It’s understandable why bands have whole albums tours. Maybe it’s an anniversary, maybe those are the songs the crowds shout for at gigs anyway, or maybe, in the case of Television and Marquee Moon, it is a landmark work worth trotting across the globe decades later. Whatever the motivation, the formula makes sense.
But why do crowds go to whole album shows? Even if they saw the band when it originally toured around the release of that album, this is not the same effect. What in this nostalgic urge makes seeing the whole album performed live better than reminiscing at home with the record, knowing that other favorites only have the slightest chance of making it into the encore?
In the case of Television, it helps tremendously that they play Marquee Moon out of order, and thus makes the evening at least somewhat less predictable. They do begin with album opener “See No Evil,” and it’s not the strongest of starts. Tom Verlaine’s voice sounds shaky on the chorus, but as they recover from this, it becomes apparent that his voice is no longer able to hit the high notes.
That’s hardly a death knell for the performance. Guitar solos are more integral to their sound, and it’s so easy to lose yourself in any of their ambling outros. There are a few surprises, such as the outro of “Torn Curtain” where Verlaine scratches his guitar strings and unexpectedly affects the sound of violins. It is no surprise, however, that “Marquee Moon” closes out the main set. It is the logical conclusion, and really, a ten-minute epic — stretched to 13 minutes on this occasion — would have been the logical conclusion to the recorded album.
There is one thing making it difficult to enjoy the show, and that is the overwhelming heat. Though it’s breezy and cooler in Copenhagen than it’s been in a week, it is Seventh Circle of Hell hot in Pumpehuset. It’s sweat dripping down every inch of you even though you’re not moving hot. People are standing as far away from each other as possible, and the air is so thick and so still that there’s a breeze when a person walks past you. How much this contributes to the general low energy in the room is hard to say, because it’s kind of hard to breathe. But that’s hardly the fault of Television.
Photos by Ronald Laurits Jensen