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LIVE REVIEW: Pond, Pumpehuset, 10.03.2015

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The cover of Pond’s latest LP, Man It Feels Like Space Again, does a good job of evoking the mood of the band: colourful, messy, childlike, brilliantly ridiculous. Though less well-known than their sister band, Tame Impala, the Perth fourtet have received significant critical acclaim.  Justifiably so, as this set proves.

The evening kicks off with Froth, a shoegaze-y indie band from L.A., who make up for a slight lack of imagination by looking cute and earnest in their Pavement t-shirts. They are playing on the smaller stage, on the first floor of Pumpehuset, a suitably snug environment. The audience is enthusiastic but rather small, depleted, no doubt, by the Ariel Pink gig that’s happening elsewhere in town.

(Photo by James Hjertholm)
(Photo by James Hjertholm)

I’d like to think I have vaguely sophisticated tastes when it comes to music, but truthfully, all I want from a live band is a bunch of wackos happy to make fools of themselves, playing psychedelic garage odes to nothing in particular. Pond provide this in spades, bouncing through the first two tracks of their latest album, “Waiting Around for Grace” and “Elvis’ Flaming Star” (bad sub-editing there, guys, Elvis is singular, and merits an ‘s’ after the apostrophe), intermittently collapsing into the odd jam.

“This song is called ‘Heroic Shart’, which is a ridiculous name for a song.” Frontman Nick Allbrook, like his bandmates, revels in underlining their absurdist side. The sound of opening beer cans is incorporated into songs, awful dance moves are attempted. Mid-way through the set Nick and Joe muse about the baldness and possible whereabouts of Brian Eno, before covering “Baby’s On Fire” from the 1974 album Here Come The Warm Jets.

The fun comes to an end after only an hour on stage, surprising for a band with six albums under their belts. A final encore, and my new favourite Aussies disappear into a clear night in Copenhagen.


PLAYLIST: Here Today’s Concerts

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The month of March will not only be treating us with some exciting concerts, but also Sonar Festival (March 13-14). We have updated our “Here Today Concerts” playlist with a few selected artists that you might want to spend a night listening to. Among them are Dean Blunt, Jessica Pratt, Yung (tonight with Total Heels), Ex Hex and Wounded Kings.

Yung + Total Heels (Stengade, 04.03.2015)

As the music scene centered around Mayhem is becoming more widely known, you might be fooled into thinking that it is the only place to go underground in Denmark. That is not the case, though, as Aarhus has it’s own very lively scene. Yung is one of the most promising bands that have emerged from there in the last few years. Tonight (March 4. 2015) they will be playing Stengade along with another great band: Total Heels. Didn’t make it to any of Iceage’s sold out shows at Jazzhouse last week? Well don’t worry, good times are waiting at Stengade. [Link to event.]

Ex Hex (Loppen, 05.03.2015)

According to The Guardian’s 5 star review of Ex Hex’s 2014 album, Rips, the band “sit somewhere near the middle of a Go-gos/Ramones/Sleater-Kinney Venn diagram, and join latterday power-pop aces like Warm Soda, the Love Triangle and Sheer Mag in making some of the most endlessly repeat-listenable should-be-hits of recent years.”

What else is there to say, sounds fun, right? [Link to event.]

Dean Blunt (Jazzhouse, 20.03.2015)

Dean Blunt, who plays Jazzhouse on the 20th of March, is an interesting new breed of experimental lo-fi R&B, dub and electronica. Last year he released the album Black Metal to great critical acclaim.

Dean Blunt is also one half of Hype Williams. [Link to event.]

Jessica Pratt (Stengade, 28.03.2015)

San Fransisco born singer-songwriter Jessica Pratt has just released her second album, On Your Own Love Again. Forget laptop wall-of-sound productions, Jessica Pratt made her album on an analogue 4-track recorder with little more than a guitar and her voice. As Pitchfork writes, it worked out really well: “Its warm, home-recorded atmosphere is more dramatic and distinctive than Jessica Pratt [her debut album]: finger-picked psychedelia, lucidly layered harmonies, hissy tape effects, an overcast haze. But Pratt’s songwriting is more cohesive and concise, her whispered secrets more alluring”. [Link to event.]

Wounded Kings (Loppen, 18.03.2015)

Life can not always be expressed in freak-folk and “repeat-listenable should-be-hits”. Sometimes you need a bit of doom metal and this is where The Wounded Kings enter the scene. Their latest album Consolamentum has received great praise among reviewers. If you sometimes find yourself nodding along to Black Sabbath, Wounded Kings are worth considering. [Link to event]

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