It’s only seven months since Daughter last played Copenhagen. In that time, they’ve not only been bumped up from Lille Vega to Store Vega, but they’ve managed to sell out the big room as well. It’s pretty impressive for a band that’s only existed for three years.
But there’s an odd vibe throughout the show. The band take a few songs to warm up, but even then the energy is low. The vocals are swallowed up by the guitars, which, on the one hand works in a seamless, wall-of-sound way, but on the other drowns out all of Elena Tonra’s lyrics.
It is interesting to see how much of their sound is achieved by bowing guitars, what’s played lived and what’s sampled, and to watch Tonra and Igor Haefeli swap between guitar and bass. Haefeli is the more energetic of the two guitarists; not being saddled with as many vocal duties, he moves around the stage more, and seems more in the moment. Tonra, to her credit, maintains good eye contact with the crowd, which does go a long way to making a big room feel smaller.
But there is still the incessant chatter of the crowd to bring the mood down. Though ready enough with their applause, conversations can be heard through every song, and voices shout over every quiet part where Tonra’s hushed vocals should finally be clear. Maybe this is the downside of Daughter not playing at an ear-splitting volume. There are a few songs, such as “Human” and “Youth,” where the music and lights coalesce perfectly, and everyone is taken in.
Which is why it’s depressing that the biggest reaction of the evening comes during the encore when Daughter announce that they’re going to play a cover. Everyone in the room knows they’re going to play their broody version of Daft Punk’s “Get Lucky,” and it feels unfair that a novelty cover of this year’s biggest song is what people really seem to want to hear. Tonra has thanked the crowd with a nervous laugh more than once during the set for being so nice. Are we really?
Photo from Daugher’s April show at Lille Vega.