1978 it was sold to Roskilde Festival. For the first time since 1976 The Rolling Stones where reunited with their old stage. It was also the first time they played Roskilde Festival. James Hjertholm’s photo of Hexis’s leadsinger Filip Andersen is also very powerful and last, but not least, there is a whole gallery of photos (at the bottom of the page) that are equally great.

Hexis (Photo by James Hjertholm)

Hexis | Roskilde Festival, Rising Stage (Photo by James Hjertholm)

See the gallery with Here Today’s photos of the year 2014 below.

The gallery features photos by Morten Aagaard Krogh (mortenkrogh.com), Tom Spray (tom-spray.com), James Hjertholm (jameshjertholm.com), Ivan Boll (ivanrb.dk) and Jonas Bang (jonasbang.com).

All images are copyright of the individual photographers.

LIVE REVIEW: Swans, Store Vega, 23.11.2014

in Live Reviews by

Photos by Morten Aagaard Krogh (mortenkrogh.com)

As if to reiterate the fact that concert-goers can be a foolish lot, ear-plugs are being handed out on the stairs into Store Vega, perhaps to those whose only other encounter with Swans was their often-regretted cover “Love Will Tear Us Apart”. The ear-plugs are a small concession relative to the brutal onslaught which is to come: eight songs (give or take) spread over two and a half hours, beginning with a fifteen minute gong solo.

Said gong solo marks the opening of “Frankie M”, a staple of recent Swans shows, though as yet unreleased. Live shows are something of a breeding ground for Swans songs (lets get over that pun right now, before I am tempted to repeat it), with several of the tracks off To Be Kind constituting part of their live repertoire long before the album’s release. Gigs are, for frontman Michael Gira, a way to directly experience the odd mix of love and confrontation between band and fans.

Swans live at Vega

If Swans have become slightly less physically violent than they used to be, and Micheal Gira less prone to unleashing his genitals on stage, they have only turned more visually terrifying: a skeletal Norman Westberg hovers precariously to the right of the stage, while an ominous Christoph Hahn broods over his lapsteel on the left. Gira directs with wild hand gestures and looming over his band-mates, building up tension by ever more unbearable degrees. Though much of the set is based on drone noise-scapes, songs like “A Little God in My Hands” allow for a different, markedly more bizarre atmosphere. With its off-kilter bassline and rhythm, the song inhabits a Twin Peaks-inspired psychosphere, amplified by Gira’s tendency to garble the lyrics into a twisted baby-speak.

Swans

Though Swans are certainly uncompromising, they have a perversely playful side. Percussionist Thor Harris’s appearance is a Spinal-Tap-esque imitation of a caveman, bearded and bare-chested. The mercurial Michael Gira appears to be in a good mood, referring to the audience as “beautiful children” and making fun of the “language of dark sorrow” in a generic Scandinavian accent. One brief scuffle with someone in the front row amounts to nothing more than a stern reprimand, and our photographer remains unmolested.

There is no doubting that this is a test of endurance. The weaker elements of the audience (or those who have work in the morning) start leaving after an hour and a half, and so Gira’s request that the house lights be raised in order to see the audience has the appearance of an appraisal of our strength. The final bows and the promise of kisses at the merch booth are like being offered tea after being punched in the face, and masochists that we are, we lap it up.

Swans live at Vega
Swans live at Vega, Copenhagen 2014

VIEW THE LIVE PHOTO GALLERY HERE

 

 

PHOTOS: Swans, Store Vega, 23.11.2015

in Photos by
Swans (Photo by Morten Aagaard Krogh)

Photos by Morten Aagaard Krogh (mortenkrogh.com)

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