Online music magazine based in Copenhagen, Denmark

Monthly archive

June 2015

The Entrepreneurs guide to Roskilde Festival

in Blog by
The Entrepreneurs at Roskilde Festival

This year’s Roskilde Festival is not a normal one for The Entrepreneurs, an upcoming trio from Copenhagen. They are playing no less than three shows at difference locations during the festival. We caught their blistering set at the Rising stage, and met up with them today to hear what concerts they are most looking forward to at Roskilde.

The Entrepreneurs
The Entrepreneurs live at Roskilde Festival 2015 (The Rising Stage)

Communions – Wednesday, 18.00 | Pavilion

We really like Communions. Coming out of the same scene as Iceage, there is something un-Danish about them, which we appreciate. It’s punk and love, at the same time.

Paul McCartney / Deafheaven – Wednesday, 18.00 | Pavilion

We saw Deafheaven when they played Beta 2300 in Copenhagen last year. It is an amazing band, and if it was not for Paul McCartney, that would be our concert of choice. But we have to see Paul McCartney, we are all fans of The Beatles, and some of McCartney’s songs like The Long Winding Road are among our favorites. Some of us even like what he did with Rihanna, but there is no consensus when it comes to that.

Africa Express, Saturday, 23.00  | Arena

It is simply a fantastic line-up, with artists like Warren Ellis, Damon Albarn and Bo, the guitarist from Mew – and we love Bo, you can write that, both his personality and the way he plays the guitar.

Father John Misty, Thursday, 17.00 | Avalon

He is a true performer, simple as that.


VIDEO: Son Lux – You Don’t Know Me

in Blog by
son lux

We’re big fans of Son Lux and their latest album, Bones, which is why we’re particularly excited to share their latest video for “You Don’t Know Me.”

Part unhappy marriage narrated by a disillusioned wife, part pastel occult ritual, the video for “You Don’t Know Me” offsets the cold distance of the song’s synthetic composition with sharply contrasting lighting. Mixed in is an assortment of imagery from the bizarre (crushing raw eggs in rubber gloves for no discernible reason) to the sublime (that set dressing!), and some things that are just downright humorous (handing out sticks of gum like communion wafers). Its overall effect is a witty balance. And who knew that chiaroscuro and Wes Andersen color palettes went together so well?

Watch the video here:

We had a great time when Ryan Lott and co. packed out Stengade at the beginning of 2014, even if they don’t go for the high drama of their latest short. It’s still a few months away, but considering they sold out their last Copenhagen visit, it’s probably not too early to buy tickets for their November show at Vega.

Roskilde 2015: Our Most Anticipated Acts

in Blog by

Roskilde 2015 is gearing up, and as half of the population of Copenhagen migrates towards the festival grounds, it’s time for us to share the acts we are most enthusiastically anticipating.


18:00 – Communions (Pavilion)

19:00 – Bob Hund (Avalon)

19:15 – Ratking (Apollo)

23:00 – The War On Drugs (Arena)


17:00 – Father John Misty (Avalon)

18:00 – St Vincent (Arena)

20:00 – Perfume Genius (Pavilion)

23:00 – Pharmakon (Gloria)

00:00 – Ought (Pavilion)

02:00 – Fat White Family (Pavilion)


16:00 – The Tallest Man On Earth (Arena)

18:00 – Kate Tempest (Apollo)

19:30 – Kendrick Lamar (Orange)

20:00 – Einstürzende Neubauten (Avalon)

21:00 – Run The Jewels (Arena)

22:30 – Disclosure (Orange)


15:00 – Girl Band (Pavilion)

17:00 – Joanna Gruesome (Pavilion)

20:30 – Chelsea Wolfe (Gloria)

22:30 – Deafheaven (Pavilion)

23.00 – Africa Express (Arena)

00:00 – Myrkur (Pavilion)

Festival report: Copenhell

in Live Reviews by
Copenhell crowd

Photos by Alexander Brandel. Text by Oliver Brandel

Placed at the old facilities of B&W. A Modern waste land in central Copenhagen. Just 50 meters

from the old metal foundry, we find Copenhell. The biggest metal/rock in Denmark( and probably

the only one worth mentioning.) The festival saw the day of light in 2010, and have now grown

quite big over the last 5 years.

Before arrival I heard that the tickets for thursday and friday was sold out. The expectations were

high. After entering the gate to Copenhell I was mildly disappointed. So much space, so few

guests. I stood in the food area, where every kitchen was given a cliché name, like “Hell Burger”

and “Devil’s Thai Corner”. From there I could spot all 3 scenes at the Copenhell. Helviti, Hades and

Pandæmonium. No music, just people walking around, laying down on the hill, that surrounds and

the area, and enjoying the sun, just like the rest of Copenhagen.

Gojira live at Copenhell
Gojira live at Copenhell

All in all, the surroundings didn’t really impress and I thought that this was going to be a very long

festival. Yeah sure, you had all the vital stuff a true metal festival needs. Viking land, pop-up tattoo

shop, patch shops, beers and pork barbecue. But all that couldn’t counter the the fact that it felt

deserted and some how half finished.

Suddenly, the warmth of a thousand suns (It felt that way) blasted through the area. Copenhell

used a very clever technique to tell the audience, that a new band was entering a stage. BIG A**

FIREBALLS. Now we were talking!

I was soon to realize the real nature of Copenhell.

The strength of the festival wasn’t this half-finished apocalyptic waste land. It was amazing bands,

amazing audience and an amazing vibe of love, not just for the music, but for all fellow metal

heads gathered at the end of world, or at least Copenhagen.


Solbrud live at Copenhell
Solbrud live at Copenhell


Solbrud went on stage and gave the audience what they asked for. Uncompromised black metal,

just as it should be. With the debut album “Jærtegn”, Solbrud really made something special. An

album that made all the critics bow down to the new heroes of black metal.

The frontman Ole Luk screamed like he was possessed by Satan himself. The quartet from

Denmark showed everybody why the hype was so big and very real. For the first time in my life, I

actually enjoyed black metal. An demonstration of brutal force and big talents.

Primus live at Copenhell
Primus live at Copenhell


Big mushrooms on the stage, funny smelling tobacco in the air. Primus was about to enter Helviti.

With Les Claypool in front, slapping the bass to pieces, Primus took us to their psychedelic world.

the cartoonish and wierd music that makes the band who they are, doesn’t really work at a venue

like this. Slow beats and a lot of funny noises didn’t make the crowd go crazy. They tried, they

really did. I don’t blame the band, I blame the bookers. It was not a bad concert at all, it just

seemed misplaced, especially when 80% of crowd only know the for their contribution to the South

Park intro.

Turbonegro live at Copenhell
Turbonegro live at Copenhell


The Norwegian band Turbonegro is mostly known for their parody of rock n roll and Pride worthy

outfits. It was stupid and funny, just like you want Turbonegro to be. Who dosen’t love Hank von

Helvete, the chubby frontman in hot pants and face paint. They gave everything they had and the

audience enjoyed every second of the musical comedy on stage. Always funny to watch. If you

don’t like music, just bring your best earplugs and have a laugh!


The best concert at Copenhell. Period. No one stood a chance. No friendly chit-chat with fans, no

funny comment, just pure evil death and technique. The French band Gojira dominated the stage

and spanked the ears of the audience. Hypnotizing death mixed with the sounds of djent makes a

perfect cocktail, just ask your bartender. Especially the L’Enfant Sauvage gives a perfect picture of

what modern death should sound like. There is nothing more to say. The came, they saw, the


Crowd at Copenhell
Crowd at Copenhell
Marduk live at Roskilde Festival
Marduk live at Roskilde Festival


Probably the most evil and satanic band on the bill this year. The devil frontman, Mortuus, screams

out “are you fucking with us tonight?!”. The responds was silence. People just stood there, liked

they were nailed to the pavement. I’ve got the feeling, that this concert was going to fall directly to

the ground. Sure it was last day and people were drunk and tired, but still, there was almost no

response for the 2/3 parts of the concert. At last! Marduk succeeded with getting the crowd going,

but it wasn’t enough to save the concert, although they play quite well.

Asking Alexandria live at Copenhell
Asking Alexandria live at Copenhell

Asking Alexandria

The pretty boys from Great Britain went on stage and first pit was filled with women, waiting for

their One Direction of metal. Mixing metal with electronic music from Sonar festival, is not best

combination, but the ladies didn’t care, because the band is cute. It was quite obvious to see, that

a lot of the crowd only bought their ticket to see AA, and didn’t come for the “real” metal. But what

can you say. Their music is catchy and the hardcore fans loved it. No great technique or lyrics, but

a hell of energy and presence. It was actually not as bad, as I would have thought.

The Darkness live at Copenhell
The Darkness live at Copenhell

The Darkness

Wasn’t this supposed to be a metal festival? Sure, all the people at Copenhell knows “I Belive In A

Thing Called Love” and can probably sing the most of it, but aren’t these guy like 60 years old by

now? It is clear from the get-go that this is going to be one hell of a tough crowd as the audience is

filled with conservative metal heads. But the guys from The Darkness actually did it! With their 70s

rock and roll attitude, funny performance and well mastered instrument, it was possible to conquer

the audience. They gave a good show, but it was possible to tell that the band was a bit road-worn

after the last 15 years. Especially when singer, Justin Hawkins, couldn’t hit his signature high

notes. Very funny, but not amazing.


LIVE REVIEW: Jenny Hval, Jazzhouse, 24.06.2015

in Live Reviews by
Jenny Hval live at Jazzhouse, Copenhagen 2015

Whenever artists make an off-kilter record, it’s always exciting and a little nerve-wracking to see how they will perform it. In the case of Jenny Hval, whose latest album, Apocalypse, Girl, combines spoken word with muted electronics and some odd-ball pop songs, there are any number of ways her performance at Jazzhouse could go wrong.

The show, however, is far beyond a concert and more along the lines of performance art. It’s pure entertainment, the kind you recommend and don’t worry about whether or not other people will find it strange. [inlinetweet prefix=”null” tweeter=”null” suffix=”via @heretodaydk”]You’d have to be completely joyless not to find humor in Hval’s avant garde fly girls[/inlinetweet], who play with an iPad that projects onto a screen on stage, or gyrate in the shadows of a backlit screen, or momentarily take over to sing a karaoke version of Britney Spears’ “I’m Not a Girl.”

Hval herself angles for subtler performance, wearing a reddish wig for no apparent reason, allowing herself to be jostled by the fly girls, and pausing slightly longer during “Kingsize” when she declares “I am one-fourth Danish,” to allow the crowd to cheer (which they do).


Hval never seems to exert herself when she sings; no matter how far she stretches her voice or her range, her body is languid, lax, her posture somewhat lazy. She balances this nicely with projections of a woman smoking, sped up just enough to make it twitchy whereas Hval is anything but.

The visual aspect of the set is a tremendous counter to the fact that the music side of the performance doesn’t differ at all from the recordings. But you could never argue that you haven’t been given a real treat. For how casual the evening feels, it’s clearly choreographed down to the wigs being pulled off at the end of “The Battle is Over.” Hval has to apologize to the crowd that there won’t be an encore, that they haven’t prepared one. And after the spectacle of the last hour, it’s better that she walks away than offers anything less.


LIVE REVIEW: Blanck Mass, Jazzhouse, 04.06.2015

in Live Reviews by

It’s the second night of Distortion and Blanck Mass, aka Benjamin John Power of Fuck Buttons, is playing Jazzhouse for his first ever Copenhagen solo show. And there’s no one here. On an ordinary night, this would already mean that everyone is missing out, but for a late show following hours of raucous street parties, this is the chillest way possible to round out the evening.

In the darkened room, half of the approximately 30 people who have assembled are sitting, staring up at Power, who is backlit by a projection screen. The next hour is an ebb and flow of ambient lulls and crests of beats. Without any beats, his songs have an Eno-esque softness. When paired with the freeform, shifting colors of the projections (except for the one that was a skull, that wasn’t so freeform), the mood is between serene and sedate.

When Power plays with Fuck Buttons, he has Andrew Hung to interact with, and that in itself changes the energy of the performance. Alone on the stage, he fares well enough, bopping behind his table and flitting from one piece of equipment to another. But we can’t even see his face, so there is an effect of disembodiment.

Granted, for his more beat-driven tracks, it makes less of a difference. The rhythms are scattered and compete with one another in a way that absorbs the movements into each other. On a different night with a different crowd, this could be a very hip party soundtrack.

But here, now, with the evening is drawing to close, a harsh buzz saw of static cuts through any comfort that had settled in the room. The jolt fades into more soft, enveloping synths, and finally rolls back into one of his multi-layered rhythms. The music cuts, the projection screen goes blank, and Power says an unamplified “thanks” to the crowd before walking off the stage.

SESSION: Cold Specks

in Sessions by
Cold Specks (Photo by Alexander Brandel)

“Born all in the dark wormy earth, cold specks of fire, evil, lights shining in the darkness.” These lines from James Joyce’s Ulysses would later inspire the stage name of Somali-Canadian singer-songwriter Ladan Hussein. Somehow you can hear her sound in these words; layered and complex, full of soul and beauty.

On a mild January morning, after playing a sold out show at Vega the night before, Cold Specks arrived at the Black Tornado to perform some songs from her second album, Neuroplasticity. Here is the atmospheric ‘Absisto’ and the soulful ‘Let Loose The Dogs’.

The session was recorded at the Black Tornado Studios. This is also where the portrait of Cold Specks by Alexander Brandel was taken.

Go to Top